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As summer looms so too does a deluge of ‘summer ready’ and ‘beach body’ ads targeted at women. But Boots’ latest ad from Ogilvy has turned the trope on its head.

Part of a wider commitment from the retailer to focus on body confidence in its marketing, Boots has launched an integrated summer campaign it hopes will “give women the confidence to be whoever they want to be.”

Based on its own insight that 76% of women in the UK have avoided summer activities – like going to the beach or attending music festival – because they feel self-conscious, the TV spot at the heart of ‘Summer Ready’ follows the story of two women embarking on a summer trip.

As they head into shop in Boots, they see a Protein World-esque ad which asks, ‘Are you summer ready?’. The pair are shown laughing it off, before heading to their destination. Boots products feature in the ad as the duo get ready to head to the beach.

The spot is set to a custom version of the Diana Ross classic, ‘I’m Coming Out’.

Helen Normoyle, marketing director for Boots UK and Ireland, said that amid a shift in the conversation around confidence the brand “had a role to play” in ensuring the discussion wasn’t about shape or size but about women having the confidence to be whoever they want to be.

“The statistic [we uncovered] is really shocking and as the brand that stands for championing everyone’s right to feel good, we wanted to take action.”

She added: “That’s why we’re celebrating women who aren’t driven by a need to be someone else’s definition of ‘summer ready’. In doing so, we hope to inspire the rest of the nation to stop worrying about what others think and just start feeling great about themselves.”

The TV ad marks the beginning of a summer-long campaign with activations set to take place throughout the season which will run across ATL TV, print, PR & influencer marketing, loyalty and more.

The play from Boots builds on other commitments it has made to championing body confidence, including its sponsorship of all the national women’s football teams in the UK.

“This is not just about summer. Our partnership with women’s football has given us the opportunity to talk to our customers in new ways, supporting a much bigger social conversation to help improve the confidence and wellbeing of others,” explained. Normoyle.

Boots Health & Beauty print magazine has been leading the charge on this too, having banned image re-touching from its their cover seven years ago.

Boots has been heavily focusing on beauty in its marketing. Its 2018 Christmas ad from Ogilvy married its brand purpose with its beauty proposition, telling the story of a mother and daughter to showcase how giving the gift of beauty can make someone feel.

Earlier this year, it announced it was upping investment in its beauty proposition, overhauling its bricks-and-mortar stores and bringing fresh brands into the fold as it looks to keep is grip on the burgeoning market.

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Sourced from The Drum

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Boots No7 has launched an interactive “digital education platform” for its skincare products after finding women were baffled by the array on offer.

Dubbed ‘Face Study’, the online hub displays a real human face (which was filed in 4K resolution) with no make-up and no re-touching, to help women understand the signs of skin ageing. Users can zoom and scroll across the face to learn about specific problem areas and what causes ageing, as well as suggestions of products which can help.

It was created for No7 by creative agency Studio of Art & Commerce, which was simply briefed to “to help target our customer at a deeper level than a TV ad could.”

Speaking to The Drum, Kristy McCready, global director of content and engagement at Walgreens Boots Alliance, said the brand initially considered creating a website it could populate with content but quickly ditched the idea in favour of something more interactive.

“There was something inherently more fascinating about the face. [Women] want to see how products look on a face like theirs and that led us to Face Study. It really allows you to get close to the effects of aging on the skin in a way that editorial content couldn’t.”

It took over 18 months of developing the idea for the Face Study to materialise and McCready said early testing with women in the 35 to 55 age bracket (its core demographic) has been encouraging. It also led to a tweak in the platform, with No7 adding a short questionnaire on users’ skin issues to make the advice more personal.

“The feedback was universally positive. They loved the realness of it and the fact there was no retouching or airbrushing and that they could genuinely see the effects of aging on the skin. It gave a level of authenticity they responded to and [gave] us real confidence in using this digital platform to help them understand ageing,” she explained.

“It’s a hugely exciting departure [from our usual digital activity]. We have a big retail footprint, with a number of advisors who are great at educating at the point of sale. But people’s [shopping habits] are changing and we need to respond to it. This is as close to an online experience of in-store advisors as we’ve ever got.”

To get people using the platform, No7 has hired Red Consultancy to devise a PR strategy predominantly focused on engaging with bloggers and influencers, while in-store staff will also use it as part of their consultation with customers.

Boots recently explained to The Drum how women are playing a bigger role in not only the development of its skincare products, but how they are brought to market and promoted.

Last year it launched its first own-brand skincare range in over two-decades to rave reviews after three years working with a group of women – originally found to simply participate in market research – to design the entire marketing strategy.

Studio of Art & Commerce also worked on that project. Its founder, Heide Cohu, , described this latest brief as “a huge task”.

“We did this by working directly with leading skincare scientists and bringing to life the incredible science of both how the skin ages and how No7 Age Defying products work,” she said of the process.

“It is an informative and simple, yet interactive and immersive digital platform, enabling women to tailor the journey according to their needs and find a personalised solution that’s right for them.”

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Sourced from THEDRUM