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By Branwell Johnson 

Gather intel, raise profile, and target carefully: those are Branwell Johnson’s ‘three commandments’ for agencies looking to leverage positive ad spend outlook following optimism from the IPA and the AA/WARC.

‘Cautious optimism’: it might sound tentative, but it’s a phrase to give confidence to agencies of all hues as they focus on the coming year.

Various ad industry barometers are showing some rays of sunshine amid the dark clouds of cost-of-living pressures and a potential ‘shallow recession’. It all helps build morale and resilience at a point when agency leaders are reviewing new business strategies, planning where to invest, and evaluating which potential partners can help develop their pipeline.

The recent IPA Bellwether report produced some uplifting headlines, with UK business revising their budgets up to the strongest levels in almost a decade in Q4, providing an optimistic start for the year. Nearly 45% of Bellwether survey respondents said that they were planning budget expansions for 2024/25 – three times the number planning to restrict spending.

The newly-released Advertising Association/WARC report, meanwhile, shows UK ad spend up 15.9% in Q3, exceeding the £9bn mark for the first time for the quarter, while the credit ratings service S&P Global Ratings gave a boost for those agencies looking to expand into the territory with a forecast that US ad spend will rise 7.6% this year.

To provide balance, Sir Martin Sorrell of S4Capital indicated that he doesn’t see much improvement in the macroeconomic environment “and client caution on marketing spend will likely persist”, so agencies are going to have to be smart on qualifying leads and addressing how they are raising their own profile in a competitive environment.

Ad spend is robust

For agency leaders, it’s a question of gathering intel, staying on top of trends and spotting opportunities. By drilling down into various reports, we find the sub-trends that will have agency antennae twitching. S&P’s projections say that US digital ad spend will see the greatest rise over the course of 2024 and 2025, while “legacy” media will stutter this year.

The AA/WARC report points to search (including retail media) and online display (including social), driving higher than expected ad spend; online retailers increased their ad spend by 156% as competition for customers hotted up.

A deeper dive into the Q4 Bellwether shows that the disciplines that have notably benefited from recent ad spend investment include events and direct marketing. The latter enjoyed its greatest upturn since 2005. Events is expected to have another strong year, with a net balance of +17.8% of marketers boosting their events budgets for 2024/25. Direct marketing (DM) also appears to be an area of focus with a net balance of +16.8% preparing to increase DM spend. Main media has a rebound forecast for strong performance with a net balance of +14.2%.

Agency business development practitioners say the numbers are borne out by their own experiences. Pedro Martins, chief growth officer at Total Media, said: “2023 proved to be our strongest year yet (and that’s saying something given our 42 years). Q4 is always a big quarter for us and this year was equally strong.”

Andrew Rose, VP sales EMEA for StackAdapt, points out that with budgets up to the strongest levels in almost a decade, marketers will want to ensure they’re getting the most value – and looking to optimize campaigns for both efficiency and impact.

Rose said: “This shift presents an opportunity to explore innovative targeting approaches, with a laser focus on data-driven insights while adapting to evolving privacy standards as we enter the post-cookie era.”

Luke Willbourn, managing director UK at Talon, adds that the strong growth in events ties in with people wanting to spend more time outdoors, connecting with the environment and people around them, and experiencing the real world. He says: “This calls for brands to create exciting and inspiring experiences that truly engage and offer something meaningful to be experienced together. This not only builds brand awareness but delivers bottom-funnel results too when combined with programmatic out-of-home campaigns.”

Cameron Russell, head of marketing for Royal Mail Marketreach, comments that it’s heartening to see direct mail with its unique capabilities around capturing attention and targeting in the marketing mix, “being one of the principal drivers of marketing growth this Bellwether.”

What sectors are strong?

What sectors are staying buoyant? Sales prospecting tool Winmo has shared data that reinforces the increase in ad spend in retail and e-commerce, with significant jumps in investment for companies including Temu, Amazon, Argos, Boots, and Dreams – and in entertainment with YouTube, Freenow, and BBC all spending more.

A wider look at the business landscape shows retailers Tesco and Sainsbury’s reporting strong grocery sales over the festive period and raising their profit outlook. Travel is also surging, with the World Tourism Organisation projecting international tourism numbers to exceed pre-pandemic levels this year.

And no one should ignore the boost that elections give to media channels. It’s a near-certainty that it’ll be an election year in the UK, while the US ad spend is predicted to jump by nearly a third over the 2020 election investment according to Group M.

There is plenty for agencies to play for – but they must make sure they can use all the tools (from positive PR to punchy thought leadership) to differentiate themselves and highlight their cultural fit with a potential client.

Feature Image Credit: Andre Taissin via Unsplash

By Branwell Johnson

Sourced from The Drum

Cross-media measurement continued to dominate industry chatter in Cannes – but are we one step closer to solving the measurement puzzle? Nielsen’s Deirdre Thomas gives us the lowdown.

The advertising industry has been gunning for better attribution and cross-media measurement solutions. With consumers now moving fluidly across devices, platforms and media, it’s been a long time coming for measurement to catch up – but that change is hard.

“It’s not just the measurement and the metrics that have to change – it’s everything from the way companies are organized to the way tools are built, processes are run, and cultures,” says Deirdre Thomas, chief product officer at Nielsen.

The way that the ecosystem has developed historically has created silos where digital may be in one place, television in another, and social in another place. But if marketers want to enable cross platform measurement, all those things must come together.

“That’s really what marketers want – to reach their audience fluidly across all the places they consume media, and the dollars have to flow that way,” says Thomas. “So really, to bring the measurement that way, all the other pieces have to change as well, and it’s a really hard journey.”

To help marketers piece measurement together, Thomas offers two pieces of advice: “Build for what you want to get and organize for what you want to achieve. Organizing teams, processes and buys in a way that actually reflects cross-platform is really going to help push us there.”

The next is a bit more tactical: enable the identification of the digital and linear pieces of a campaign. “That notion does not necessarily exist and it’s certainly not scaled or identical across the ecosystem,” explains Thomas. “As an industry, we need to lean in and make it possible to understand the campaign in a cross-media way so that we’re not trying to piece things together. We need to have an identifier of some form to enable that scale.”

So where does measurement go next? Nielsen announced a tie up with EDO in Cannes to integrate its Nielsen One audience measurement data with EDO’s outcomes measurement, which will enable mutual clients, starting with Disney, Warner Bros Discovery and Mediahub, to better plan and measure the impact of campaigns.

“It’s really the next chapter for Nielsen where we want our measurement to flow out into the ecosystem to underpin all kinds of innovation and measurement, and really create interoperability for the ecosystem,” explains Thomas.

By Jenni Baker

Sourced from The Drum

Sourced from Forbes

There is a multitude of factors to consider and important decisions to make when creating an advertising budget. Aside from choosing the right channels and tactics to meet their own strategic goals, a brand must take the state of its industry as well as the latest marketing and advertising trends into account to create ad campaigns that will stand up against those of its competitors.

Brands don’t  want to jump on any old bandwagon or social platform without a good reason to do so, and this year, they’ll once again be seeking the right avenues to reach their target markets. From diversifying with an integrated multichannel approach to doubling down in a specific medium such as digital, television, print or social, the options are endless.

With their insight into where ad dollars are being spent in real time, the members of Forbes Agency Council can forecast where brands will be spending their budgets this year. See their predictions below, along with good ways for brands to get ahead of these trends.

1. Digital Marketing To More ‘Connected’ Consumers

Digital marketing is something that cannot be ignored! The pandemic has made people even more connected to their devices with the demands of remote work and staying in touch with family and friends. This shift has made digital marketing a great vehicle to get your brand noticed by your target consumer in a cost-effective manner. – Thomas Morganelli, Centipede Digital

2. Connected TV Ads Informed By First-Party Data

Where your media dollars are spent really depends on your marketing goals. One area where we see continued growth is connected TV. There is real power that comes with the ability to serve up video on the big screen in your target’s living room. Combine that opportunity with the strength of first-party data, and it’s clear why CTV offers opportunities unavailable on other marketing channels. – Jonathan Schwartz, Bullseye Strategy

3. Online And Offline Platforms With Consistent Media Availability

Ad dollars will continue to increase on digital platforms that are optimizing their ad strategies, such as TikTok. There will be a continuous amount of spending on offline platforms that follow the supply-and-demand curve, where media availability is consistent. – Jessica Hawthorne-Castro, Hawthorne LLC

4. Higher-Funnel Digital Efforts With Advanced Tracking

Ad dollars will be spent in digital, but more specifically in higher-funnel efforts where advanced tracking and attribution are now showing true impact and ROI. Think about over-the-top content, streaming video, audio and more, which were once stuck measuring impressions or maybe view-throughs. Agencies implementing better tracking systems will be able to show the trickle-down effect of these higher-funnel efforts and get better buy-in for a full-funnel digital investment. – Brian Walker, Statwax

5. Niche Targeting Via OTT And CTV

I see a switch from spend on social and search to a surge in OTT and CTV advertising. With the level of understanding of these mediums growing, the barriers to entry are not so high now. For companies with the right level of budget, both OTT and CTV present fantastic growth opportunities and the ability to reach new markets in this increasingly niched-out world. – Christopher Tompkins, The Go! Agency

6. Digital And Social Media Advertising Strategies

Ad dollars will definitely be best spent this year on digital and social media. Brands can get ahead by starting to implement result-driven social media advertising strategies. There are more users on social media than ever before, and platforms such as Facebook and Instagram give businesses the opportunity to yield a considerable return on ad spend and stay profitable year-round. – Jonathan Durante, Expandify Marketing Inc

7. Small-Budget Programmatic Buying On CTV

2022 will see lots of ad dollars move into the CTV space. Many major brands will take their first steps into CTV, especially as they discover how effectively smaller budgets can operate in this less-crowded space. With programmatic buying and audience-targeting tools, it’s possible to make a big splash in CTV, and I expect we’ll see lots of 2022’s ad dollars migrating in this direction. – Jason Wulfsohn, AUDIENCEX

8. The Right Social Media Platforms For Narrow Targets

The growing addiction to social media in all the age groups and interest groups makes social media the best place for marketing investment. Social media ads allow for narrow targeting, which helps increase brand awareness among the target audience, and thus conversions. Agencies should identify the right social media platforms for their clients and develop a focused marketing plan to exploit this trend. – Ajay Prasad, GMR Web Team

9. Specific Content And Content Creators

While the easy answer is “digital,” I think “content” is more accurate. Forget about which screen, or even which delivery method, will be dominant—consumers are becoming more tied to specific content and content creators. This is a meaningful shift in consumer behavior and an opportunity for agile and innovative marketers to find their audiences. – Andrea Palmer, Publicis Health Media (PHM)

10. Video Content Designed For Omnichannel Use

Designing campaign creative for omnichannel use—with a focus on video through CTV and linear TV—is key. Our in-house production company and agency-owned studios allow us to quickly create video, and this is something all agencies should consider. Even out-of-home placements can leverage video more in 2022. Video content is the 2022 campaign anchor. – Vix Reitano, Agency 6B

11. Inbound Marketing Technologies

It depends on the audience. The goal of digital marketing is to get the right message to the right potential client at the right time. The best way to do that is to utilize the marketing technology that most clearly communicates ROI. I believe that inbound marketing technologies that show the full buyer’s journey are where ad dollars should be spent. – Christopher Carr, Farotech

12. Increased CTV Ad Spend Across All Industries

While spend by channel typically varies by industry, we expect a surge in CTV spending from brands across all industries. While many marketers are shifting spend away from linear TV, we expect investment to come from digital channels, as CTV offers the sophisticated targeting of programmatic advertising with a comparable reach to linear TV for a much lower cost. – Donna Robinson, Collective Measures

13. Product Placement In Streaming Content

Marketers and agencies are increasing their interest in product placement in streaming content on platforms such as Netflix, Amazon and HBO Max. This is driven by the fact that they themselves sat watching hundreds of hours of streaming episodes and films over the course of the pandemic, none of which included traditional advertising. – Stacy Jones, Hollywood Branded

Sourced from Forbes

By

People around the world are craving human connection in lockdown, leading dating apps to experience a boost that proves romance isn’t dead (well, virtually at least). As usage heats up, these matchmaking services are not only taking advantage of abandoned ad space, but some are even braced for a revenue boost of their own as brands look to capitalise on digital dates.

Before the turn of the century, the thought of linking up with a stranger on a mobile app would have been unimaginable. Fast-forward to the present day, and platforms like Tinder, Bumble, Happn, Grindr and Hinge sit unashamedly on the phone screens of millions of singletons.

When the pandemic hit, many questioned how dating apps could survive with an estimated 2.6 billion people locked inside, date venues closed for the foreseeable future and casual hookups out of the question.

Yet while entwined hearts during the Spanish Influenza might have seen love blossom through the exchanging of letters, love in the time of coronavirus is ablaze through video calls and instant messaging, as people flock to dating apps to find that special someone.

With more and more people exploring this Black Mirror-esque world of ‘virtual dating,’ a new era of dating has dawned.

Where household brands are slashing ad spend, these modern matchmakers are making the most of their moment in the sun and being smart about their brand investment. Some are even reaping the rewards of an in-app ad surge of their own as advertisers look to reach switched-on audiences.

Using tech to power connections

Prior to the pandemic, online dating was already big business. Now as Covid-19 looms large and social distancing looks to continue throughout 2020 many are retuning their business models in response.

In 2019 the number of smartphone dating app users in the US was 25.1 million and Match Group, which owns Tinder, Hinge and Match.com posted revenues of $2.05bn, gleaned from subscriptions and advertising deals.

Tinder alone pulled in $1.2 billion in revenue over 2019; a 43% increase from 2018.

To continue this upwards trajectory, Tinder last week (6 May) announced plans to add a video dating feature in the second quarter of this year as a direct response to the threat posed by coronavirus in slowing its user growth.

Tinder is actually a bit late to the video dating party — its rival apps have been far less tardy when it comes to capitalising on the trend for face-to-face calls, thus rendering them more lockdown ready. Bumble, for instance, introduced a video and voice call feature last year, while Hinge launched its own ‘Date From Home’ feature at the start of lockdown in March.

“I imagine that we’re going to see far more dates than ever come out of this,” Hinge’s chief marketing officer, Nathan Roth tells The Drum, explaining how through ‘Date From Home’ users can easily share when they’re ready for a digital date, to ease that often awkward and vulnerable transition from messaging to meeting digitally for the first time.

“This specifically came out as a response to listening to our customers and their needs during the quarantine, and figuring out a way how we could serve them best,” he adds.

“During social isolation, everyone has had to adapt their dating strategies to use virtual solutions, such as video dating,” explains Naomi Walkland, associate director for EMEA marketing at Bumble, a dating app, that boasts nearly 90 million users worldwide. It is singular in that women make the first move.

Walkland explains how physical distancing has shown us that in times of uncertainty, people seek meaningful connections and “that connections made online are just as meaningful as those made in real-life. People will always look for new ways to socially connect.”

She explains that overall: “data indicates a trend of increased use by our new and existing users, especially in regards to the chat, video call, and voice call features.”

“We have seen users spending more time speaking to each other on the app, with call durations averaging at 21 minutes as well as a 12% increase in messaging. This shows that people are taking the time to really get to know each other, even whilst apart,” she continues.

After introducing the ‘Date from Home’ feature, in March, Hinge experienced a 30% increase in messages among users in March (compared to January and February) with 70% of its members would be open for a virtual date.

Globally on OkCupid, there has been a 30% overall increase in messages sent each day since March 11. Matches have increased by 10%, conversations increased by over 20% – as singles turn to online dating for company.

Bucking the ad spend trend

Unprecedented numbers of users are turning to dating apps during lockdown, and as such, dating apps have admitted their ad spend has been largely unaffected.

“The coronavirus hasn’t actually changed our ad spend that dramatically,” says Melissa Hobley, chief marketing officer at OkCupid. “This is driven by the fact that OkCupid has seen a surge in activity since early March across the globe, and this continues, so we want to continue to be top of mind for the millions of singles who are connecting right now — albeit virtually.”

While broadcasters are scrambling to fill ad slots abandoned by the collapse of travel and leisure brands, dating apps have found they are able to buy on platforms that would have been out of their reach just months ago.

With brands retracting ad spend across the board, Global’s commercial agency director Katie Bowden tellsThe Drum that it is determined to retain its partners, alongside attracting new business.

“Initially, there was shock and uncertainty,“ she says of the pandemic rendering many campaigns obsolete, but she shares news of a new partnership with Bumble, who spotted an opportunity on Capital FM to talk about virtual dating.

OkCupid has also taken advantage of discount rates online. “Digitally, we’ve seen lower costs and greater efficiencies, driven by other categories pulling out and time spent on devices exploding,” Hobley continues. “Like many folks, we love out-of-home, but we have had to pivot some of the plans we had to support our ‘As Yourself’ campaign.

Hobley admits like while OkCupid doesn’t advertise on TV, it is looking at all the options that might help the platform reach the single, younger dater at this time.

And while OkCupid see podcasts as a perfect channel to tell its story, “not surprisingly, the costs with the bigger players here have not shifted that much.”

As for in-app ads, Happn’s chief exec Didier Rappaport says “advertising on our app hasn’t changed at all. Dating is a digital industry, therefore the impact on our industry has been small compared to other industries, as users keep using our services.”

Rappaport goes on to explain that because Happn’s marketing is already very digitally-oriented, the app has taken advantage of reduced costs.

“With other brands, from other industries, reducing their ad spend, this has enabled us to have a greater digital reach for our campaigns, with the same amount of budget,“ he says.

Hinge has also admitted that its ad spend has been unaffected by the outbreak.

Keeping advertisers interested

Usage is up during lockdown, and OkCupid’s chief marketing officer reveals that this surge has sparked an increase in brands looking to advertise on the app.

“One thing that is super exciting is the interest that OkCupid has seen from brands wanting to reach our daters and advertise with us,” Hobley shares. “Dating apps have exploded over the last 2 months and I think brands are interested in how they can reach these singles who are connecting and dating at twice the rate they were before corona.“

Given that many daters love watching a TV show together, she says there “have been a few entertainment partners who are tapping into this with exciting results.”

Happn has experienced the complete opposite. “Regarding advertising revenues, we have noticed a real decrease, which is easily explained,” its chief exec Rappaport admits. “Many brands have stopped or postponed their marketing expenses but advertising is a very small part of our revenue.”

Dating post-pandemic

While lockdown has provoked a new dawn of virtual dating, Bumble’s Walkland says it’s “too soon to state the expected impact” on matchmaker’s businesses.

On this new age of dating, she says her team suspects that users will continue to use its video/voice calling features as a way to get to know their matches before making the move to meet in person.

OkCupid, meanwhile, predicts there will be a boom in dating, post-lockdown.

“We’ll likely see a lot of people spending more time on OkCupid when things start to return to normal and more of a dependence on digital or virtual communication before actually going out on a date,” claims Hobley.

With the pandemic forcing people to truly embrace digital when it comes to dating, it’s fair to say that dating post-lockdown will look radically different than it did before. As for advertisers, they’ll have to figure out where they fit into this new virtual world to make connections with their audiences.

By

Sourced from The Drum

Tunebot provides mobile marketers with an automated tool for interacting with their advertising spend data.

By MediaStreet Staff Writers

Marketing company TUNE has announced the release of tunebot, the first chatbot built specifically for the mobile marketing industry. Tunebot, available within the team messaging service Slack, is designed to enable TUNE customers to quickly and easily interact with marketing and advertising data such as quickly looking up reports or calculating return on ad spend.

For example: Tunebot: Show me app installs in May, by day:

By logging into the Multiverse product, TUNE customers can setup tunebot and then ask it to return specific results, graphs and charts that highlight key metrics like the cost per click on Google Adwords, the number of app installs by day, or over time, revenue per impression, as well as return on ad spend. Enabling tunebot is as simple as authorising TUNE for your Slack team and then logging into Multiverse directly within Slack. More information about how to enable tunebot can be found here.

Says Jennifer Crook, Marketing Manager, Revl, “We integrated tunebot with Slack to give us quick updates on our daily performance without the need to check the platform manually. I can check volumes and CPI by channel or platform just by typing to tunebot in Slack, which saves us time and allows us to make optimisations faster.”

Says Peter Hamilton, CEO of TUNE, “We believe all marketing should be measured and judged on performance. To be most effective, marketers also need access to measurement and performance in different forms, depending on what they need to know. The first of its kind, tunebot adds a new layer of quick access to KPIs or partner performance by simply asking a question. I’m really excited to see how marketers use tunebot. It will continue to evolve quickly the more requests it receives, so please start using it and sending your feedback!”

For marketers, understanding the link between return on advertising spend (ROAS) and bottom-line results are vital to dialling up a winning mobile marketing strategy.

The people at TUNE say that their bot can integrate ad spend data from more than 150 ad partners together with attribution data in one unified system. Included within the TUNE Marketing Console, Multiverse is a marketer’s system of choice for tracking and reconciling ad spend, installs revenue and ROAS.