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Gemma McGrattan of brand engagement agency Synergy Creative explains to The Drum Network why it’s time for large employers to treat employee comms with the same level of care and attention spent on marketing to customers…

Synergy refers to itself as a ‘brand engagement agency’ – what does that mean exactly?

We celebrated Synergy’s 10th anniversary last year, but we found our niche as an agency relatively early on. After a couple of years, we started focusing our expertise and our offering around internal communications and employee engagement. We began working on a lot of employee comms projects: rewards and recognition schemes , induction programmes, that sort of thing, usually based around HR-related comms. Over the years, that has developed into a real specialism for Synergy.

Our clients for this sort of service are typically organisations with 5000+ staff, operating a distributed network of outlets, such as Labrokes, Argos, ODEON Cinemas Group across Europe and various utlility companies, which tend to have lots of small teams and individuals working out in the field for the majority of the time.

What problems are large employers typically trying to address when they engage Synergy?

For that scale of organisation, it can become difficult to keep a large, fragmented, remote workforce fully engaged and up-to-date with the latest information from the company. We specialise in supporting those comms needs, supporting employees on their journey ‘from hire to retire’!

Ultimately, it’s about valuing your employees, encouraging them, motivating them, inspiring them. From a hard-nosed business point of view, there’s clear evidence that employee engagement can have a positive effective on productivity and profitability – Dale Carnegie research found companies with engaged employees outperform those without by 202%. In 2017, more and more organisations are beginning to regard employee engagement as an ongoing strategic initiative, rather than a short-term tactical project.

How has the market changed in the time that Synergy has been focused on internal comms?

These days, it’s common to see job titles such as ‘Head of Internal Communications, ‘Engagement Manager’ or ‘Employer Brand Manager’. In the majority of instances, those jobs didn’t exist a few years ago. That’s significant as it indicates that employee engagement is being taken very seriously at board level now, which is a big change.

Also, various technology platforms have emerged, such as Yammer, Slack and Facebook Workplace, that make it easier than ever before to create an employee network without having to build your own secure platform from scratch. Big brands are now happy to make use of these secure third party platforms in a way they would have been unsure about a few years ago.

The biggest change is the increased recognition that the brand has value, not only to customers, but also to employees. Employers should treat employees as well as they would customers by giving them the opportunity to be listened to, collaborate and shape things within the business. We’re all more sophisticated now. Today, we expect a heightened level of interaction with a brand as consumers, so why wouldn’t we want that sort of two-way dialogue as employees? All the big brands are talking about ‘employee advocacy’, recognising the importance for would-be candidates to hear perspectives from existing employees via their own social networks. The idea here is that a peer recommendation is more powerful than messaging coming directly from the brand.

Who is doing this well at the moment?

A lot of this depends on the brand itself and how brave and forward thinking it is.

Odeon Cinemas Group in Europe has thrown itself whole-heartedly into improving guest experience and employee experience. As a result, they’ve grown hugely in the last two years and had a very successful sale to an American company. That’s a strong case study of the links between employee engagement and hard commercial success.

Virgin Rail has also been very innovative in this area. They recently moved their employee comms to Yammer and are beginning to analyse employee demographics in the same way as customer demographics to inform and shape employee needs.

There are good examples across the board, but the key is that you need to be brave enough to truly embrace it and facilitate the dialogue rather than every item of employee comms having to go through a 50-step approval process, which isn’t going to work.

What tips can you offer large organisations currently reviewing their employee engagement strategy?

Firstly, really understand your people. We think nothing of investing huge sums investigating our customers’ preferences but invest practically nothing in understanding our employees as a collection of internal audiences. You need evidence to get under the skin of that and treat your employer brand with the same kind of care as your consumer-facing brand.

Secondly, whenever you launch an initiative that requires the commitment of your employees to successfully deliver it, you have to be crystal clear about why the initiative is happening in the first place. Make the link meaningful to your people and help them to understand what the business stands for and where you are heading as a business. When employees fundamentally ‘get it’, they are on board all the way.

Thirdly, involve your people, don’t try to simply ‘run’ it. Become a facilitator and curator of the internal conversation rather than a leader or controller of it. It takes time for people to become comfortable on the chosen platform, but the more a workforce knows about each other, with plenty of opportunity to contribute, get involved and make a real difference, the better the chance of a high-performance culture.

And finally, continually reinforce your commitment to the value of internal comms and the employer brand. It can’t be a one hit wonder. The real effort, and success, is in maintaining the momentum.

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Michael Feeley is The Drum Network’s consultant journalist, advising and assisting member agencies on their editorial submissions and contributions to The Drum.

Sourced from The Drum

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When I last worked in the ad industry, George W. Bush was president, tweets were something you heard in the park and Yahoo was – actually, Yahoo was the same in 2007 as well.

I left the business and went off to work in new product development, occasionally sitting in the same meeting rooms as my client’s ad agencies, and generally not paying a lot of attention to their presentations. Sorry.

Last year I started to get interested in ad land again, as I read more and more about programmatic advertising. In the NPD game, we’d been using clever algorithms to predict consumer behaviour for years. Wow, I thought. Now you can crunch all that data in real time on the viewer of any ad, you could do some truly amazing things. Agencies must be all over it.

My own online experience told me that maybe agencies weren’t. The same ad for a Garmin watch had been following me for a week. The same ad, whether I was on Facebook where I chat with friends, on Wired where I read about technology, or on Twitter, where I scream into the abyss. All that data about who I was, what I was doing or what platform I was on: clearly, none of it was affecting the ad.

I started to talk to friends who worked in programmatic. Most ad agencies, it seemed, were not interested in the data. Instead, they were just tossing stills from print and TV campaigns over the fence and asking the media companies to make them work online.

Why, I asked. Dunno, said the programmatic dudes, we can tell them 5,000 things about a single page view, but they don’t use any of it.

Five thousand things! I doubt I know 5,000 things about myself. My 10 years geeking out on vast amounts of data has taught me that 5,000 results are as good as none. Two are too few. Four to six – those I can work with. I wondered how my old friends who’d stuck it out in ad planning were doing. I asked a few of them, from global ad agencies to a couple of hot shops, to send me a blank briefing form from their agencies.

What is the brand’s tone of voice? What is the single most compelling message we can tell them? What supports this? I had to rush up to a few people as if I were Dr Who. I grabbed them by the lapels. What year is it? I asked in rising panic. It felt like I was back in the early 90s, when there were five TV stations in the UK and a bunch of poster sites at roundabouts.

Back then, when you had two campaigns a year at News at Ten and some slots in the Sunday supps, it was completely fine to bang away at being the ‘ultimate driving machine’ in the same Teutonic tone. Nobody got too tired of it. But when I wake up to your brand on Facebook, and scroll past it on Twitter, and see it on Instagram… it just comes across as repetitive.

Yet there are brands that are thriving online, both big and small. They’ve realised that it’s more important to be multifaceted than monotonous, to be surprising rather than consistent. Take Taco Bell, a chain that’s gone from being dubbed ‘Taco Hell’ five years ago to Gen Z’s default hangout. Its social media takes a lot of credit for this: it’s beautiful on Instagram, bitchy on Twitter, inspiring on its website, and its $40,000 TacoBot has already taken $10m in orders on Slack.

Movember has become a global movement online, rising from two Aussies in a pub to a phenomenon that’s raised over $300m. Their messages cover prostate cancer, male suicide and facial hair grooming tips. Their Facebook posts are funny, tear-jerking, surreal, handy, thrilling and heartwarming. Clearly nobody ever showed them an ad agency brief.

Nike, Rude Health Cereals, Victoria’s Secret even Victoria Beckham all seem to have discovered a way to thrive online, one that’s a million miles away from the USP or ‘brutal simplicity of thought’. They’re all multifaceted personalities, and they adapt their tone of voice to their audiences’ moods. Data allows you to do that, if you use it intelligently.

Last year, I teamed up with Torie Chilcott, one of the gods of programmatic advertising, to systematise the process. We started crunching data on what people loved online – not advertising, just… everything, from kittens to TED talks. This led us to a startling conclusion. There are dozens of kinds of content that people love, but they have four broad types. (Remember how I said you can work with four to six data points? Here they come…)

Great online content is either funny, useful, beautiful or inspiring. Great online brands do all four of those things. Victoria’s Secret is hilarious on Instagram. Rude Health is angry and ranty on YouTube. They bring surprise instead of consistency, and match their tone to the platform, rather than expect their audience to change emotional gear.

Data can help you broaden a brand’s emotional appeal. Our data shows that young women in London tend to find grandiose things beautiful, laugh hardest at dark humour and value authoritative opinion. BMW drivers aren’t inspired by social good or anything heartwarming. (Don’t you love it when the facts confirm your prejudices?) Data can also tell you where they’ll be most receptive to each of those tones of voice. To become a multifaceted brand, you’ll need to start thinking in a new way, at that 90s ad brief really isn’t going to help you.

Here’s the questions we think your brief should be asking.

If you can’t answer them, you can’t expect to sync with your audience’s emotions online.

We need 4 executions, not one.

We need to find our brand’s funny, useful, beautiful and inspiring.

Funny

What makes our target audience laugh?

How does that humour connect to our brand personality?

Inspiring

What kind of voice does our audience stand up and follow?

What in our brand could create that kind of rallying cry?

Useful

Where do our target audience go to learn?

What makes them lean forward and how can we learn from that?

Beautiful

What aesthetics turn our audience on and off?

What would our brand look like in that style?

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Brian Millar is co-founder of the Emotional Intelligence Agency, a communications planning company that maps consumers’ emotional lives online. Follow him on Twitter @arthurascii

Sourced from The Drum