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Sourced from B&T Magazine.

Nicola Moras (main photo) is an online visibility expert and author of Into The Spotlight, a guide to help you step up your online visibility, become a rock star in your industry and make your business thrive. In this guest post, Moras takes a look at the pros and cons of paid social media advertising…

To the uninitiated social media advertising can have the allure like that of the holy grail to Indiana Jones. Whilst the adventure may not be quite the same, put a foot wrong and BOOM! You end up falling into the abyss of closed ad accounts, pages shut down and worse – you could lose all the equity you’ve spent time building up on your pages.

I’ve heard the cries time and time again: “Social media advertising doesn’t work” and “We did an ads campaign and we got nothing from it”. The fact of the matter is this: most people who try to advertise on social media fail dismally – not because the advertising doesn’t work, but because the strategy they’re using quite frankly, sucks.

It’s tough to know what to do. We’ve all heard the success stories from using social media advertising, so why does success seem so elusive? We’re badgered by the platforms to ‘Boost to reach more people’ and to ‘advertise to reach more people’. There’s the prompts that tell you that ‘this post is getting more engagement than usual. Boost to reach even more’. Phew. No wonder everyone’s confused. Throw into the mix the adverts managers, the placements, the targeting, the creative options and what platform to choose.

Overwhelmed yet? You’re in good company. The good news is that there is a simple way to navigate it to ensure that should you choose to spend your hard earned dollars on advertising on social media, you’re going to get a return. (Otherwise don’t do it!)

1. When should you pay to advertise?

There is a golden rule to advertising on social media and that is this: Only advertise when you are generating leads and or sales. Generating a lead means obtaining a name and email address from someone. You can then stay in contact with them through your email marketing. A lead is not a ‘like’ or a ‘follow’.

The only other instance that you should pay to advertise on social media is if you are wanting to actively promote something that you are selling. For instance your event, product, program or a service.

If you are not wanting to do either of the above, then you should not be paying for advertising!

2. Why would you?

Facebook is the best social media advertising platform available to us right now. The platform has the biggest volume of users sitting at 2.45Billion monthly active users. Half of those are active daily and on mobile devices. You have the most targetable audience online sitting there in Facebook daily. Your people are on Facebook. It doesn’t matter what you’re offering, what you’re selling, what business you’re in. Your people ARE on Facebook. They may well not be on there using it the way you are. They may be using it to stay in touch with

their families, check up on what their children are doing. They may even be using it for work.

When people are on social media, their guards are down and they are more likely to be inspired by your content, your marketing and your advertising than on any other medium available to us right now.

3. But how do you do it?

Firstly, you have to know who your audience is and you need to identify a problem of theirs that you can solve. You will create something of value that you can give to them for free in exchange for their name and email address. You’ll then email it to them! (All of this should be automated, by the way!).

When you know who they are and the free item (digital ideally) you’re going to give to them, it’s time to head into the Ads Manager. Do not ‘boost’ a post from your page. You always want to use the Ads Manager facility within the platform. You can test, measure and fine tune within the ads manager. It’s very difficult to do it should you choose to create an ads campaign any other way.

From there, you’ll choose your audience targeting (you can be very specific), your creative and hit SUBMIT! Test and measure for a short period of time. A couple of days should be enough to see the leads starting to flow.

Social media advertising is the best it’s ever been…when you have the right strategy behind you.

Sourced from B&T Magazine

By MAX WILLENS.

Ad buyers are getting nervous about how crowded Facebook’s in-stream video program has grown lately.

Over the past month, the number of pages eligible to monetize their videos through Facebook’s in-stream ads program has leapt by more than 30%, with more than 24,000 pages joining the program in the past 30 days, according to a spreadsheet Facebook regularly updates for advertisers.

The pages include everything from prank video and meme accounts to mukbang pages, which offer videos of people eating gluttonous quantities of food, and they are part of a longer-term push by Facebook to home in on YouTube’s ad business.

All pages in the program are subject to an approval process and must adhere to the platform’s brand safety guidelines. But buyers say that the brand safety guard measures Facebook has added to its in-stream program lag behind YouTube’s, and many see the changes Facebook has made as more focused on maximizing inventory than providing a safe place for their clients’ spots.

“They’re prioritizing maximizing inventory at the expense of making it brand safe,” said Erica Patrick, vp of paid social at MediaHub. “You shouldn’t have to make a giant investment to get into brand-safe content.”

Two buyers pointed to the proliferation of viral videos in the in-stream program as examples of content that their clients would not want to appear beside.

Reached for comment, a Facebook spokesperson wrote that the growth of the in-stream program has been organic and said all pages are subject to approval and brand safety guidelines.

In the early days of Facebook’s video ad business, the only in-stream inventory available was on Facebook Watch, which Facebook tried to position as a source of high-end, original programming created by entertainment studios and media companies. Inventory from that programming is still available as part of Facebook Reserve, a separate stock of spots that carries a minimum investment of $100,000, one buyer said.

But that’s too expensive for most buyers, so Facebook has been expanding its supply of cheaper in-stream ads, which can be bought via auction. In the summer of 2018, Facebook expanded Watch by giving creators the opportunity to apply for Watch pages, before reversing course ten months later by phasing out Watch pages altogether.

Since then, the number of pages eligible for those in-stream ads has exploded. Over that same stretch, Facebook has made moves to shore up brand safety across its platform, including announcing the launch of video-level whitelists on Watch in May, along with the addition of a third brand safety partner, Zefr.

But content-level whitelisting is cumbersome and time-consuming, two buyers contacted for this said, adding that Facebook’s blacklisting capability, which are capped at 5,000 pages, is insufficient. “It’s always been an untenable proposition,” said one ad buyer who asked not to be identified.

Those issues were on buyers’ minds before the sharp surge in pages this past month. “The more pages you throw into the mix, [it] can be concerning,” said Callan Lynch, senior manager of paid social at media agency Assembly.

That surge is challenging, buyers say, because context matters more for in-stream ads than it does for other video ads shown in Stories, or in Facebook’s feed, said Lindsey Boan, director of media at the full-service agency Madwell.

“In-feed, in stories, you know the ads are not connected to the person or publisher,” Boan said. “But in-stream, that’s not inherent.

“If you’re a client who’s concerned with those things, you just don’t run on the platform,” Boan added. “It’s not typically included in our base buys, and we honestly stay away from it unless we need it.”

Ultimately, Facebook still delivers efficiencies in price and targeting that buyers are hard-pressed to find elsewhere.

“A view of the ad by the intended audience for the best price is our ultimate goal,” the first buyer said. “But there’s been an evolving conversation” about how suitable the program is, the buyer added.

By MAX WILLENS

Sourced from DIGIDAY

Sourced from Entrepreneur Store

Consumer demand for video continues to grow. Whether your business specializes in selling a specific product, many products, or could benefit from some higher quality branding, it’s worth investing in tools to make in-house videography and photography possible. People respond to quality imagery and outsourcing your design and branding efforts to third parties gets expensive.

From product photography to full-blown ads, the MOZA Slypod 2-in-1 Monopod & Rotation Slider can be a huge asset for your business.

The MOZA Slypod is a two-in-one motorized slider and monopod. The carbon-fiber body makes it extremely light and easy to carry so you can set up production anywhere, while the built-in geared motor provides the kind of precise, steady, smooth movement you’d see on a Hollywood set. No matter what kind of camera you have, the Slypod can raise its capabilities significantly.

The Slypod features accurate position, speed, and motion control using a sophisticated algorithm, keeping your camera in line on even the most extreme, high-speed shots. Imagine if you’re trying to follow a skateboarder through the streets of Venice, the Slypod would be able to keep up. The Slypod can handle tracking automatically, but you can also manually adjust camera travel distance, speed, and acceleration through the MOZA Master app to program the rig in advance in order to accommodate specific creative decisions. The ultra-high power, density-geared motor can produce up to 1Nm of torque, so it’s fully prepared for just about anything.

Best of all, the Slypod is weatherproof, runs for two hours on a single charge, and is easily rechargeable with a power bank. That means all of your on-set productions can run as long as you want, even if they’re out in the middle of the woods. And you might just want to consider landscape shoots considering the Slypod offers amazing cinematic modes, from Vertigo Mode and Wide-range Shooting to Inception Mode and Fixed-Point Follow Focus.

It may sound complicated, but Slypod is easy to set up and reposition for any shot and is designed for amateur use. You shouldn’t have to be a professional cinematographer to make videos and Slypod puts the power in your hands to make high-quality videos (and photos) without needing any kind of professional training.

Take your business videography and photography to the next level. The MOZA Slypod 2-in-1 Monopod & Rotation Slider for Camera is normally $499, but you can save 13 percent off when you get it for $429.99.

MOZA also offers top-of-the-line gimbals for mobile use, including the MOZA AirCross 2 Professional Kit with Focus Accessory, now on sale for 15 percent off $519 at just $439.99, and the MOZA Air 2 Camera Gimbal Stabilizer with Focus Accessory, now on sale for 14 percent off $599 at just $510.

Disclosure: Our goal is to feature products and services that we think you’ll find interesting and useful. If you purchase them, Entrepreneur may get a small share of the revenue from the sale from our commerce partners.

Feature Image Credit: Entrepreneur Store

Sourced from Entrepreneur Store

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It has never been more important to be extremely clear on who you are and what you do for people inside and outside your company. You can’t just say how you’re different, you have to BE how you’re different. There’s too much noise and transparency in the marketplace to try and fake your way through with clever sales pitches alone.

had the pleasure of interviewing Kenn Fine. As FINE’s founder and Executive Creative Director, Kenn Fine has served as creative visionary, strategist, consultant, and confidante to leaders in hospitality, wine, technology, and yet-to-be-defined industries since 1994, developing and growing dozens of award winning brands along the way.

Thank you so much for doing this with us! Can you tell us a story about what brought you to this specific career path?

Roughly 30 years ago, I founded a mountain bike clothing business, working through all the startup challenges to help make it successful before selling it off and beginning to do spot gigs with other companies. I found that I loved the continuous process of parachuting in to problem-solve creatively, and that my mind naturally used brand as a compass for making all sorts of decisions — not just the more obvious design and communications activities, but the operational and service practices that make the whole organization go. I developed this belief that brand is operations. So, whether it’s the minutiae of choosing which of 100 different varieties of Velcro straps work best in a new breed of biking shorts, or figuring out how to deliver service standards at a global hospitality brand, weaving brand into your operational DNA drives everything. So I’ve just been on one long, exhilarating, rewarding mountain bike ride from the start.

Can you share a story about the funniest marketing mistake you made when you were first starting? Can you tell us what lesson you learned from that?

It was back in the clothing company days, before we were even able to afford color printing. I had the genius idea to design a black and white “photocopyable” product brochure with a highly sophisticated scheme of delineated squares that could be colored in — manually! — using a suite of carefully selected colored pencils. I believed I had single-handedly defeated the entire overpriced offset printing industry with sheer ingenuity and elbow grease, while simultaneously imbuing our brand with a more personal and artistic flair! Then, of course, our very first promotional push required 1,000 pieces be ready to distribute within a few days. A few all-nighters and bad hand cramps later, I’d learned a valuable lesson on scale, and the real price of hard cost vs. opportunity cost.

What do you think makes your company stand out? Can you share a story?

It’s really our belief that brand has the power to make big things happen across your organization and your industry if you treat it as a compass heading for operations, not just a cosmetic layer on top of it all.

We take a vertical approach to brand integration, trying not to get lost in the top five percent of making things look good before understanding what connects the entirety of an organization’s behavior and practices. Again, to us, brand is operations.

We create brands from the inside out and design experience from the outside in. Meaning, we are thinking about the essence of what makes a company unique while simultaneously crafting the experience and expression of that brand as it meets the customer. That gives us the DNA and compass heading for everything from the product and service, to environments where it’s delivered, online and off.

The best stories in our industry come from the gaps that kind of thinking exposes, between what companies say their core purpose and promise is, and how they’re expressing it in the marketplace. We have these meetings all the time where the purported project calls for groundbreaking creative, but there’s nothing to attach it to — it is an empty sales pitch. I remember meeting with a global tech client developing what they said was a revolutionary smart phone accessory requiring breakthrough creative. We filled out NDAs, and flew down to meet with a sizable innovation team under strict security protocols, and shared our best work to be worthy of consideration. When it came time to reveal their idea, with great fanfare they pulled off the shroud concealing what appeared to be a makeshift lamp stand you could use to take photos of documents. To this day, I believe that our immediate, involuntary laughter may have lost us that project. And that perhaps a deeper understanding of brand would’ve led them to a different solution.

Are you working on any exciting new projects now? How do you think that will help people?

There’s so many. We’ve begun work with Canyon Ranch, pioneers in wellness who are looking to re-center on their mission of transformation that goes far beyond hospitality and into the impact they have on people’s quality and duration of life. The Hotel Del Coronado is completing a massive revamp and we’re helping use brand to guide and shape their vision for a new generation of Del guests to fall in love with that special place. Both follow this theme of re-imagining hospitality pioneers that started during our work with Kimpton several years ago.

Exciting ones in consumer products include our work for Chateau Ste Michelle, who’s evolving beyond traditional consumer packaged goods branding to meet today’s consumer tastes, rethinking the experience on their property and direct-to-consumer across their dozens of unique brands. And we’re working with some real digital upstarts that are changing the world by designing experience — Lime bikes are leading sharing economy urban transportation, and Mojo Lens is actually developing a contact lens that lets digital information integrate into your life seamlessly, rather than you bending to devices. That’s just a few examples of some very exciting stuff with companies who understand they need to dig deeper into how they deliver and communicate value to people in order to succeed today.

Ok let’s now jump to the core part of our interview. In a nutshell, how would you define the difference between brand marketing (branding) and product marketing (advertising)? Can you explain?

Brand is who you are. It’s your DNA. We may “sequence” it using words and pictures initially, and then expand to other important forms of documentation and standards, but it gets expressed in all the ways you do what you do. Product marketing and advertising and even brand marketing are all examples of tactics where brand plays out and comes in contact with your customers in specific ways. The important thing to remember is that a single ad campaign or product line is not your brand; it should reinforce and emerge from it, but in order to do any of these things well and consistently, you need to have a very strong, very clear core understanding that connects them all. It’s not something that gets published only in a visual standards guide; it’s something that gets published, communicated, documented, trained, improved, and proliferated every day for as long as you are in business.

Can you explain to our readers why it is important to invest resources and energy into building a brand, in addition to the general marketing and advertising efforts?

It has never been more important to be extremely clear on who you are and what you do for people inside and outside your company. You can’t just say how you’re different, you have to BE how you’re different. There’s too much noise and transparency in the marketplace to try and fake your way through with clever sales pitches alone.

We make brands that are “pully” not “pushy”. The more you invest in the brand, the more people will come to it, and the less you will have to add your pushy voice to the chaos of information in the marketplace. You simply invite and introduce.

If you would like your company’s existence to depend upon paid media, buying eyeballs and clicks and one-time sales, focus only on marketing and advertising. If you would like your company to have a foundation of earned and owned customer relationships, focus on nurturing your core brand.

It takes resolve to not resort to quick-hit tactics — there are so many platforms and methods of communication that the biggest issues in brand and communications nowadays are what to say no to. Reduce noise, distractions, and wasted motion. Don’t focus on B2B or B2C marketing, focus on H2H: human-to-human value creation.

Can you share 5 strategies that a company should be doing to build a trusted and believable brand? Please tell us a story or example for each.

#1: Know thyself. Have a clear brand foundation, value proposition, and experience intent to build upon that’s grounded in the right blend of historic reality and future aspiration. Pioneering brands, like Kimpton and their boutique hospitality or Canyon Ranch with wellness, often have a strong legacy spirit they’re trying to both recapture and reinvent. New brands are trying to build a lasting legacy, like Makr Hospitality that centers on the culinary hospitality vibe of its owner Charlie Palmer, or even Holt Homes who’s building residential communities on differentiation meant to last 100 years. Either way, it starts with knowing who you are.

#2: Be loud and proud. Confidently broadcast your distinction without fear of alienating those not in your audience. The urge to be “all things” or “common denominator” is a vestige of mass marketing past. Our work with wine brands like Ashes & Diamonds or Realm is a good example — they’re not for anyone who seeks a traditional wine vibe, and they’re highly successful at it. Pebblebrook Hotels set up a whole new brand — the Unofficial Z Collection — dedicated to the idea that hotels are not a place to sleep, but to wake up. I think of Mojo Lens, who’s leaning into the transformative impact of wearable tech at a time when some are afraid to tread there.

#3: Map the experience. It’s not just about sales funnels, it’s about knowing when you have permission and opportunity to impact a customer in some way. For Lime, knowing how customer use and need information drove digital communication strategy in a new sharing economy category. Bode is a brand trying to make hospitality group-friendly as never before by engineering a shared experience more reliably inspiring than Airbnb or branded hotels. Hotel Del Coronado expanded their property by mapping guest interest to earn added stays and spend by being more relevant and timely. Be methodical about where you can add value to the way customers think and behave.

#4: Empower your culture. We have a saying: “customers buy brands that employees buy into.” So many industries now depend on finding, attracting, retaining, training, motivating, and aligning their people around a common cause. Our tech clients are nowhere without committed engineers. Hospitality is nothing without great service. Our yearslong collaboration with Kimpton is the case in point. Aligning their customer brand and their employer brand, having those mapped journeys overlap to create “ridiculously personal experiences” is why they’re a great brand and consistently voted a top workplace, too.

#5: Acknowledge your customers. Maybe this sounds too basic, like it should amplify to “the customer’s always right” or “cherish your customers.” But start with this, that in every decision you make you will think of the people who pay the bills. You will find ways of considering their point of view and experience, with clarity and empathy. Doing this helps you keep your brand promises. It also leads you to all sorts of tiny gestures, rituals, and touchpoints that do not go unnoticed. I think of the loyalty program we helped Kimpton shape, Kimpton Karma rewarded guests not just for buying but for doing the things that ensure they had a great brand experience and kept the promise “good things come to those who stay” by acknowledging them all along the way. Also, it leads to lots of very cool brand schwag.

In your opinion, what is an example of a company that has done a fantastic job building a believable and beloved brand. What specifically impresses you? What can one do to replicate that?

I think it’s interesting to answer that question not by professional dissection but by observing our own human response toward it. I know in my own life I tend to gravitate toward unassuming natural brands like Tom’s of Maine (at least before they were bought out), or Bob’s Red Mill for many reasons. In my line of work, we get a lot of “I wanna be like Apple” input when we ask what brands they want to emulate and I’ve always been an Apple loyalist. But in recent years, a new brand has emerged to get more mentions: Tesla. We could attribute that to being purpose-driven, as much a cause as a brand. They have a strong loyalist community who will enumerate the ways the product is demonstrably superior, and some vocally conspiratorial detractors who will promote its risks and ulterior motives. They got there by emphasizing design, innovation, and continuous improvement in operations that’s reflected in all the experiences where the car and its driver intersect. Out of necessity, they maintain their own rebel operational infrastructure to provide everything from off-channel sales to roadside assistance. But more than all that, think of the many attempts to start even a standard car brand in the past that have failed while Tesla is inventing a category using no advertising. Their willingness and ability to take on the combustion engine institution and create a highly aspirational consumer and business brand is not much short of miraculous, and if you can approach your brand with half that drive and moxy, you will succeed.

In advertising, one generally measures success by the number of sales. How does one measure the success of a brand building campaign? Is it similar, is it different?

If your only measures of success attach to the short-term return on media spend investment, you will not build a brand. You can measure those returns in simple behavioral ways, from clickthroughs to purchases at points of sale, online or off, and optimize them over time. But if you do that to the exclusion of all else, you can become a victim of your own success where you begin chasing the market instead of creating one. You lure the wrong audience using the wrong message — often, you begin to discount and bend your message to suit short term returns.

The right measures to layer on top of that will depend a bit on your industry and model, but the things to measure in brand are about the price and margin your product commands (measures like revPAR or ADR in hospitality, average purchase price in real estate, contribution margin in consumer goods, etc), the lifetime value of the customers you attract and retain, and the equity that is created in your company by the “soft” asset that is the brand perception you’ve built in the marketplace. These are the measures that tell you you are no longer a commodity that must pay to maintain its place in the market, but a company that has a strong, loyal customer base willing to pay a premium for your product. That is the game.

What role does social media play in your branding efforts?

It’s really different for every organization. The important thing is to understand the extent to which social, or really any channel, is a hub or a spoke in delivering your message and connecting with customers.

It can be a very meaningful place to interact with people, and it’s important to treat it not just as a “broadcast” channel but as a place to have a conversation. The slippery slope of social media is when it becomes its own independent “activity engine” that requires constant content that may feel disconnected from the rest of what you do and just there to create noise. So we spend a lot of time orchestrating that using social media “playbooks” that extend from the core brand to do the job that’s right for the channel. And you have to be prepared to use it the way the customers want to use it, which means it will be some combination of promotional messaging channel, owned media, customer service department, and random incident report all mixed into one. The important thing is trying to retain the balance that is right for your company while remaining responsive to the customers who want to find you there.

What advice would you give to other marketers or business leaders to thrive and avoid burnout?

Take care of yourself first, stay curious by doing creative and challenging things outside of work. Then bring your mad game to your workplace.

You are a person of great influence. If you could inspire a movement that would bring the most amount of good to the most amount of people, what would that be? You never know what your idea can trigger. 🙂

People in the creative trades share a remarkable alignment on what makes organizations admirable, and we hold the power to help them succeed or not through our superpowers with strategy, ingenuity, words, designs, images, and ideas. What if our entire industry resolved to work only on behalf of organizations that could demonstrate responsibility for the positive impact of their products, services, and actions on people, communities, and our planet? Those companies we threw our weight behind would disproportionately and decisively win.

Can you please give us your favorite “Life Lesson Quote”? Can you share how that was relevant to you in your life?

A leader is best when people barely know he exists, when his work is done, his aim fulfilled, they will say: we did it ourselves. — Lao Tzu

It’s one of those quotes that should speak for itself. But the color I would add to it is that branding doesn’t get handed down from the mountain on stone tablets by aloof, black turtlenecked creative directors. It is created and enacted by aligning a great many people over a very long time who must all feel invested in the outcome.

We are blessed that very prominent leaders in business and entertainment read this column. Is there a person in the world with whom you would like to have a lunch or breakfast with? He or she might just see this, especially if we tag them. 🙂

Tom Robbins. His imagination is an inspiration to me and, I find, unexpectedly very practical as it relates to how I approach my work. He could literally make a can of beans worthy of a story. Everything he did was ridiculously different, completely sincere, rich with irreverent statements on our social context and the human condition. I’d like to find out if you can teach and learn that.

By 

Passionate about bringing emerging technology to the market.

Sourced from Thrive Global

Black is, arguably, the queen regnant of all colors. It emanates dominance, mystery, elegance, and reflects a wide spectrum of emotions. Depending on the context, it can be conservative or unconventional, luxurious or minimal. Its usefulness simply knows no bounds.

Thanks to its versatility, black plays an important role in all forms of art. In design, it is often used as a standalone color, mostly in logos, as it can help add a touch of power and sophistication to a brand. Think of Louis Vuitton, Gucci, Chanel, Adidas, or Nike, to name a few. However, black can also serve as a spectacular backdrop for websites. It helps put all other elements in the spotlight and accentuates the brightness and vivaciousness of surrounding colors.

Below you’ll discover 25 stunning examples that prove the potency of black as a background color. While some of them use the simple yet timeless combination of black and white, others combine a variety of colors with their black backgrounds. But they all unquestionably illustrate how dark designs can help brands and individuals differentiate themselves from the crowd and create awe-inspiring projects. The websites we’ll introduce you to are:

Synchronized Studio

Synchronized Studio is a team of creatives and experts in digital art direction, branding, web design, and much more. A word that best describes this website is – powerful. There’s a loading animation that looks like a lightning bolt tearing the dark background as the numbers go from 0 to 100 indicating the loading status. The background is particularly interesting. For one, it’s not static. It resembles black silk wrinkled sheets, and the movement of your mouse causes the “sheets” to stir. The cursor leaves a lime-colored trace behind that adds a touch of color to the homepage. Inner pages are black and white, save for the projects page which is especially fun to explore because of the horizontal drag effect.

Trip in the Dark

Trip in the Dark is an astonishing project created by the Voskhod digital agency that I could wax poetic about ad infinitum. While the website loads, you first see a blinking eye placed on a black background inviting you to be patient while you await for your adventure in the dark to begin. You can then choose the way in which you wish to experience the site – with your ears, eyes, and/or by using your voice to interact with it. Once that’s settled, you’re introduced to Volodya, a not-your-typical tour guide. The background is initially white, but as he begins to narrate his experience and informs you that he’s visually impaired, the light switches off and you’re enveloped in darkness. He tells you his story using his voice as well as through a series of spectacular illustrations that lead you to a crossroads. There you can choose between exploring places or getting to know locals. If you select the former, you’ll be able to make your own map based on the real sounds of the city. You can select a maximum of 5 sounds that you should place in designated slots to then see your route through Yekaterinburg. If you go right and choose to meet locals, you’ll have the opportunity to hear several interesting stories that highlight the importance of listening to sounds, both external and the ones within ourselves.

Andrew Leguay

Andrew Leguay is a designer who specializes in branding, digital products, and lifestyle marketing. His creativity is evident in every single pixel of his commendable portfolio website. As you wait for it to load, the screen becomes more and more chaotic with each passing second. Words such as organizationstrategybrandingmarketingcultureproductframework ambush the screen and are all you can see at one point. It all clears out in an instant and then you get the chance to explore Andrew’s work. The entire website is designed using just three colors – black, white, and dark orange. The background is black, which allows the featured elements to stand out. The font choices are interesting and unusual, especially the typefaces used in headlines. And when it comes to animation effects, the glitching on scroll effect wonderfully complements the cool vibe of the entire site.

Yuto Takahashi

Yuto Takahashi is an art director and a web and graphic designer. His website is mesmerizing from the get-go. The homepage starts off with a somber background image of a woman that appears to be submerged underwater. This composition looks calming and mystical, and it stands as an alluring invitation into Yuto’s creative world. To dive into it, you must first hold down the mouse button for a few seconds. What you’ll discover are his works masterfully displayed on a black background. The color palette he used on the website is not overpowering and it subtly contrasts the dark background. While you scroll and the projects appear on the screen one after the other, you’ll notice how their surface is wavy, resembling turbulent waters. As soon as the scrolling stops, the scroll-triggered animation effect is gone and the images become still. If you click on any of the pictures, you’ll see an in-depth presentation of the featured projects.

Clement Merouani

The website of Clement Merouani, a French art director and photographer, looks like a modern online art exhibition that you can visit and admire from the comfort of your home. You can control the carousel of his colorful works with your mouse. As you scroll or drag from left to right or vice versa, you’ll notice how the edges of displayed images become protuberant. The side towards which they lean depends on the direction in which you scroll. Clement’s website is essentially minimal and well thought out. The background is dark, elegant, and it ensures his works are in the spotlight. There are no distractions, no redundant elements that might draw your attention away. All the while you stay focused solely on his art. If you click on Index at the top left corner of the screen, you’ll see all of Clement’s works displayed in the Pinterest style on a black background.

Sam Phlix

Sam Phlix’s website is minimal to the core and a perfect example of how you don’t have to go overboard with special effects to make an eye-catching online presentation of your work. There’s a black backdrop, big white letters, and monochromatic imagery. Oh, and a carousel, the “wild child” of this site. If you bring the pointer on the wheel and hold the mouse button, the carousel will start to spin, simultaneously inverting the website’s colors – the background becomes white and the letters turn to black.

A Day Out

A Day Out’s works are displayed in large, irregularly-shaped, multi-colored blocks dotted all over the dark background. The masterminds behind this studio have cleverly used colors and the shapes of displayed elements so that you can’t help but feel the strong pull to explore their portfolio. Even as you click on a project of your choice to learn more about it, the black background will still be there with large imagery added on top of it to show you every single aspect of the selected project. Back on the homepage, the studio’s name is written in large typography and is visible at all times. As you scroll, the letters start to move, going from one side of the screen to the next, often swapping places. The fonts these guys used are very simple, colored in white, and placed in stark contrast with the darkness behind them.

Spatzek Studio

Spatzek Studio’s website looks powerful and bold from the first scroll to the last. The riveting visuals and witty textual content form the perfect amalgam that illustrates the studio’s creative genius and their skillset. They say they don’t want to over-complicate things but rather care about emotions and creating projects for humans. It goes without saying that their homepage looks spectacular, but the about page is probably unlike anything you’ve seen before. There are yes / no questions to which you must answer before getting to read the studio’s bio. The text alone is fun to read, but thanks to the hilarious videos they’ve added to the description, things become all the more fun for the visitor. There’s a lot going on no matter what part of the website you go to. Lots of motion, large fonts, video content, etc. but everything looks harmonious because of the neutral black background.

Digital Marketing Conference

The Digital Marketing Conference is organized every year by the famous Russian creative agency Possible. The website they’ve made for the 2019 edition is nothing short of majestic. You feel like you’re suspended in the air, exploring the continuously rotating dark universe of the conference by dragging the mouse cursor in every which direction while eerie sounds play in the background. All you see is black and white, with traces of red here and there. Above you are the starry skies with the DMC 2019 logo shining bright in the middle of it. If you keep looking up, the logo fades away, the stars spin harder and lose their form, and you feel like you’re sucked into some kind of digital vortex. Before you get dizzy, it all clears out after a few seconds, and the sky goes back to being starry again. Interactive links are placed at eye level and they carry info about the event, its program, speakers, etc. If you look down, you’ll see a map of Moscow with a clearly marked conference hall. The creativity of this 360° project doesn’t cease to amaze from one pixel to the next, and you can experience it even in VR.

Design Canada

Design Canada is a documentary film that introduces us to the finest Canadian graphic designs. The website was created by the phenomenal Locomotive agency. They’ve designed it in quite a simple yet compelling way, relying mostly on the colors of the Canadian flag – red and whiteThe background is black, which helped accentuate the iconic logos and other design examples. Animation effects, transitions, and micro-interactions are engaging, and they help make the browsing experience smooth, enjoyable, and entertaining.

Throwbacks Music

The majestic Throwbacks Music takes us back in time and gives us an entertaining, interactive 3D music experience. The black background is omnipresent on the entire website. We can listen to the great old songs that are popular to this day and learn more about musicians who created them. The library of featured artists is displayed in the form of a carousel, and as you move from one artist to the next, you feel as if spinning a record. The pictures of artists are black and white until you stop “spinning”, which is when they gain color. When you find a musician you like, you can hear a preview of whichever of their songs is included in Throwbacks Music’s music catalog. To listen to the song in its entirety, all you need to do is press and hold the spacebar. That action will take you to the page where, besides hearing the song, you can read more about the selected artist. Before you scroll away to the next musician, you can have some more fun and play virtual guitar strings by moving your mouse over them.

Mav Farm

Mav Farm’s website is definitely something else. While it loads, you can see the name of the app written in futuristic-looking blue and purple letters across the screen. Once the content’s ready, an eyeball pops up at the bottom of the page luring you in and inviting you to click on it to enter the website. And then, you step into a surreal universe where WebGL scroll navigation rules everything. There are lots of colors, futuristic elements, complementing typography and terrific animation effects that look breathtaking on a black background while truthfully portraying the description of the company, which is – A new network and an alternate reality.

Black WordPress Themes

VIEW COLLECTION 

Pearce banner

Pearce

Portfolio Theme

Dor banner

Dør

Modern Architecture and Interior Design Theme

Overton banner

Overton

Creative Theme for Agencies and Freelancers

Eclipse SRL

The website of the Italian agency Eclipse SRL is minimal and very fun to explore. Its ambient is very dark, matching the brand’s name. The homepage background is black and its monotony is occasionally disrupted by the passing dark moon. You’re encouraged to hold the mouse button and “draw” on this virtual blackboard. As you drag the mouse pointer across the page in whatever direction you please, you’ll leave a white trace made up of words in different sizes behind. If you click on the crescent moon at the top right corner of the screen, you’ll see a page filled with images depicting different lunar stages. On hover, some of them turn into Super Mario, Michael Jackson, or the iconic Pink Floyd’s Dark Side of the Moon album cover art. This is also where you can read more information about the agency and explore their projects.

Akufen

The first thing you see as the Akufen’s website loads are floating 3D cubes that levitate towards the middle of the screen. They form a large unit at the center that follows the movement of your mouse. Everything’s in black and dark grey hues, save for white typefacesExploring their portfolio feels very smooth thanks to the infinite scroll effect. The projects line up one after the other while the background remains dotted with dark cubes. The 404 page is charming and in stark contrast with the rest of the website. Its background is black, but there are occasional colorful, full-screen glitches interrupting the black and white synthesis.

Mysta Electric

Mysta Electric is a phenomenal tattoo artist that creates “dark graphic tattoos with beautiful melancholy” and his website perfectly matches that vibe. It’s entirely monochromatic, oozing coolness from one pixel to the next. The first thing you see is Mysta’s head in the background. Wherever you may move your cursor, the head will follow the movement. As you start to scroll, large typefaces take up the screen telling you Mysta’s story. If you hover over some words, you’ll see pictures of Mysta at work and with some of his clients. There’s also an extensive image gallery containing some of his awe-inspiring and idiosyncratic tattoos, as well as a black and white video that gives us a glimpse into the artist’s creative process.

Maxilla

Maxilla is a visual studio and a digital agency coming from Japan. Besides an interesting name and a cool logo, they also have a website that serves as an example of the striking things you can achieve with a black canvas and a lot of imagination. They start off with a bang – the first thing you see is a majestic radial menu featuring their portfolio. The names of projects are written in large, all-caps, white types, but on hover, your cursor turns into a big, black spot that sucks the white out of letters and leaves them outlined in the dark. Inner pages also reflect the agency’s creative approach to design, in particular, their about page. There’s an illustration of the white deer’s head at the center that follows every movement of your mouse. Next comes some short text informing you about what the agency does, and then – bam! You see a picture of a huge plush deer caught in the headlights, placed in the middle of the street. A few scrolls later, as if nothing happened, the deer is gone and Maxilla’s contact details appear.

Longshot Features

Longshot Features is a production company with a terrific horizontal-scrolling website that introduces us to their wonderous world of film. It’s filled with remarkable animated art of the pointillism master Mattis Dovier. When you click on any of the featured cinematic illustrations, you’ll reveal the story of the studio, the films they’ve made, etc. The stunning pixel art and the whole website are made relying on the black and white hues, proving once more the undisputed creative power of this timeless color pairing.

Cultish

Cultish is a South African creative studio with a beautiful website that fuses seemingly unmatchable elements. The first thing you see is Penitent Saint Peter, a Jusepe De Ribera’s painting from the 17th century. As you move your mouse over it, the parts of the image where the cursor is placed twirl leftwards, giving this classic composition a modern twist. Again, there aren’t that many colors on the homepage – the background is black and the letters are white or blue. But somehow the website doesn’t ever look dull. Aside from the large painting taking up the upper part of the page, you’ll also discover images of the studio’s projects while moving your mouse through the darkness. Inner pages are predominantly monochromatic as well, adorned with sporadic splashes of blue.

Juraj Molnár

Juraj Molnár’s website proves, once again, that black is possibly the best choice for portfolio websites, and that less is certainly more. The transitions from one section of the site to the next are smooth and subdued, with the progress bar displayed at the left-hand side of the screen. This is a mainly typographic site with a mix of bold and outlined letters. When you hover over the names of Juraj’s projects, a few images show up on the screen, inviting you to explore in greater depth the selected work. I especially liked the animated outlined illustration of a beating heart. It’s placed right next to the list of awards Juraj has won so far, indicating that he probably holds all those accolades close to his heart.

Gucci Marmont

The creativity of the people behind Gucci is inspiring, and not just on the runway. The websites their team has created for their big campaigns are all picturesque and mesmerizing. The one they made for the Gucci Marmont collection is no different. The website shows the Marmont bags as parts of still life paintings reminiscing the Renaissance era. The paintings are hung on a wall, and as you study them, you almost forget that the purses are the charming intruders that don’t naturally belong to any of these artworks. Given the colorfulness of the images, the choice of the black background is ideal.

Intro to Coding for Designers

Intro to Coding for Designers is a beginner’s class that teaches designers the fundamentals of coding. The color choice for this website is not surprising. The black background along with white, orange, blue, and green elements are all typical of coding in Javascript, CSS, and HTML, which are the programming languages this course teaches you about. This website is quite simple, but it’s amusing to explore. There’s a playful feel to it, as the authors have added a bunch of geometric shapes that run away from your mouse pointer as soon as you hover over them.

Kontrapunkt

Kontrapunkt is one of the leading Scandinavian design agencies and they’ve created a stunning online exhibition celebrating the Kontrapunkt typeface. They’ve singled out eight projects in which this font is used, demonstrating its versatility. The agency has opted for the predominantly dark color palette on the homepage, with lots of black and grey elements that are contrasted with white and yellow textual content. The typeface overview is informative and comes with lots of beautiful cursor animations. You can explore each project further by clicking on it. The exciting project pages shine more light on the typeface and demonstrate how it looks in action.

Masters 1987

Masters 1987 is an event production company from Los Angeles whose client list includes Oscar, Netflix, HBO, among many others. The use of a black background allowed them to promote their services in a striking way by opting for vivid imagery, all-caps typefaces, and snazzy interactions that ensure a cool browsing experience. The cursor looks especially charming. It’s like a comet that turns into a spotlight when you move it across letters. When placed on images, it puts them in commotion. The pictured objects zoom in and out, the photograph surface seemingly becomes undulating, and the color of the area where the mouse pointer is inverts.

Wiseslang

Wiseslang is a platform that gathers creatives from various fields. Their website looks subtle and impressive at the same time. The darkness throughout is filled with floating white dots or particles that assemble into all kinds of shapes. To navigate the website, you should use the arrows placed on the left and right sides of the screen. You can learn more about Wiseslang and the projects they’ve worked on, and regardless of the section you decide to explore, the playful white particles stay on the screen all the time.

Skyline Films

Skyline Films come with a website that all cinephiles will appreciate. The movies are displayed on what looks like an infinite cinematic canvas that you can explore by holding & dragging your mouse in any direction you wish. When you stumble upon a movie you like and stop moving the cursor around, a trailer for that specific feature will start to play. And if you click on the movie’s name, you’ll discover more information about it, its storyline, etc. The featured movies are all bursting with color, so the choice of a black background is not surprising in the slightest.

Final Words

Black is an exceptional, visually appealing backdrop color that gives a sense of depth to any project and highlights featured contrasting items. It helps brands tell their story in an attractive and unusual way that sets them apart from competitors and makes them more memorable.

As the websites from our roundup depict, black looks best when paired with lighter hues. When you use brightly-colored typography on a dark background, you don’t have to worry about readability, which is a common issue in dark design. And to create arresting projects, you don’t need to go wild with special effects. As you could see, sometimes all it takes are two colors, a couple of cool animation effects, and simple graphic content to make a memorable and astounding website.

Sourced from Qode Magazine

Sourced from Forbes

Email marketing campaigns have taken a lot of flak over the years, but they remain one of the most resilient advertising methods. The bottleneck that invariably occurs with email campaigns is the click-open rate.

The click-open ratio is an essential metric in determining how engaging your content is and whether you could do more to drive readers to your content. Low click-open rates might even suggest that you’re annoying your recipients. If you start losing subscribers, it’s a clear sign that you’re doing something wrong.

Below, 13 thought leaders from Forbes Communications Council share their insight into how businesses can improve their click-open rates.

1. Make Sure You Provide Value

All communications have to provide value if they are going to effectively further dialogue between the brand and a prospect or customer. Don’t depend on producing clickbait or pithy subject lines to drive engagement. These tactics might result in opens, but if you want true engagement, prioritize value to the recipient and not just the value to your marketing automation. – Anna Convery-Pelletier, Radware

2. Understand What Drives A Click

Marketers that are seeing low click-open rates first need to understand what drives a click. For email, it’s content: creatives, headline/body copy or interactive elements. My tip is to ensure you are segmenting your audience and providing content that is specific to them. I have never seen this hurt email performance — it only drives relevance, clicks and meaningful engagement. – April Mullen, SparkPost

3. Research Your Audience

Research your audience to get to know them better. Does your current email sign-up process provide any data that can be used to get insights on their reading habits? For example, how often do they want to hear from you or what time of day do they check their inbox? This will help inform your strategy and ultimately ensure that you’re reaching your audience in the right place at the right time. – John Orlando, Constant Contact

 

4. Offer Free Educational Resources

Getting people to buy has been difficult during COVID-19. When people are just trying to keep their doors open, email campaigns need to nurture customers and prospects with free webinars, education and resources, as opposed to pushing them to buy. This approach drives clicks, especially when your competitors are not offering this support. Clients will think of you first after business recovers. – Nysha King, Healthmonix

5. Keep It Simple, Test Subject Lines

Sometimes less really is more. Over the years, with email clients adding new subfolders (thanks, Google) like Promotions, Updates, and Social, the more designed your email is, the more likely it will end up in one of those non-primary folders. Our initial goal is to get those emails seen. Once they are seen, it’s about crafting smart subject lines so we do A/B testing of all subject lines. – Liz Weir, LevLane Advertising

6. Create Curiosity

Entertainment, education and relevancy are the keywords. Create curiosity with humorous clips of the relevant email content in your subject and always include a short preview text to increase the intrigue. An example might be “Subject: Pig drawings & awards” with “Preview Text: How your pig drawing can foretell your business & personal success, and new lockdown award categories inside.” – MaryPat Kavanagh, Terahertz Device Corporation

7. Provide Quality Content Consistently

In the long term, the best way to improve click-open rates is to become known for consistently high-quality content. It is always possible to influence your audience through creative subject lines to garner high click-open rates, but without high-quality content, it works against a brand’s interests. When a brand offers real value, in time, an audience builds true engagement and trust. – Ajit Ghuman, Narvar

8. Don’t Send Emails To Lists Of People

It’s all about data and your target audience. Don’t send emails to massive lists of people. Break down your data to send the right message to the right people. If your audience cares about the content, with the right subject lines, your click-open rates will soar. Think about it, do you open emails that clearly don’t apply to you? – Amber Mullaney, QSR Automations Inc

9. Connect With The Audience As A Human

Be human. Too many brands focus on professionalism and proving that they are the expert rather than connecting with their audience as a human. Speak to the heart of the challenge you are helping your audience solve. If you’re customer-obsessed, you’ll never have to worry about being disconnected from your audience because they’ll guide you on your next step as you help them achieve their goals. – Holly Tate, Vanderbloemen Search Group

10. Personalize Your Messaging

It’s all about personalization. If you want your customers to be interested in your message, it needs to feel like it’s dedicated to them. Make sure to include their name, perhaps a specific fact that you have about them (location, last item they bought, event they attended). Check that the subject is in the field of interest of the recipient — male recipients are typically not interested by the pink women’s skirt on special. – Nicolas Archambault, Midway Group

11. Focus On Data Maintenance

Data maintenance is vital for segmenting your target audience and achieving high deliverable rates. The better you know your audience, including past interaction and interests, the better you can serve their needs and curiosities. Rigorously excluding “bad data” by maintaining suppression lists has helped us improve deliverability and email domain reputation, resulting in successful email campaigns. – Astrid Pocklington, Enghouse Interactive

12. Don’t Use Clickbait Techniques

Don’t use clickbait techniques to make people open emails. That only leads to being marked as spam. Do the research on organizations and individuals on your list and write personalized emails. Do a test run to see if you have spelling and other errors. Understand their problems and provide solutions. Using appropriate subject lines and tailored content helps improve click-open rates. – Preeti Adhikary

13. Send Plain Text Emails

Keep in mind the beauty of a plain text email. We all know what email marketing — or as most know it, spam — looks like. Differentiate yourself by going basic and craft short, simple plain text emails. Customers are smart and wise to marketing gimmicks. In our tests, this approach substantially outperformed, with higher open rates and conversions. – Sair Mir

Sourced from Forbes

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It’s no secret that Google Ads (formerly known as Google Adwords) and Facebook Ads have a long-standing rivalry. What is it about these two platforms that cause so much discussion? And how do you choose which platform to utilize for your business?

When it comes to your ROI (return on investment), it’s essential to make sure you invest in the right platform to generate ad revenue. Digital marketing experts are no stranger to this question, but the response is almost always the same; it depends on your company and your target audience!

Both options are great, and depending on your business objectives, one may be a better fit for your budget. In this ever-changing world of digital marketing, it’s helpful to invest in the right ads. If you’re ready to invest in one of these platforms and finally choose a side in the Google Ads vs. Facebook Ads debate, this article is a must-read!

Google Ads vs. Facebook Ads: Why the Debate?

In reality, there isn’t a “better” option, because both platforms perform differently from each other and bring their unique benefits to the table. Some more specific questions to ask are:

  • What is my available advertising budget?

  • Which one is better for reaching my target audience?

  • What stage of the buyer’s journey am I trying to earn?

Most internet users regularly use both of these platforms. Depending on the age, income range, lifestyle, and other factors that make your audience unique, one may be better at investing your budget. But, what other factors are important to increase your ROI? When you take a look at what makes these platforms unique, and the Google Ads vs. Facebook Ads cost, it can become easier to make your decision.

WHAT ARE GOOGLE ADS?

Customers have more choices now than ever before, as businesses worldwide create websites for their businesses. To be successful, you need to change how you find, deliver, and retain customer interest at each stage of the purchasing funnel.

The different types of campaigns you can use with Google are:

  • Search Network Campaigns

  • Display Network Campaigns

  • Google Shopping Ads

  • Video Campaigns

  • App Campaigns

Google has been instrumental in facilitating these changes by implementing their PPC (pay per click) advertising approach that uses your industries keywords to charge you only for the clicked ads. Also known as paid ads, this technique can be efficient or expensive, all based on your industry. Other search engines use methods, but Google is the most popular and successful option available for this type of marketing.

WHAT ARE FACEBOOK ADS?

While Google Ads focuses on paid search, Facebook Ads are all about paid social. Your target audience’s behaviors and patterns are what make social advertising so effective. Through Facebook, your customers can connect with other consumers, voice their personal experiences with your company, and stay up to date with your business.

The different formats of ads you can use on Facebook are:

  • Video

  • Photo

  • Slideshow

  • Carousel

  • Dynamic Product Ads

  • Lead Form Ads

Over 180 million businesses use Facebook for their business advertising or to connect with customers. Like all things on the internet, other social media platforms like Instagram and LinkedIn Ads are quickly becoming valuable tools for business owners around the world.

How Does Each Platform Benefit Your Business?

What are the different benefits each of these platforms offers your business, and what are the different options available? When it comes to brand awareness, sales generation, and more, this list of top three perks for each has you covered!

The Benefits of Google Ads:

  1. You can bid on millions of keywords to get your ads to rank higher, reach new people, increase your exposure, and more.

  2. Earn higher SERP (search engine results page) ranking by creating relevant ads. Money doesn’t buy the top advertising spots, so any sized budget can allow you to compete with top brands for customers.

  3. Google uses search and display networks to help you create ads that will appear in search results. The variety of options that can help you generate more leads.

The Benefits of Facebook Ads:

  1. People share tons of information about themselves on Facebook, like interests, beliefs, hobbies, and more. You can use this natural transference of data to target the people most likely to shop with you.

  2. Once you have a database of the people most likely to shop with you, you can import that data to Facebook and target those people with your ad campaigns.

  3. A critical part of successful advertising is your conversions. Earning sign-ups, sales, subscriptions, followers, leads, and whatever else matters to your business will help you succeed.

So, Which Platform Has the Best ROI?

It’s clear that there are benefits to advertising on both platforms, but what matters at the end of the day is your ROI. In the great debate of Google Ads vs. Facebook Ads, it comes down to which one will bring you the highest return.

Theoretically, if you took two campaigns in the current market and ran them for 30 days to gauge their performance, specific trends may start to appear. Both Facebook and Google are focused, in this instance, on earning memberships for a gym:

  • The Facebook option earned 103 memberships and had 150,000 impressions, but had an $11.00 cost per conversion.

  • The Google option gained 200 memberships at an impressive $4.00 per conversion and collected useful data about the types of ads that worked best.

While Facebook looks like the more expensive option, you can’t deny that a large number of impressions could lead to a higher long term return. The best social media platform campaign is truly based on those valuable impressions and regularly reminding your audience that you can help them solve their problems.

Where to Start

Your business and industry will heavily weigh which platform would be best for your business. Rather than Google Ads vs. Facebook Ads, consider instead what your company needs and where you can reach your target audience.

For more information about digital marketing, contact our experts at Trigger Media & Digital. For more industry insight about social media and internet advertising, check out the other articles on our blog.

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Sourced from Trigger Media|Digital

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Popular creators on YouTube and Instagram can make money promoting music, but if they promote too many duds, their popularity can take a hit.

Back in 2018, it was possible to break a single via an Instagram meme. It happened with Rich the Kid’s “New Freezer:” Omid Noori, co-founder of the digital marketing and management company ATG, stumbled on a meme featuring several kids whipsawing their heads to the track; he then paid a popular hip-hop channel on Instagram to re-post it. The meme morphed into the “New Freezer challenge;” the rapper, his label Interscope, and ATG spread it across the digital universe; and the single eventually earned a double-platinum certification.

But as the music industry became increasingly interested in using memes to raise awareness for songs, naturally their impact diminished. “Memes were a novelty, but then it became, if you have enough money, ‘what’s the song — I’ll find a clip that kind of matches it and run it,’” Noori explains. “Now people don’t discover music as much that way, because it’s such a common thing when songs get dubbed over memes.”

This illustrates one of the central challenges of digital marketing and promotion in music. As soon the music industry recognizes that one technique on one social media platform is particularly effective for bringing attention to a track, record companies try to turn it into a standard marketing strategy, which backfires by making the tactic less potent. Memes and dance challenges initially became popular because they seemed fun and spontaneous; when they are rote and forced, advertisements rather than ways to engage with others online, their energy quickly starts to dissipate.

Several marketers say they’ve noticed significant drops in influencer engagement across multiple social media platforms lately, which they believe is a cost of trying to force-feed songs without regard for listeners’ preferences. “I’ve seen some YouTube influencers’ engagement fall 30 or 40 percent because they’re just saying yes to [every paid opportunity to place a song in their channel],” says Dillon Druz, who manages the rapper Bankrol Hayden and runs marketing campaigns for multiple labels.

“Every day there are hundreds of songs that don’t make sense for TikTok” — the app tends to reward songs that elicit simple, replicable movements — “and people are like, ‘well this other one went viral on there, so let’s put $20,000 behind it,’” Druz continues. “It all comes back to not having a proper influencer marketing strategy and spending money in the wrong places.”

“I see a lot of influencers only posting promos” — paid posts — “and their engagement is lowering,” adds Leilani, who has been on TikTok since it was Musical.ly and has more than seven million followers and half a billion likes on the app. As a result, “I try to keep the promos low.”

Digital marketing is a key component of the modern music industry. In the old days, an artist could reach potential fans in just a few ways: radio, print, television, physical advertising like billboards and flyers, and live shows. Those are still around, but their relevance is declining; now, attention has splintered into a myriad of digital pockets. An artist can perk ears through subcultures on TikTok, gaming channels on YouTube, and filters on Snapchat, not to mention Instagram, Fortnite, Facebook, Triller, Twitter, Dubsmash, directly through Spotify, and elsewhere.

“You can climb in a hole where you keep posting bad content and you can’t really get out of it.”

Popular users emerge on each of these platforms and gain followers, often by providing a unique personal perspective — a special brand of humor or a knack for finding hits early. Artists and labels then pay these influencers to disseminate music to their followers. (The pandemic caused labels to shift even more money to their digital efforts.) On average, marketers say Instagram influencers are more expensive than TikTok influencers, but top TikTok creators can still charge $25,000 or more for a post. Once labels and artists start paying for content, though, this can sometimes weaken the personal connection between an influencer and his or her followers by transforming a quirky individual into a walking billboard.

That’s not to say this approach to marketing doesn’t work — it’s easy to find the success stories, from labels fanning the flames of a challenge that materialized on TikTok to artists coordinating flashy activations on Fortnite. While it’s much harder to find stories about all the songs that don’t connect despite having plenty of marketing money behind them, in truth, the tracks that flop outnumber the ones that connect by a wide margin. Marketers are engaged in a complicated dance, trying to deliver effective ads and promotions while at the same time convincing their audience that they are not being spammed.

 

Marketers say that dedicated followers are often savvy enough to discern between posts that an influencer makes because they love a song and posts that are just about padding the bottom line. “It’s very obvious when people’s pages just become a paid platform, whereas before it was actually uploading clips in tune with them,” Druz says. “Their followers know it’s not authentic, and that’s why engagement is dropping.”

It’s possible that influencers are less susceptible to plummeting engagement on TikTok because of the sheer volume of posts common on the app — creators will often put up five or six clips a day on TikTok, far more than they would post on Instagram or YouTube. When an influencer is spewing out so many clips, each one has less weight.

“We have to post normally before we take on any more [paid] campaigns.”

Still, Leilani knows that her followers will not respond to some types of paid content. “Something they don’t like is if I do songs with dances that aren’t already popular,” she says. “They would always get the lowest engagement” in terms of views and likes, so she steers clear.

Since influencers post less frequently on Instagram and YouTube, the repercussions for a series of misfires on those platforms can be more serious. “You can climb in a hole where you keep posting bad content and you can’t really get out of it,” Druz says. “People care what goes on their Instagram and YouTube — they are more professional platforms” relative to TikTok, which prizes goofy spontaneity.

ATG’s Noori works with a network of influencers to help labels market songs, and he says that they sometimes decline to do promotions due to fears about alienating their audience. “A lot of influencers at one point in the last two months were like, ‘we can’t do as many [paid] campaigns this week, we need to get our engagement back,’” he notes. “People would say, ‘we have to post normally before we take on any more [paid] campaigns.’”

That’s part of the reason why Druz is changing the way he promotes music. Now “I’m very cautious,” he says. “I’m going to creators and saying, ‘is this a good fit for your channel?’ I have to make sure everyone actually believes in the song.”

Feature Image Credit: Photos in illustration by Adobe Stock/Kurkalukas, Adobe Stock/Endstern

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Sourced from RollingStone

By Madeleine Streets

For most of 2020, brand marketing has been a critical way for companies to connect with their consumer and try to preserve their loyalty. But these direct communications mostly focus on existing customers or those familiar with the brand; shoppers must have already opted into email or SMS updates, or visited the brand’s site. In order to reach new customers, brands must explore shared locations like marketplaces or social media.

“Reaching shoppers on external platforms is critical because it’s your way to introduce them to your brand on their turf, rather than your turf,” said Kevin Dugan, VP of agency services at performance marketing agency DMi Partners. “As someone is browsing Facebook, Instagram, Amazon, they are actively engaged with the content and if you meet them with the correct messaging and tone, it’s a powerful way to bring your products into their world.”

Unlike other segments, retail has been given designated advertising spaces within these platforms – think the Instagram “shop now” function or Google Shopping – and this ensures fertile ground for marketing initiatives. But while these platforms aren’t new or unknown to brands, effective strategies for social media, Google and e-commerce marketplaces each require tailored approaches.

For one, competition on these platforms is tough and can come at a high price; smaller businesses that need the exposure may be the same ones that are unable to afford to market their product extensively. Moreover, the saturated space means that effective advertisements need to stand out and resonate with the right audience, in order to generate real benefit for the brand.

“The way that these platforms have evolved over the last couple of years, there’s a lot more levers to pull around targeting that didn’t exist before,” said Mike Farrell, senior director of integrated digital strategy at marketing platform Sidecar. “A thoughtful targeting strategy would allow retailers to take that limited budget that they might have and really focus it in on the highest value customers that they’re going after.”

Platforms like Sidecar are specifically focused on creating marketing for these external platforms due to their specific requirements and data-rich nature. These function as a double-edged sword: With the right support, a company can tailor its marketing to each audience and reap rewards; without the ability to leverage data and optimize strategy accordingly, brands are likely to find their messages lost amongst the competition.

Then there’s the diversity of campaigns needed within each platform. DMi Partners’ Dugan warns against brands just setting a few generic social ads live and expecting traffic to roll in. Instead, he argued the importance of identifying different consumer groups based on their experience-level with the brand.

“We are always advocating for subtle differences in messaging depending on the audience we’re reaching on these channels,” said Dugan. “We suggest at least having top of funnel social ads, for your behavioural and interest targeting; bottom of funnel ads, for your retargeting audiences; and winback ads, for your custom audience of past customers.”

From a content perspective, marketing should consider the platform it’s on. Social media sites are well-suited to discovery and brand storytelling, although Dugan highlights the opportunity of Facebook Shops for a more direct-conversion experience. Google Shopping and Amazon are the most purchase-driven; clear product imagery and information performs well for shoppers who are ready to buy.

Farrell recommends that brands use their marketing to spotlight their best performing styles but in colourways that perhaps aren’t as popular; this evokes familiarity and novelty simultaneously. As a result, brands might be able to reduce the common diminishing of sales that occurs once the preferred shades sell out and also optimize inventory, which is a challenging area for many companies right now.

Feature Image Credit: URUPONG – ADOBE STOCK

By Madeleine Streets

Sourced from FN

By Lane Ellis.

What will successful B2B marketing look like in a post-pandemic world, and what can marketers do today to be ready?

B2B marketers are facing daunting and unprecedented challenges — not unlike a Rubik’s Cube — during the global health crisis. Each impediment, however, also offers valuable lessons that can help us as we transition to 2021 and the future opportunities that await.

Let’s begin unraveling the mysteries of the post-pandemic marketing world, with six dynamic tactics B2B marketers can use today to prepare for the future business landscape.

1 — Influencer Intensification: Subject Matter Experts

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Post-pandemic marketing will likely feature a noticeable intensification when it comes to the use of B2B influencers. As one of the most pandemic-proof marketing practices during the global health crisis, B2B influencer marketing is poised to continue growing in 2021 and beyond, due in part to the value industry experts bring to everyone involved.

“Traditional marketing channels are drying up and even trade shows are imperiled in 2021,” Mark Schaefer, chief operating officer at B Squared Media observed. “The influence marketing trend will be amplified as businesses seek trusted voices to join industry conversations,” Mark added.

Mark’s prediction is among dozens of insightful influencer marketing statistics in our recent 2020 State of B2B Influencer Marketing Research Report, and the following data points speak to the strength of industry influencers and point to increased use as we move into 2021:

  • 90% of B2B marketers expect their influencer marketing budget to increase or stay the same
  • 78% of B2B marketers believe prospects rely on advice from influencers
  • 74% of B2B marketers say that influencer marketing improves customer and prospect experiences with a brand, and 90% plan to increase their budget in the near future
  • 63% agree that marketing would have better results if it included an influencer marketing program

“Digging into the results, one can quickly see a trend in B2B marketers who are optimistic about influencer marketing yet not confident about their ability to execute,” Shama Hyder, chief executive at Zen Media recently observed in her Forbes interview with our co-founder and chief executive Lee Odden, “New Report Says B2B Influencer Marketing Still Has Massive Room For Growth.”

“With the pandemic causing a loss of in-person B2B tactics — field marketing, in-person trade shows, and experiential marketing efforts, for example — much of where buyers focus for information are digital channels,” Lee noted.

“This is exactly where influencers provide valuable and trusted perspectives. Trust, reach and engagement are always challenges for B2B brands, and collaborating with trusted industry experts that have the attention and respect of buyer audiences has proven to be an effective solution,” Lee added — a sentiment also expressed by Sarita Rao, senior vice president of marketing at AT&T Business*.

“Working with credible B2B influencers helps to build brand authority through real, human conversations and interactions.” — @saritasayso of @ATTBusinessCLICK TO TWEET

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According to research conducted by Forrester the pandemic has seen new opportunities for influencer marketing, as 63 percent of U.S. consumers have spent more time using social media platforms, 58 percent have noticed more content from influencers, and 51 percent have had a positive attitude about influencer content and found it valuable.

Additionally, between March and July 2020 sponsored influencer posts saw a five-fold increase in interactions, reaching 57 million in July, according to report data from Shareablee.

Among U.S. and U.K. consumers who follow social media influencers, 72 percent said they have spent more time using social platforms during the pandemic, and 64 percent also said that they are likely to continue the same level of usage during post-pandemic times, according to GlobalWebIndex survey data.

Aside from its resilience during the pandemic, influencer marketing has for some time been poised to see more mainstream B2B usage, a move that is likely to steadily increase in our post-pandemic marketing world.

To learn more about B2B influencer marketing or beginning a pilot program, here are six additional recent resources we’ve compiled:

2 — Persistent Programs: Always-On Marketing

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Studies have shown the increased effectiveness of always-on marketing programs that replace one-and-done single-use campaigns with ongoing efforts that match the always-on nature of today’s consumer.

The case for a post-pandemic shift to always-on marketing programs is bolstered by compelling recent data from our report, such as:

  • 76% of B2B marketers find that the strategy of working with influencers through always-on engagement or when combined with campaigns delivers results
  • 75% saw increased views of brand content using always-on influencer marketing
  • 60% saw an increased share of voice, 55% saw more media brand mentions, and 50% saw increased brand advocacy through always-on influencer marketing
  • 89% of B2B marketers using always-on influencer programs expect their budgets to increase or remain the same, versus 73% for marketers running traditional campaign-based programs

This all points to persistent B2B marketing programs becoming more widespread among successful B2B marketers in the post-pandemic era, and it’s easy to see why, as the partnerships formed through always-on programs build ongoing brand credibility and trust that can be difficult or impossible to achieve using one-and-done campaigns.

“With brand trust at a low, it’s important for B2B companies to invest in relationships with credible experts that buyers do trust.” — Lee Odden @LeeOddenCLICK TO TWEET

If you’re looking to learn more about why always-on programs achieve better results and how you can implement them, check out the following recent articles we’ve written about a topic that will only become more important in 2021 and beyond:

“Being ‘always-on’ has allowed our team to build meaningful relationships with influencers.” — Garnor Morantes of @LinkedInCLICK TO TWEET

Garnor Morantes Always-On Influence Quote

3 — Shifting Search: New Challenges & Opportunities

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Like blowing dunes, the sands of the search technology landscape change often, and in the post-pandemic environment marketers will see a shift as Apple seeks to make inroads with its own search experience and whittle away at Google’s long-standing dominance.

Paid and organic search marketing efforts are a vital part of most B2B firms’ strategy, and pandemic or not these efforts would have continued for the majority of businesses. The global health crisis has given us a newfound appreciation of the importance of findability and how valuable a sound search plan is for businesses today, and this will continue into the foreseeable future.

Search strategies no longer involve only a website and traditional search engines, as more people than ever also search for answers and information from within social media platforms’ own often-lackluster search mechanisms, which some see as presenting new challenges, as well through the increasing use of voice search.

66 percent of B2B chief marketing officers said that their 2021 budgets would see an increase in spending on search engine optimization (SEO), with the same percentage also planning to boost spending on paid search, according to Gartner’s annual CMO spending survey.

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I expect a growth in importance and usage of structured data, an increase in predictive search features, and a shift to a more technical SEO ecosystem. @aleydaCLICK TO TWEET

Recently I took an in-depth look at why search is more important than ever, in “SEO Strategy: 5 Reasons Why It’s More Important Than Ever For B2B Marketers,” and we’ve also explored other aspects of SEO in B2B marketing in these articles:

4 — Virtual Variations: Social VR Landscapes

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This year the world has spent more time using both traditional social media platforms and social virtual reality worlds, and when our lives return to some semblance of normal, all flavors of VR will seek to capitalize on an audience that — although no longer captive at home — has come to know and expect that brands use the technology.

51 percent of U.S. adults have increased their use of social media during the global health crisis according to eMarketer, and nearly a third have spent an additional one to two hours of time on social platforms during the pandemic, leaving more time for audiences to explore the new virtual worlds being created by social firms, such as Facebook’s Horizon VR experience.

“The convergence of both the physical and virtual worlds will create new opportunities in the future in the way friends, families, and even colleagues connect,” Cathy Hackl, author and futurist recently noted in Forbes.

By 2022 some forecasts predict over 95 million augmented reality (AR) users in the U.S. alone, including over 60 percent using VR with more than 30 percent using VR headsets, a trend that savvy B2B marketers are keeping a close eye on for post-pandemic marketing spending.

eMarketer AR/VR Image

Other survey data has shown that 39 percent of B2B professionals expect to install new AR and VR technology in the next 12 months.

With in-game, AR, and VR marketing opportunities seeing greater interest in 2021 and beyond, B2B marketers can learn more about the importance of experiential storytelling in the following pieces we’ve written about these and related subjects:

5 — Evolving Marketing Events: In-Person & Virtual

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How will marketing events change in a post-COVID19 world?

There’s no question that in-person marketing events are win-win experiences for the many parties involved, from speakers and attendees to exhibitors, sponsors, and others, yet during the pandemic creative new takes on virtual conferences have presented viable alternatives that are likely to be with us for good, continuing to augment in-person events once the health crisis ends.

The pandemic has seen Facebook begin offering paid event options for businesses, with direct in-stream purchases available for eligible Facebook business pages in 20 countries including the U.S., offering digital marketers new monetization and event marketing options.

Virtual events help traditional in-person conferences expand their reach and gain new online audiences — people who may eventually also attend an organization’s physical events.

Similarly, in-person events such as marketing conferences may — in post-pandemic times — serve as good examples for some of the purely virtual events that have come into existence this year out of necessity, pushing them to begin their own new physical events.

92 percent of marketers have said that they believe putting on successful virtual events will be important until the pandemic ends, and some brands have already chosen to postpone or cancel their events all the way through the middle of 2021, including major players Facebook and Microsoft.

73 percent of B2B event organizers have had to cancel a physical event because of the pandemic, and 81 percent have provided virtual alternatives, according to survey data from The Center for Exhibition Industry Research (CEIR).

2020 July 24 CEIR Chart

The time is bound to arrive when in-person events return, however, and smart B2B marketers will be prepared to incorporate both virtual and physical conference experiences for learning, networking, and selling.

Having an influencer marketing strategy makes sense for taking full advantage of both virtual and in-person events.

“Partnering with influencers is more important now than it ever has been,” our president and co-founder Susan Misukanis explained. “Targeting the right influencer communities can be the best way to expand virtual event attendance and reach into a broader audience — who may not have planned to travel to your live event or conference,” Susan added.

Partnering with influencers is more important now than it ever has been. Targeting the right influencer communities can be the best way to expand virtual event attendance and reach into a broader audience.” @smisukanisCLICK TO TWEET

To level-up your event game for both virtual and physical conferences, here are six articles we’ve published to help:

6 — Delivery Diversity: New Communication Channels

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The pandemic has both driven us apart and brought us together in new ways, and given us creative methods to both tell and hear compelling digital stories.

New communication channels have arisen, such as the virtual worlds of Facebook’s Horizon and others we’ve already explored, along with the huge rise in online video communication through Zoom, Slack, Google Meet, Microsoft Teams and others.

The mass turn to video conferencing has also helped drive a large increase in both mobile app usage and advertising spending, highlighting the importance of making mobile a part of any well-rounded B2B marketing strategy.

Engagement among mobile ads has climbed by some 15 percent during the global health crisis according to survey data, and despite an overall drop in ad spending for the year, mobile ad spend has fared the best, as its 15 percent decrease was less than the 25 percent seen for desktop ad buying, according to additional data.

Business app opens saw a 26 percent year-over-year increase from March through June, report data shows, as seen here.

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“We’re all the same size rectangle on the Zoom screen.” — Vanessa Colella of @CitiCLICK TO TWEET

A rare pandemic silver lining is how we’ve all found new ways to communicate and  — more importantly — the stories we’re telling. Storytelling will be key in the post-pandemic marketing landscape, and to help you weave authentic messages that audiences will remember here are six recent articles we have available on this important topic:

Don’t Forget Your B2B Marketing Gravity

via GIPHY

The post-pandemic world will see intensified use of B2B influencer marketing, the growth of always-on programs, shifts in the world of search, more social VR, the evolution of events, and new communication channels, and we hope that by exploring these areas here your future marketing efforts will achieve newfound success — even if you’re no closer to solving that Rubik’s Cube.

Succeeding in any of these areas takes considerable time, effort and experience, which is why many firms choose a top marketing agency like TopRank Marketing.

Contact us and find out why firms including Adobe, LinkedIn, AT&T, 3M, Dell, Oracle, monday.com and many others have chosen us for award-winning marketing.

By Lane Ellis.

Lane R. Ellis (@lanerellis), TopRank Marketing Social Media and Content Marketing Manager, has over 36 years’ experience working with and writing about the Internet. Lane spent more than a decade as Lead Editor for prestigious conference firm Pubcon. When he’s not writing, Lane enjoys distance running (11 marathons including two ultras so far), genealogical research, cross-country skate skiing, vegetarian cooking, and spending time with his wonderful wife Julie Ahasay and their three cats in beautiful Duluth, Minnesota.

Sourced from TopRank Marketing