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This week we reveal the Future 50 for 2020, our list of the best new brand-side talent from across the industry. But while celebrating the milestones our phenomenal 50 have already achieved in their careers, we also wanted to pick the brains of these marketing leaders of tomorrow.

And so, as the industry moves forward after a tumultuous year, the first question we put to our Future 50 is…

What qualities does the marketer of the future need to possess?

Harriet Lowe, portfolio marketing executive, ITV

They need to be inquisitive and never afraid to ask why. I think it’s really important that marketers of the future recognise they might have a different opinion or point of view to others in the room, and often by sharing this point of view great work can come from it. Although we can all learn a lot from people around us, we should never lose our own curiosity to challenge the status quo and be the most authentic versions of ourselves.

Mazen Mroueh, global digital manager, Friesland Campina

Marketers need to adapt and have an open-minded approach towards new market and technology updates. As a start, they need to be technically proficient, hybrid, agile, flexible to changes, creative, and disruptive. But also, they need to be socially responsible, honest, ethical, fair, transparent and direct with consumers.

Chad West, director, global marketing and communications, Revolut

Technical skills: you need to be able to source your own data, build your own dashboards and set up your own departmental processes. This involves learning to code basic languages and familiarising yourself with all the latest software in the market. Also, business acumen. Simply bringing customers into the funnel is not enough. You need profitable customers, which means you need to build a process to monitor and report on customer engagement and customer lifetime value.

Benson Mensah-Bonsu, sports partner manager, Twitter

Being agile is key in the long run. It’s hard to consider taking risks during the pandemic when many businesses have folded and people are furloughed/unemployed. Prior to Covid-19, I’ve seen marketers bet big on things that led to underwhelming results with minimal pivoting options to reach their target. Being agile with a minimal viable product allows you to continuously build and optimise your marketing strategy in response to the current fragile yet ever-changing state of the economy.

Elena del Boca, brand manager, GHD Italy

A modern, post-Covid marketer should have a strong ability to manage at 360° the engagement with consumers. The omnichannel model is a real challenge for brands and consumers today are used to navigating from online to offline and vice versa through new and different platforms. And their expectations keep increasing. We may call it the ’fusion marketing’ era, where the key is to follow the consumers, stay along with them in whatever space they are. The enormous availability of data is crucial today to execute this 360° strategy – it is mandatory for each marketers today.

Elizabeth Stone, marketing manager, for brand partnerships, John Lewis & Partners

Above all, marketers need curiosity. As customer champions, we should be constantly evaluating our environment and our customers’ evolving needs. We need to examine the wider world so we can identify trends, seek opportunities, spot risks and ask ’why?’ By doing this, we’ll generate better and more original ideas. Second to this is taking (calculated) risks to create bold marketing and obtain an advantage. You’re not going to make your brand famous by playing it safe. The qualities marketers need don’t change, only knowledge and skills. If you stay curious, you’ll pick those up along the way.

Shannon Ross, associate creative director, Spotify

The marketer of the future will need to possess compassion. We are now of an age where superficial ideas are so easily seen through, with the pandemic and social media holding a mirror to brands. The future marketers are people who will set the right tone for the world they wish to live in. The future marketers are those who identify the human truth in their target audience, zeroing in on people first and numbers second. That is how you move the needle on a brand. That is how you mould the future.

Brianna Foster, social editor, Pinterest

The main quality a future marketer possesses is the ability to authentically connect to culture. Marketing is all about connections – connections to a feeling, a friend, an aesthetic or even an avenue to the impossible. It’s not just one thing, but rather an evolving, fluid entity. When you think of marketing in a box, you don’t see the whole picture. A marketer of the future can take any preconceived notion of what marketing is and completely throw it out the window to create new concepts based on their own experiences, ideas and desired outcomes.

Sean Cook, senior social media manager, News UK

Innovation for me is particularly key when tackling marketing. At News UK, we pride ourselves on being first to new industry platforms, and being from a social media background, spotting new tools and trends in the market – and being first to test them within the company – is key for me to market our game in new ways. Over the last year, Dream Team was the first News UK brand to trial TikTok, quickly expanding to over 65,000 followers in a matter of months. This gave us a new, younger audience to push to our product.

Maeve Delahunt, business marketing lead, Snap

I truly believe adaptability will be the most important quality for a marketer, or indeed any professional. Living in such unknown territory, we need to stay flexible and nimble. We learnt so much in the first few weeks of lockdown alone when we were forced to completely reshift and strategize our marketing efforts almost overnight. By remaining adaptable and open to fresh perspectives, marketers can react to unforeseen challenges and capitalize on opportunities, future-proofing themselves and the organisations they work for.

Jack Mackie, social media manager, News UK

Adaptability. Markets and audiences are constantly developing, with new, innovative ways to communicate springing up almost every day. It’s essential to stay on top of trends and find out exactly what works for both you and your audience. While it’s always worth trying out new methods and strategies, don’t be afraid to move on when something isn’t working. Equally, never allow yourself to become too comfortable – just because something is working, doesn’t mean it can’t be improved.

Franny Goldberg, associate director, content growth strategy and analytics, SiriusXM

A willingness to fail. As the digital landscape continues to grow, with new platforms popping up daily and algorithms changing constantly, we have to be willing to sometimes fail first, before we find true success. I believe testing is more important than ever, whether it be creative, targeting, messaging etc, and in order to gain significant insight, we must be comfortable with the idea that we may not hit our goals on the first try. Often you learn more from why something didn’t work versus knowing why it did.

Chris Lu, regional head of communications and marketing, AnyMind Group

There is an increasingly blurred line between PR and marketing, and the future marketer will need to play on both sides of the equation by finding a balance. Effective PR can become effective marketing for a business, while effective marketing can also become effective PR for a business – for example, the content marketing push were doing for influencer marketing in Asia (since June 2020) has not just driven customer interest, but also greater product branding, clarity and audience perception.

Amanda Walker, senior campaign advisor, Sydney Water

Be brave. My biggest challenge is getting people to see value in challenging ideas and doing things differently. I don’t believe in doing things just because it’s the way they’ve always been done. I’m not saying throw everything out, but having a brave mindset and the courage to look at things in a different way. To test and learn, have an ear to the ground, try new things – this is what inspires me. It definitely requires passion and a strong gut-level instinct but sometimes we need to set aside just examining the data and take a leap.

Rachel Flynn, brand awareness executive, Worldwide Cancer Research

Emotional intelligence. We treat everyone like we would ourselves. Since March 2020, we’ve checked in with our friends, assured them that their money’s well looked after and that there’s a light at the end of this dark tunnel, helping them imagine a world free of the ’two Cs’. But to do this successfully, we had to put ourselves in their shoes and put our fears aside so we could serve our friends better. We cared, and it worked; empathy and sensitivity will cure our friends’ anxiety and uncertainty.

Laura Scott, brand customer strategy manager, Lloyds Banking Group

I started my journey with the group in customer-facing roles and every job I have gone into since I have been told the strength I bring to the team is my ability to truly put myself in the customer’s shoes and champion on the customer’s behalf. It is important now more than ever to truly understand and empathise with our customers, building on our experience and understanding to get as close to the customer as possible. The skill to truly understand and cater to customers’ changing needs is the core quality any marketer will need going forward.

You can see the full list of our fantastic Future 50 and read about just why we think they’re the future of the industry here.

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Advertising is an expression of consumer capitalism. Yet to succeed in today’s marketplace, brands need to become more anti-capitalist, believes Innocean’s global head of innovation and partnerships, Mordecai.

Consumers want a better deal, and they deserve it, too. Not just better products and better services, but better advertising. To deliver on this, brands must break free from established tropes that define how they do business. Or to put it another way, they need to start thinking anti-capitalist to be more pro-consumer.

This might sound contradictory, but as a long-standing anti-capitalist and activist who works in advertising – the communications of capitalism – let me explain. By anti-capitalism I mean not believing you must participate in the capitalist structure in which you were raised. Instead, it about is believing there is an alternative.

I fell into advertising rather than entering by a conventional route. I was already a storyteller, though back then I was working in digital TV production. But the budgets were small, so I went to brands to get funding. Then those brands asked me to start telling their stories too, and things grew from there.

As a storyteller, people have always been my focus. To be pro-consumer is to be in support of consumers getting a better deal. And in advertising, that can only happen when humans are at the centre of what we do – especially storytelling.

Yet how many brands today communicate in a human-centric way? How often can you see people at their heart of their strategies. How many demonstrate they believe in their consumers as nuanced individuals capable of making their own choices? Far too few, in my opinion.

To be more anti-capitalist, a brand must think and act differently, and it can start to do so by challenging business and marketing’s pervasive tropes – of which let me give you three examples.

The first is the winner-takes-all approach to doing business that leads many companies to let competition shape their strategies. I’m not saying a brand owner’s rivals’ competing strategies should not be analysed and unpicked, far from it. My point is, brands’ competition should not be used as a template for what they do, how they do business or their point of view.

You can look to Away, a luggage brand that set out to turn a relatively boring necessity into an enviable statement at an affordable price without structuring itself around a mission to compete with Samsonite.

Or the brands that rewrote the purchase and delivery rule book, such as subscription toothbrush Quip. Meat alternatives are also leading the way, like the once-scrappy start-ups Beyond Meat and Impossible. Crypto-currencies are also not out to compete with cash, but provide an alternative to it.

The next trope to challenge is established systems that all too often act against inclusivity. One powerful example is Anomaly, which put its own money into the business ventures of clients, such as beauty line Eos.

AdQuick’s advances in the out-of-home market disrupted a narrowly controlled sector and broke the system by offering more opportunity for smaller brands to engage in a system that was previously only for big hitters.

We’re also seeing this with storied industries disrupted by the influx of VCs and collective ownership, with, for example, the likes of Serena Williams, Jessica Chastain and Eva Longoria investing in the US National Women’s Soccer League LA team.

The third trope concerns received wisdom and established practices around building affinity through targeting. This is about celebrating not just one aspect of a person as identified by traditional segmentation, but the whole individual.

We see calls to this through the increased encouragement to honour intersectionality with, for example, the added option of non-binary as distinction and removal of such self-disclosure boxes on job applications altogether. The generational push for acknowledgment of trans women at the forefront of the Black Lives Matter movement is another illustration of this.

This is about a brand recognising it can’t reach every audience, nor can it appeal to all – not least while audiences are fragmenting at pace and growing increasingly diverse.

And it’s about brands re-thinking how best to build affinity. On-screen inclusivity is essential and should be a given, but more is needed. I’m talking about creative concepts and projects that don’t so much build affinity through direct identification but that are open and welcoming everyone to the table.

Think MediaCom’s ‘Inclusive Planning’ initiative, a self-declared departure from the status quo where diverse audiences are only considered for specialist briefs.

Or Vice Media’s challenge to advertisers over blocklists – in particular, around blocking Black Lives Matter, Muslim, queer and related key lists which Vice has removed from brand blocklists.

To truly build affinity with their brands, the time has come for senior marketers to shift their focus from the more exclusive brand safe to the more inclusive brand suitable.

These are just some of the spaces in which brand owners can act more anti-capitalist.

In today’s world, if brands are to engage more effectively with the people they serve as individuals, the only way to behave is pro-consumer.

Feature Image Credit: The only way to behave is pro-consumer, says Mordecai, and brands like Impossible Foods and Beyond Meat are leading the way

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Farrow & Ball’s sales have grown “exponentially” this year thanks to a home improvement boom. The Drum catches up with the 75-year-old posh paint purveyor’s chief exec to find out how it has been fine-tuning its digital capabilities and baking luxury into its online experiences as it looks to appeal to DIYers and professionals alike.

Paint and wallpaper company Farrow & Ball is famous for its muted colour charts, on which you‘ll find shades with names such as ‘Downpipe’, ‘Elephant’s Breath‘ and ‘Hague Blue’. Its intensely pigmented paints have earned it a reputation among interior designers and influencers alike, with the aspirational brand selling not only distinctive tins but a lifestyle that goes with them.

This year, the business has seen the best financial results in its 75-year history, powered by a lockdown decorating boom that has pushed digital sales through the roof as people seek to reinvent the spaces they are spending more time in. In the year to August, sales were up 4.1% for the British brand, reaching £87m. Online sales were up 14% over the same period, representing over 10% of group sales versus 9% in the prior year.

“We’ve seen a huge increase in our digital demand,” explains chief executive officer Anthony Davey, the ex-P&G marketer who also sat in the top spot at GHD. “At one stage, our demand had gone up 15-fold online,” he explains, saying that “almost overnight” the business went from selling 90% of its stock through third parties to a 50:50 split between retail and direct-to-consumer (DTC).

This shift was aided by the brand’s small-batch production methods, which see all of its manufacturing based out of Dorset. “It’s quasi-handcrafted, we go through the process twice to ensure that the quality and consistency of our paint is exceptionally strong. So we were able to ‘pick and pack’ for individual customers. Lots of [bigger] companies that are highly scaled with a mass manufacturing approach weren’t able to offer that individual ordering service.”

Its marketing strategy has shifted too. Farrow & Ball has upped its investment in PPC and Google Shopping to capture the demand from buyers. For people who are in the discovery and exploration stage, the company is investing in social media content for its 2 million followers across the “obvious” channels like Instagram and Pinterest.

Its commitment to quality has been evident not only in the assembly of its products, but also in the way it has shifted the services it offers to customers online.

Bringing the Farrow & Ball experience online

When showrooms shut at the start of March, the paint company brought a live-chat function to its website. It has also started allowing customers to book virtual appointments with its specialist colour consultants – seasoned interior specialists who help people pick out the perfect swatches and themes for their homes.

The brand has also run live sessions with some of its more high-profile colourists and designers (the same ones who painstakingly curated a fresh colour pallette for the recently redesigned Museum of Modern Art in New York), giving people the chance to ask questions and receive tips.

“In lockdown, we brought our designers into our social media channels to give customers a ‘daily dose of colour’, which in the past is something we haven’t done much of.

“We want to make sure we‘ve got sufficiently engaging and relevant content, and people want to see us as a source of inspiration and advice. That‘s very much a strategy of the whole business. If you were to go into our showrooms or on to any of our channels, you‘ll find people who‘ve got many years’ experience in interior design or fabrics or all different aspects of design. They‘re much more than just someone managing a store. They have passion for the industry and passion for the category.”

Having recently appointed BMB as its lead creative agency, the company isn’t just focusing on digital – in fact, it has just invested in its first series of TV ads, which gently poke fun at Farrow & Ball’s serious image.

Featuring a cast of neurotic decorators doing everything they can to keep their paint pristine and protect their freshly decorated walls and woodwork from the threats of muddy dogs, messy children and careless wine drinkers, the self-aware ‘Modern Emulsion’ campaign will be stacked against a variety of KPIs.

Davey points to two kinds of metrics – growth and brand awareness, but also engagement and attribution on the digital and VOD side.

He says his firm wasn’t inspired to make its TV debut owing to Covid-19. “It is more just about continuing the evolution of the brand.”

Feature Image Credit: Paint and paper company Farrow & Ball is perhaps best known for its muted colour charts

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Avon is honing in on its ability to transform women’s lives, with a global campaign asking people to reconsider the 135-year-old beauty business. Its chief brand and beauty officer explain why now is the right time to “blow the dust off.”

When you think of Avon, you most likely conjure up images a of handbag-sized catalogue filled with scented pages and pictures of Senses bubble bath and Skin So Soft spritz. And possibly a neighbour armed with a bag full of miniature lipsticks and nail polishes who would regularly ding the doorbell.

However, over the past 12 months the brand has been looking to carve out its own place in the global $532bn beauty and personal care market, heavily investing in digital tools for its army of direct sellers. It now allows its five million representatives in 50 markets to run a business from their phone, create and share marketing content and personalise recommendations for regular customers.

Since the pandemic kicked off, the beauty brand has seen a 200% uptick to digital transactions. In the first half of this year, the number of Avon reps has also grown twofold as social selling becomes more relevant to people looking to embrace a more remote and flexible way of working.

Avon sells three lipsticks every second, seven bottles of fragrance every second (which it claims is more than any other brand) and two bottles of its Anew skincare products every second.

In a world of Glossiers, Beauty Pies and Drunk Elephants, however, Avon has an image problem. It’s failing to keep up with these ‘cool-girl’ brands and engage a younger generation of women. Even its chief brand and beauty officer, James Thompson, concedes that over the past few years Avon has been “underestimated” from a brand perspective.

As a result, its launching ’Watch Me Now’ a significant global campaign that will run in more than 70 markets globally calling on people to reconsider their views of the company.

The premise behind the push is that Avon has been transforming women’s lives by “doing beauty differently” for 135 years. The ads – which will run across OOH, digital and press – nod at Avon’s heritage as a purpose-driven business that gave women the power to make an independent income in the US before they even had the right to vote.

‘Watch Me Now’ underscores the power of beauty to create opportunities for people to earn on their own terms, and highlight’s Avon’s own support for causes including domestic abuse and breast cancer – with the business fundraising £20m for charities relating to the latter cause and teaming up with Coppafeel to encourage women to check their breasts regularly.

The hero ad celebrates the success of the underdog and highlights the unexpected and underestimated aspects of the Avon brand, its people, activism, and products – for which Avon has been granted more than 750 patents and 300 awards.

For Thompson, it’s less a campaign and more a “fundamental repositioning”.

“There’s a parallel with how Avon as a brand has been underestimated over the past few years,” he says pointing to the fact that the brand has 98% awareness but a “much lower” consideration among customers.

“We need to blow the dust off and reinvent ourselves for another generation.”

‘Watch Me Now’ was created in collaboration with Wunderman Thompson but restrictions from the pandemic mean the work itself was produced in-house. The ads are also being supported by an extensive identity refresh.

Avon’s network of reps will also be central to spreading the message. Influencers in their own right, Thompson says the brand’s sellers are its “first media channel”.

“We’ve equipped them with much better technology,” he explains, pointing to the Avon On app which allows them to do everything from invoice customers to built assets for Facebook or Instagram from their phone.

“In the first months of this campaign we’ll be sending them content on a regular basis that they’ll be encouraged to share with customers. Over time, we’ll be giving them tools and education on how to make their own content too within the framework of this campaign. It’s effectively the world’s most democratic marketing programme ever.”

All that said, the brand isn’t planning to ‘do an Argos’ any time soon and ditch its hallmark physical brochure.

“It’s still a really important part of our business. It’ll be updated to reflect our new positioning and we’ll be improving the quality but we’re an omni-channel business – we have stores in some countries, we’re online elsewhere. We need to be where our customers can find us.”

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Cleanup in aisle five! Has there ever been a more disruptive time in retail? To get a better handle on what businesses should be doing to fix this messy situation, The Drum called up long-admired retail trends spotter and PSFK founder Piers Fawkes. Here are the three top actions he recommends:

1. Own the experience. Customers are anxious to return to their everyday retail and lifestyle routines, but stores and physical marketplaces are having difficulty offering any creature comforts as they reopen with limited services. Consumers are looking for brands to step in and streamline the purchase path or even reduce the frustrations of today’s in-store visits ‑ all to make the total shopping experience feel just a little bit more manageable. At Best Buy for example, after scheduling an in-store appointment, customers preparing for a visit receive a call from a store employee ahead of their visit to review store procedures and offer more information about their shopping purpose.

2. Reenergize the relationship. Regular store visits were an anchor for customer/brand relationships. As customers are forced to spend more time on apps, websites, and digital spaces, use this moment to re-establish and reenergize relationships with shoppers by focusing social engagements around community building and amplifying the voices of your most loyal customers. For example, Vans has done wonderful job celebrating, supporting and promoting the subculture of LBGTQ+ skaters called The Skate Witches with a series of online photo, video, and writing workshops. Vans have found the right way to say welcome to this culture in a way that is authentic.

3. Redesign the infrastructure. The retail industry as a whole is realizing a new level of nimbleness and flexibility necessary to survive constant consumer trends, marketplace evolutions, and global economic shifts. In doing so, retailers and brands are learning to navigate and thrive in environments that are less certain and consistent. Part of this evolution involves brands allowing customers to shape your brand’s long-term operational strategy and product direction. Enact this change by inviting customers into the design process, while reconfiguring retail infrastructure to respond to their real-time trends and behaviors. For example. makeup and skincare company Arfa promises 5% of its profit to the customers who participate in creating, testing, and marketing the products.

Piers Fawkes is founder of PSFK. Fawkes has inspiring leading brands, retailers and their partners on trends and innovation since 2004.

Feature Image Credit: PSFK founder Fawkes. / Randee St. Nicholas

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The Chartered Institute of Marketing (CIM) has interviewed 344 of its members to discover their priorities as lockdown eases. Brands treaded carefully during the pandemic and, it appears will continue to do so, with brand reputation being the priority for most.

The survey ran between July and August. With brand equity the focus over recent months, sales figures are a side-concern for the majority of marketers.

The Drum explores the research here.

Findings

  • Brand reputation remained the number one priority for six in 10 respondents, while sales-based activities were sidelined.
  • The communication of employee and public safety messages came in at number two.
  • Online sales were the highest-ranked of sales promotional strategies, emerging as a top priority for 15% of marketers.
  • Discounts and promotions to increase product sales and footfall was a “very low priority“ for the vast majority of marketers (73%). Only 2% said it was their top priority. Generating in store footfall was only a top priority for 3% of marketers.
  • Things have been tough. One in 10 (9%) of the respondents said that they had been made redundant; a fifth took a pay cut (20%) and that they had (17.5%) taken an enforced holiday. One in six (17%) said they had been placed on furlough during the period of the pandemic.

Analysis

  • Chris Daly, chief executive of the Chartered Institute of Marketing, said it is reassuring to see reputation ranked first despite the very clear commercial difficulties right now.
  • “It is clear that the UK marketing community is not prepared to sacrifice short-term gain for long-term pain,“ he added.
  • He was concerned at a lack of confidence in promotional activity however: “Marketers have worked hard to maintain customer engagement during lockdown. As restrictions now ease it is key they make the most of this opportunity to help drive the recovery we are all hoping for.”
  • What state will the industry be in once the furlough period ends? The survey included estimates of the size of the UK marketing industry. It is estimated to employ 415,000 staff, 37,000 redundancies are expected and 83,000 are taking pay cuts.
  • However, good news may be around the corner. 87% of marketers felt confident or very confident that the marketing sector would bounce back after Covid-19.

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The somber, early pandemic ads with lilting pianos became something of a running joke. But they did raise the question of whether brands can successfully sell while focusing on negative topics. Mars’ consumer insights lead Sorin Patilinet says extensive neuroscience studies show that leaning into negativity often leads to bad results.

Many people have a negative enough reaction to seeing a video advertisement, period. So layering on a narrative that involves negative emotions is only making matters worse, right? Probably, according to Sorin Patilinet, global consumer marketing insights director, Mars, Inc.

The Mars team has been running one of the largest neuromarketing studies in the world these past five years. It has studied more than 700 ads in an effort to determine which evoke emotions that, in turn, build memory structures that are recalled at the point of purchase. Throughout this study, Patilinet has found that eliciting negative emotions is a tricky proposition. Here, he tells us why:

The negativity must be brief

“If there is a negative emotion, it has to be resolved very quickly or be a set up for something to laugh at,“ says Patilinet. “If not, you’re going to lose a lot of people along the way.”

He cites Cesar ’Love them back’ as an example of an ad that performed poorly because the negativity didn’t resolve fast enough.

The brand cannot be associated with down moment

“If negativity is used in a story arc, you want to show the brand at the moment of highest, positive emotion. You don’t want to showcase a brand during the downturn, but instead bring it in as a hero at the end.”

M&M’s ’Eating in bed’ scored well in this scenario.

Short ad formats are tricky for story arcs

“The challenge is that consumers prefer shorter formats where is it is difficult, but not impossible, to build emotional content.

“You have six seconds on YouTube, so there’s basically no time to create a story. We tried continuing a story by retargeting the same person with the next episode. The idea was great, but the execution at scale didn’t live up to the promise.”

You risk damaging your brand

“The worst thing that could happen is you make a negative imprint. Then, the consumer ends up correlating the brand with something negative, which you don’t want.”

Attention for the sake of attention doesn’t work

“We are looking for ‘polite attention’. We aren’t turning your screen yellow and bumping up our logo against you just to grab that attention, because we know that doesn’t help for the long-term.”

Creating ads for the Covid-19 moment is short sighted

“It’s difficult to try and nail creative for the moment. We believe in running executions for a long time rather than jumping on the Covid-19 ad bandwagon. The general truths and the humour we have used for our brands still resonate today. It takes years for a good ad to decay.”

Overall, Patilinet says the reality is that ads are becoming more practical because of the restrictions of the ad duration. “In shorter ads, the level of emotion declines, which is a challenge because we know that emotions that create memories can lead to sales. Creating a three-second Facebook execution is just your logo and a headline. That doesn’t elicit too much emotion, unfortunately. Those are the ads that are actually seen by consumers, not the ones that are featured in the advertising trades.”

Feature Image Credit: M&M’s “Eating in bed” scored well because it resolved a negative situation quickly.

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Last week, we ran a few polls in the newsletter to learn more about how marketing goals vary between social media platforms. You may use a platform to accomplish many goals, but there is most likely one goal that you both have invested in and have consistently seen a great return on that investment.

We selected four common social media marketing goals to focus on:

  1. Brand Awareness
  2. Lead Generation & Sales
  3. Customer Service
  4. Community Engagement

Instagram and Facebook were the first two platforms we selected for the polls. Given the immense user-base of both platforms, plus the diversity of interests and communities found on each, it’s not a huge shock that brand awareness took the lead in both of these polls.

For Instagram, brand awareness took the lead with 39% of participants claiming this to be their primary goal on the platform. This could be an indicator that Instagram is a great place to launch a new brand on social and get noticed.

Social Media Today newsletter

Once again, brand awareness took the lead on Facebook with 30% of the majority vote. Next, with 26% of the vote came generation and sales. Following close after with 24% was community engagement.

Social Media Today newsletter

It’s also not a huge surprise that these two polls shared similar results with brand awareness leading and customer service coming in last. Many marketers link their Instagram and Facebook accounts, adjusting their approach slightly for each, but there is still a connection between the two.

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By ROGER HOGAN.

With mask-wearing compulsory in some parts of Victoria, Roger Hogan suggests that marketers, and governments, should create branded face masks. It would help brands, but it might also just encourage the public to widely wear them.

On the weekend, the Victorian government made face masks compulsory in Melbourne and the Mitchell Shire. As the pandemic develops, the same could happen in other states, perhaps across the whole country. But before other governments rush to follow Victoria’s example, it should consider an alternative, or at least complementary, strategy: branded face masks.

If the goal is to protect our health with as little cost as possible to our civil liberties, harnessing the power of marketing, business competition, and consumer choice is likely to be a better option than compulsion.

Even if we take civil liberties out of the equation, there are still reasons to think that a private-sector solution – branded face masks sold by retailers and given away as promotional items – would be more effective and efficient in the medium and long terms. It would certainly be more colourful.

Imagine a street full (to the extent permissible under lockdowns and other restrictions) of faces half-obscured by anonymous strips of fabric. The word ‘dystopia’ comes to mind.

Now picture that same street, where those strips of fabric advertise footy teams, rock bands, celebrities, super heroes… whatever expresses the passions, interests and humanity of the people behind the masks.

I know which one I’d rather walk down, and I suspect most people would feel the same. But creating a private-sector solution for a national public health emergency would require high-level collaboration between Australia’s governments and the marketing industry.

Compulsion has a short shelf life

Clearly, compulsion is necessary right now in Melbourne and Mitchell, and the Andrews government has understandably extended the state of emergency to 16 August. It’s likely, however, that the requirement to wear masks will last well beyond that date.

That’s relevant, because there are reasons to think that a compulsory mask-wearing regime will become less effective and efficient the longer it stays in place.

The most obvious measure of effectiveness would be the compliance rate—and this is where, in my view, the compulsion model becomes risky for governments. Public trust in governments and other institutions had sunk to an all-time low before the COVID-19 outbreak, and the public’s patience has been stretched further by virus-related lockdowns and other restrictions.

It would take only a few incidents of mule-headed refusal to wear a mask and one or two arrests to darken the public mood further, with potentially adverse consequences at the ballot box.

And how efficient is it, from a taxpayer’s point of view, to spend money on enforced mask-wearing when so much is being spent, and so much debt incurred, on measures already in place?

While compulsion might be necessary, and even desirable, in the short term, a private-sector solution could prove effective and efficient over longer periods.

A branded solution

It’s true that most Australians have not become regular mask-wearers since the pandemic began.

As ABC Melbourne Radio noted recently, this is partly for cultural reasons and partly because of mixed messages in the pandemic’s early stages about whether or not masks were proof against COVID-19.

Messaging should no longer be an issue, as informed consensus now favours wearing masks.

Better still, from a marketer’s point of view, designer masks have begun to pique consumer interest, suggesting there is scope to leverage that interest into sales of masks that carry popular brands. On that basis alone, branded face masks – compared to the compulsion model – would be pushing at an open door. There might (might) be a longer-term pay-off if branded face masks prove so popular that people wear them during normal flu season, once the pandemic has run its course. That would be a major behavioural, even cultural, change for Australians.

There would also be a much lower, perhaps very low, cost to government (i.e. the taxpayer) if the private sector, driven by the prospect of profit, finances the initiative.

Harnessing the profit motive to a national public health outcome would require top-level collaboration between governments and the industry. Perhaps a Zoom call between the federal government and, say, the Australian Marketing Institute would be a start.

Scott Morrison, you’re a marketing man—how about it? And all you marketers out there: You and your brand-owning clients could make some money. You’d certainly be doing a lot of public good.

By ROGER HOGAN

Sourced from Mumbrella

By 

It has never been more important to be extremely clear on who you are and what you do for people inside and outside your company. You can’t just say how you’re different, you have to BE how you’re different. There’s too much noise and transparency in the marketplace to try and fake your way through with clever sales pitches alone.

had the pleasure of interviewing Kenn Fine. As FINE’s founder and Executive Creative Director, Kenn Fine has served as creative visionary, strategist, consultant, and confidante to leaders in hospitality, wine, technology, and yet-to-be-defined industries since 1994, developing and growing dozens of award winning brands along the way.

Thank you so much for doing this with us! Can you tell us a story about what brought you to this specific career path?

Roughly 30 years ago, I founded a mountain bike clothing business, working through all the startup challenges to help make it successful before selling it off and beginning to do spot gigs with other companies. I found that I loved the continuous process of parachuting in to problem-solve creatively, and that my mind naturally used brand as a compass for making all sorts of decisions — not just the more obvious design and communications activities, but the operational and service practices that make the whole organization go. I developed this belief that brand is operations. So, whether it’s the minutiae of choosing which of 100 different varieties of Velcro straps work best in a new breed of biking shorts, or figuring out how to deliver service standards at a global hospitality brand, weaving brand into your operational DNA drives everything. So I’ve just been on one long, exhilarating, rewarding mountain bike ride from the start.

Can you share a story about the funniest marketing mistake you made when you were first starting? Can you tell us what lesson you learned from that?

It was back in the clothing company days, before we were even able to afford color printing. I had the genius idea to design a black and white “photocopyable” product brochure with a highly sophisticated scheme of delineated squares that could be colored in — manually! — using a suite of carefully selected colored pencils. I believed I had single-handedly defeated the entire overpriced offset printing industry with sheer ingenuity and elbow grease, while simultaneously imbuing our brand with a more personal and artistic flair! Then, of course, our very first promotional push required 1,000 pieces be ready to distribute within a few days. A few all-nighters and bad hand cramps later, I’d learned a valuable lesson on scale, and the real price of hard cost vs. opportunity cost.

What do you think makes your company stand out? Can you share a story?

It’s really our belief that brand has the power to make big things happen across your organization and your industry if you treat it as a compass heading for operations, not just a cosmetic layer on top of it all.

We take a vertical approach to brand integration, trying not to get lost in the top five percent of making things look good before understanding what connects the entirety of an organization’s behavior and practices. Again, to us, brand is operations.

We create brands from the inside out and design experience from the outside in. Meaning, we are thinking about the essence of what makes a company unique while simultaneously crafting the experience and expression of that brand as it meets the customer. That gives us the DNA and compass heading for everything from the product and service, to environments where it’s delivered, online and off.

The best stories in our industry come from the gaps that kind of thinking exposes, between what companies say their core purpose and promise is, and how they’re expressing it in the marketplace. We have these meetings all the time where the purported project calls for groundbreaking creative, but there’s nothing to attach it to — it is an empty sales pitch. I remember meeting with a global tech client developing what they said was a revolutionary smart phone accessory requiring breakthrough creative. We filled out NDAs, and flew down to meet with a sizable innovation team under strict security protocols, and shared our best work to be worthy of consideration. When it came time to reveal their idea, with great fanfare they pulled off the shroud concealing what appeared to be a makeshift lamp stand you could use to take photos of documents. To this day, I believe that our immediate, involuntary laughter may have lost us that project. And that perhaps a deeper understanding of brand would’ve led them to a different solution.

Are you working on any exciting new projects now? How do you think that will help people?

There’s so many. We’ve begun work with Canyon Ranch, pioneers in wellness who are looking to re-center on their mission of transformation that goes far beyond hospitality and into the impact they have on people’s quality and duration of life. The Hotel Del Coronado is completing a massive revamp and we’re helping use brand to guide and shape their vision for a new generation of Del guests to fall in love with that special place. Both follow this theme of re-imagining hospitality pioneers that started during our work with Kimpton several years ago.

Exciting ones in consumer products include our work for Chateau Ste Michelle, who’s evolving beyond traditional consumer packaged goods branding to meet today’s consumer tastes, rethinking the experience on their property and direct-to-consumer across their dozens of unique brands. And we’re working with some real digital upstarts that are changing the world by designing experience — Lime bikes are leading sharing economy urban transportation, and Mojo Lens is actually developing a contact lens that lets digital information integrate into your life seamlessly, rather than you bending to devices. That’s just a few examples of some very exciting stuff with companies who understand they need to dig deeper into how they deliver and communicate value to people in order to succeed today.

Ok let’s now jump to the core part of our interview. In a nutshell, how would you define the difference between brand marketing (branding) and product marketing (advertising)? Can you explain?

Brand is who you are. It’s your DNA. We may “sequence” it using words and pictures initially, and then expand to other important forms of documentation and standards, but it gets expressed in all the ways you do what you do. Product marketing and advertising and even brand marketing are all examples of tactics where brand plays out and comes in contact with your customers in specific ways. The important thing to remember is that a single ad campaign or product line is not your brand; it should reinforce and emerge from it, but in order to do any of these things well and consistently, you need to have a very strong, very clear core understanding that connects them all. It’s not something that gets published only in a visual standards guide; it’s something that gets published, communicated, documented, trained, improved, and proliferated every day for as long as you are in business.

Can you explain to our readers why it is important to invest resources and energy into building a brand, in addition to the general marketing and advertising efforts?

It has never been more important to be extremely clear on who you are and what you do for people inside and outside your company. You can’t just say how you’re different, you have to BE how you’re different. There’s too much noise and transparency in the marketplace to try and fake your way through with clever sales pitches alone.

We make brands that are “pully” not “pushy”. The more you invest in the brand, the more people will come to it, and the less you will have to add your pushy voice to the chaos of information in the marketplace. You simply invite and introduce.

If you would like your company’s existence to depend upon paid media, buying eyeballs and clicks and one-time sales, focus only on marketing and advertising. If you would like your company to have a foundation of earned and owned customer relationships, focus on nurturing your core brand.

It takes resolve to not resort to quick-hit tactics — there are so many platforms and methods of communication that the biggest issues in brand and communications nowadays are what to say no to. Reduce noise, distractions, and wasted motion. Don’t focus on B2B or B2C marketing, focus on H2H: human-to-human value creation.

Can you share 5 strategies that a company should be doing to build a trusted and believable brand? Please tell us a story or example for each.

#1: Know thyself. Have a clear brand foundation, value proposition, and experience intent to build upon that’s grounded in the right blend of historic reality and future aspiration. Pioneering brands, like Kimpton and their boutique hospitality or Canyon Ranch with wellness, often have a strong legacy spirit they’re trying to both recapture and reinvent. New brands are trying to build a lasting legacy, like Makr Hospitality that centers on the culinary hospitality vibe of its owner Charlie Palmer, or even Holt Homes who’s building residential communities on differentiation meant to last 100 years. Either way, it starts with knowing who you are.

#2: Be loud and proud. Confidently broadcast your distinction without fear of alienating those not in your audience. The urge to be “all things” or “common denominator” is a vestige of mass marketing past. Our work with wine brands like Ashes & Diamonds or Realm is a good example — they’re not for anyone who seeks a traditional wine vibe, and they’re highly successful at it. Pebblebrook Hotels set up a whole new brand — the Unofficial Z Collection — dedicated to the idea that hotels are not a place to sleep, but to wake up. I think of Mojo Lens, who’s leaning into the transformative impact of wearable tech at a time when some are afraid to tread there.

#3: Map the experience. It’s not just about sales funnels, it’s about knowing when you have permission and opportunity to impact a customer in some way. For Lime, knowing how customer use and need information drove digital communication strategy in a new sharing economy category. Bode is a brand trying to make hospitality group-friendly as never before by engineering a shared experience more reliably inspiring than Airbnb or branded hotels. Hotel Del Coronado expanded their property by mapping guest interest to earn added stays and spend by being more relevant and timely. Be methodical about where you can add value to the way customers think and behave.

#4: Empower your culture. We have a saying: “customers buy brands that employees buy into.” So many industries now depend on finding, attracting, retaining, training, motivating, and aligning their people around a common cause. Our tech clients are nowhere without committed engineers. Hospitality is nothing without great service. Our yearslong collaboration with Kimpton is the case in point. Aligning their customer brand and their employer brand, having those mapped journeys overlap to create “ridiculously personal experiences” is why they’re a great brand and consistently voted a top workplace, too.

#5: Acknowledge your customers. Maybe this sounds too basic, like it should amplify to “the customer’s always right” or “cherish your customers.” But start with this, that in every decision you make you will think of the people who pay the bills. You will find ways of considering their point of view and experience, with clarity and empathy. Doing this helps you keep your brand promises. It also leads you to all sorts of tiny gestures, rituals, and touchpoints that do not go unnoticed. I think of the loyalty program we helped Kimpton shape, Kimpton Karma rewarded guests not just for buying but for doing the things that ensure they had a great brand experience and kept the promise “good things come to those who stay” by acknowledging them all along the way. Also, it leads to lots of very cool brand schwag.

In your opinion, what is an example of a company that has done a fantastic job building a believable and beloved brand. What specifically impresses you? What can one do to replicate that?

I think it’s interesting to answer that question not by professional dissection but by observing our own human response toward it. I know in my own life I tend to gravitate toward unassuming natural brands like Tom’s of Maine (at least before they were bought out), or Bob’s Red Mill for many reasons. In my line of work, we get a lot of “I wanna be like Apple” input when we ask what brands they want to emulate and I’ve always been an Apple loyalist. But in recent years, a new brand has emerged to get more mentions: Tesla. We could attribute that to being purpose-driven, as much a cause as a brand. They have a strong loyalist community who will enumerate the ways the product is demonstrably superior, and some vocally conspiratorial detractors who will promote its risks and ulterior motives. They got there by emphasizing design, innovation, and continuous improvement in operations that’s reflected in all the experiences where the car and its driver intersect. Out of necessity, they maintain their own rebel operational infrastructure to provide everything from off-channel sales to roadside assistance. But more than all that, think of the many attempts to start even a standard car brand in the past that have failed while Tesla is inventing a category using no advertising. Their willingness and ability to take on the combustion engine institution and create a highly aspirational consumer and business brand is not much short of miraculous, and if you can approach your brand with half that drive and moxy, you will succeed.

In advertising, one generally measures success by the number of sales. How does one measure the success of a brand building campaign? Is it similar, is it different?

If your only measures of success attach to the short-term return on media spend investment, you will not build a brand. You can measure those returns in simple behavioral ways, from clickthroughs to purchases at points of sale, online or off, and optimize them over time. But if you do that to the exclusion of all else, you can become a victim of your own success where you begin chasing the market instead of creating one. You lure the wrong audience using the wrong message — often, you begin to discount and bend your message to suit short term returns.

The right measures to layer on top of that will depend a bit on your industry and model, but the things to measure in brand are about the price and margin your product commands (measures like revPAR or ADR in hospitality, average purchase price in real estate, contribution margin in consumer goods, etc), the lifetime value of the customers you attract and retain, and the equity that is created in your company by the “soft” asset that is the brand perception you’ve built in the marketplace. These are the measures that tell you you are no longer a commodity that must pay to maintain its place in the market, but a company that has a strong, loyal customer base willing to pay a premium for your product. That is the game.

What role does social media play in your branding efforts?

It’s really different for every organization. The important thing is to understand the extent to which social, or really any channel, is a hub or a spoke in delivering your message and connecting with customers.

It can be a very meaningful place to interact with people, and it’s important to treat it not just as a “broadcast” channel but as a place to have a conversation. The slippery slope of social media is when it becomes its own independent “activity engine” that requires constant content that may feel disconnected from the rest of what you do and just there to create noise. So we spend a lot of time orchestrating that using social media “playbooks” that extend from the core brand to do the job that’s right for the channel. And you have to be prepared to use it the way the customers want to use it, which means it will be some combination of promotional messaging channel, owned media, customer service department, and random incident report all mixed into one. The important thing is trying to retain the balance that is right for your company while remaining responsive to the customers who want to find you there.

What advice would you give to other marketers or business leaders to thrive and avoid burnout?

Take care of yourself first, stay curious by doing creative and challenging things outside of work. Then bring your mad game to your workplace.

You are a person of great influence. If you could inspire a movement that would bring the most amount of good to the most amount of people, what would that be? You never know what your idea can trigger. 🙂

People in the creative trades share a remarkable alignment on what makes organizations admirable, and we hold the power to help them succeed or not through our superpowers with strategy, ingenuity, words, designs, images, and ideas. What if our entire industry resolved to work only on behalf of organizations that could demonstrate responsibility for the positive impact of their products, services, and actions on people, communities, and our planet? Those companies we threw our weight behind would disproportionately and decisively win.

Can you please give us your favorite “Life Lesson Quote”? Can you share how that was relevant to you in your life?

A leader is best when people barely know he exists, when his work is done, his aim fulfilled, they will say: we did it ourselves. — Lao Tzu

It’s one of those quotes that should speak for itself. But the color I would add to it is that branding doesn’t get handed down from the mountain on stone tablets by aloof, black turtlenecked creative directors. It is created and enacted by aligning a great many people over a very long time who must all feel invested in the outcome.

We are blessed that very prominent leaders in business and entertainment read this column. Is there a person in the world with whom you would like to have a lunch or breakfast with? He or she might just see this, especially if we tag them. 🙂

Tom Robbins. His imagination is an inspiration to me and, I find, unexpectedly very practical as it relates to how I approach my work. He could literally make a can of beans worthy of a story. Everything he did was ridiculously different, completely sincere, rich with irreverent statements on our social context and the human condition. I’d like to find out if you can teach and learn that.

By 

Passionate about bringing emerging technology to the market.

Sourced from Thrive Global