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By Tom Gil

Different parts of the sales funnel need different content types. Here’s how to make them.

We often talk about content creation and repurposing it using different channels, like blogs and social media. What isn’t often mentioned is how to create different types of content for different stages of the sales funnel: branding, sales, and retention.

Every end goal can call for a different kind of content. For example, you might need content that’s designed to move people closer to a sale, make you more memorable (branding), or help you maintain clients (retention). Usually, in your marketing funnel, your target audience is within one of these three stages:

  1. Awareness (made aware of your brand)
  2. Consideration (considering your solution)
  3. Decision (moving towards buying from you)

What content the customer needs to consume in each stage differs. But the first hurdle, as Devin Reed, head of content strategy at Gong, notes, is simply making all your marketing messages relevant to the consumer: “When it comes to actually creating engaging content, it needs to be relevant, insightful, and actionable. This is critical if you want to grab — and keep — their attention. Unfortunately, most B2B companies focus on themselves, specifically their product/service, and as a result, their content is boring and fails to influence how their audience thinks or acts.”

Retention

Your end goal shouldn’t be to simply make a sale. Instead, it should be to create loyal, long-term customers. Here are three methods you can implement today for better retention content:

  1. Use storytelling in your marketing: Customer-focused stories win. Describe how your product or service empowered a business with a solution that yielded results.
  2. Publish quality content consistently: Creating a blog is crucial nowadays. Aside from helping you rank higher on search engines, it enables you to build trust with your ideal customers and craft a unique voice for your brand.
  3. Continue to educate your audience: Having a separate section for unique studies and stories (not blogs) is a way to stand out, and is one of the best ways to show up for your audience consistently. Try different mediums, like podcasts, vlogs, guides, and case studies.

Now, let’s focus on a topic that is often ignored. Retention branding.

Are you pleasantly waving customers good-bye when they choose to leave or are you pointing a sword at their backs, making them walk the plank while they gaze at sharks below?

Even after you lost the battle — when a client cancels their membership or unsubscribes — the psychology of user offboarding is paramount. Just like the aftertaste a drink can leave you with, the offboarding experience can make or break your brand’s reputation. An unreasonable layer to a journey’s end can cause friction and leave a bitter taste.

Making it hard for customers to leave your product is unethical, and usually does more harm than good. There is a way to make a person smile even as they’re about to unsubscribe. AppSumo‘s messaging around cancelling a subscription is a good example: The unsubscribe screen says “It looks like you’ve had enough of us (tough but fair).” A small thing like that can take a stressful process and make it more enjoyable. It’s a reminder of what brands should do: let you leave with a smile, remembering them positively.

That’s retention branding. If you still want to leave, at least you left smiling. If you changed your mind, you stayed smiling. You smiled either way, and that matters.

Feature Image Credit: Getty Images

By Tom Gil

Certified real estate copywriter & marketing consultant

Sourced from Inc.

By Glenn Matchett

When considering the future of branding and brands, it is important to properly understand that Communications is now a fractured, complex, and diverse discipline. The challenge for a PR and brand team – and, indeed, for an entire business – is to get everyone working as one. The overarching task is to impart and nurture genuine empathy and understanding for what a brand stands for, along with the overall business goals. The next step is to plan on how that gets communicated effectively to the outside world.

In Communications, working in silos doesn’t cut it anymore. It requires complex, interwoven, and often co-dependent messaging played across advertising, branding, packaging, PR, digital, customer service, and more. Symbiotic, interlocked, and constantly evolving, there is no solitary lens for PR. Instead, there is a brand kaleidoscope that acts as an ever-changing window into how a brand is perceived through the entirety of its communications.

Social media perfectly illustrates how interlocked communications channels can be for brands. A misplaced tweet or a tone-deaf post can quickly catch fire as a PR disaster that can lose customers or have a negative commercial impact on a business. When Dulux became the sponsor of Tottenham Hotspur Football Club this year, one of the first things the paint brand’s social media manager did was engage in some Twitter banter about the club’s lack of trophies. This quite quickly whipped up into a PR storm about how a new commercial partner was making a major faux pax by denigrating its new partner. There were questions asked about the suitability of the partnership and it has resulted in the commercial relationship getting off to an unsteady start.

With an improved lens on PR, the brand would have anticipated the potential problem here. In a future, more perfect world, PR fails can be mitigated by ensuring those who are in charge of social media are adequately briefed and aware of the power of social as a communications channel.

In a future world, this sort of mistakes would be stopped at the source because companies would understand how interlocked all their messaging is with the perception of their brand. A misjudged post on social media has the potential to be just as damaging as Gerald Ratner’s quip in 1991, that the jewellery he sold was “total crap”. His tongue-in-cheek remark in front of the Institute of Directors promptly wiped £500 million from the jeweller’s valuation and nearly took the company to the wall. Reflecting on the incident in 2021, Ratner tweeted, “It is 30 years today when I made ‘that’ speech. It seems like yesterday. I wish it was tomorrow. I would cancel it.” A PR blunder can have a lasting impact. Lessons for the future are often gleaned from what has happened in the past.

In a perfect future vision, PR would always have a board-level seat at any business – helping inform and shape decisions as they are made. PR is not an afterthought. PR is not the red phone to ring in a panic when the shit is about to hit the fan further down the line. Nor is it a cherry to stick on top of a cake with a positive business announcement or new launch. It is not enough to position PR and marketing at the end of a business process. That does not work anymore and brands who do it will often come unstuck or fail to properly connect with their customers.

Another great example from the world of football this year is the abortive launch of ‘The Super League’. As the breakaway scandal unfolded, it was revealed that the organizers only decided to appoint an agency to look after PR on the day of the announcement. What they fundamentally misunderstood is that PR cannot be an afterthought. It’s not about managing a few negative headlines with the belief that today’s newspapers will be tomorrow’s chip papers. PR is vital to monitor the pulse of a brand or an idea. It is about fully understanding and communicating effectively with your customers.

PR is a pre-emptive tool that is as much about anticipation as it is about activation. Like the tip of an iceberg, with PR there is much more to it beneath the surface than you end up seeing in public. As soon as the tsunami of negative responses hit, The Super League brand was dead in the water. If the clubs had effectively engaged PR earlier in their process they would have realized the whole shebang was a bad idea a lot sooner. This whole episode serves as a lesson on why engaging with PR early is a necessity for any brand.

In recent years, technology has seen brands become more and more efficient in how they target their audience. Data-driven intelligence hoovered up from our online activities means that advertisers often seem to know us better than we know ourselves. In the early days of this tracking technology, this was hailed as new nirvana. We’d be served better because we’d get shown what we want rather than things that weren’t relevant and of interest to us. We were heading to a perfect world of branding and advertising. With minimum wastage for advertisers, you would only see the products you’re interested in.

More recently, however, that dream has turned somewhat sour. The dystopian vision in Steven Spielberg’s Minority Report, of being relentlessly targeted with ads, looms larger like a tangible reality. Documentaries like Coded Bias, The Great Hack, and The Social Dilemma each portray a dark and damaging heart at the center of this technology, purely focused on milking and manipulating consumers for all that they are worth.

From a PR point of view, consumers are waking up to how their data is being used and brands need to be mindful of this. Customers don’t like it and the resulting bad PR for their brands may be commercially damaging. From a brand perspective, we may end up shifting in a different direction, with more organic, transparent, and authentic connections being a prerequisite of brand communications. Privacy controls will be placed back into the hands of the customer and, as a result, the PR wildfire that is burning about privacy and data may start to recede. We’ve already seen this come to light with Apple’s new privacy feature, intended to put the brakes on the sharing of customer data across multiple sites. By preventing the targeting that is the bread and butter of many brands online, its introduction may be a catalyst for a dramatic change in the entire online advertising industry.

From a brand perspective, we may end up shifting in a different direction, with more organic, transparent, and authentic connections being a prerequisite of brand communications.

Brands need to continue to adapt and change in step with the world in which we live. Many cultural commentators believed that, after COVID-19, the consumer’s relationship with brands might change dramatically. Our values would shift away from a disposable, frivolous culture and brands would need to follow. The jury is still out on whether this will, in fact, come to pass. If the queues at the UK’s high-street stores, when the lockdown was lifted in April, is any barometer of a new consumer consciousness, it may not, in fact, be the case at all. The hunger to spend on a wide range of goods still appeared to be firmly intact.

It is fair to say though that brands continue to become more socially aware. As part of a brand strategy, CSR is often now firmly embedded into many companies. However, CSR is only really effective when it is integrated properly and not just used as a PR badge to appease a target market or drive sales.

In the future, unpicking the relationship between CSR and PR will be a great step forward for brands. If you consider a brand like Dove, which has ‘body positivity’ at the heart of its brand purpose, you can see how powerful this can be – not just part of a marketing strategy but an entire business philosophy. It’s not just a PR badge adopted in order to shift their products.

In summary, I feel that it is worth addressing the elephant in the room.

“What is the perfect future version of branding and brands?”

Well, there isn’t one, of course. We live in an imperfect world and nothing ever stays still. When Brandingmag launched, 10 years ago, the world was a very different place. Fast forward 10 years from today and I expect, fuelled by technology, that change will be even greater. PR, as a profession, continues to evolve and it is now part of a larger, more integrated, communications ecosystem. The days of fluffy ‘Ab Fab’ PR – with boozy lunches and ‘it’s not what you know, it’s who you know’ dynamics of doing your job – are long gone. The future vision for perfect PR and brands is to refine and adapt to the broader, interlinked way in which communications operates. It’s also imperative for PR to be positioned at the heart of every business operation. Perfect? No, it will never be perfect, but that’s what keeps the craft of communications such an engaging challenge.

By Glenn Matchett

Sourced from Brandingmag

By Chloe Schneider

Perfection is death. Reserved for gods, not mortals.

David Foster Wallace, a perfectionist, wrote a book that features a film called ‘Infinite Jest’. As a piece of perfect media, it is so soothing and answers every desire, that it is impossible to switch off. It fully absorbs the viewer’s attention so they just sit there, sunk in their seat. They watch until they die. The lesson here appears to be that even if perfection were attainable, it might lull us into inaction.

Perfection is the enemy of action.

Action is vital

There are plenty of clever abstractions in branding – and hot air. Acting and applying ideas in the real world is so often where things fall apart. Branding needs a closer resemblance and connection to life.

Applied brand strategy is essential; strategy that can be made reality, designed to take shape in the world. What’s important is not perfect brands and notions, but distinctive brands that make meaningful contributions to culture. A future where all brands act, and specifically act with a social and cultural conscience.

The climate crisis has taught us that, if the status quo isn’t working, if we don’t like what the future holds, we can’t sit around and wait for perfect, ideal solutions. Where we can start to act thoughtfully and with purpose, for environmental and social good, don’t delay. Think hard before you act, but don’t overthink it. Don’t be anxious about having to be a brand with all the perfect answers. Every active step counts.

Often, the issue is about creating cultures, rather than being passive recipients of a future or system that someone else decided or designed. Pursue a radical or reformist agenda in why, how, and what you create.

The process, how brands make things and live on in the world, is as important as the final result.

‘Perfect’ comes from the Latin for ‘completed’. It is unrealistic and dull to think of brands as complete, not as living and responsive parts of culture. It is too narrow to think only of a brand’s end product or service, its final form in isolation.

What was unusual about a Rodin exhibition at the Tate Modern this year was how few of Rodin’s perfect marble sculptures of the human body were on display. Instead, room after room was filled with plaster casts, pencil marks, and the artist’s experimental works. The exhibition firmly insisted that Rodin’s brilliance lies also in the process of creation, in the ruptures, messy complexities, and uncertainties.

“It is unrealistic and dull to think of brands as complete, not as living and responsive parts of culture. It is too narrow to think only of a brand’s end product or service, its final form in isolation.”

Brands shouldn’t be divorced from their making. They should be connected, responsible, and transparent about how something is made, materials sourced, produced, and distributed. Brands should take an empowering and caring role in the communities they draw on and are made in. Norlha is a slow, sustainable, and ethical luxury fashion and homewares brand selling items that are handwoven from Yak wool by nomads turned artisans in Tibet. Rooted in Ritoma’s community, the brand has organically led to the continuity and flourishing of craft and culture, giving people livelihoods, new futures, and a voice in a time of change.

The arts and crafts movement spoke of the joy to be found in labour for a craftsman. In The Stones of Venice, John Ruskin looked at the rough and vivid carvings of Venetian buildings and envisaged ordinary workmen being left to their own imaginations. Whether his observation was right or not, I do think that the more everyone involved in making a brand can take pleasure, pride, and creative satisfaction in their work so much the better.

The power of making something real and its impact can’t be underestimated. But it shouldn’t be limited to the brand managers, marketers, and creative agencies. Make better, empower everyone involved. How a brand gets there – the people that make it, the community it feeds back into, the creative and productive conversations had – matter as much as the final result.

There is also the question as to what ‘perfect’ branding is trying to achieve.

Infinite growth should be dethroned as an aim

This focus on good actions and on the process and getting it right help us to reprioritize.

However, the “perfect” brand and strategy are almost invariably directed towards growth. The electrifying Silicon Valley mindset of shooting into space. Does growth always have to be the goal, the pinnacle of success? Branding certainly seems to be addicted to the idea.

I can’t help but think it misses the point. Growth at the cost of what? Never-ending growth is no longer viable. It’s unsustainable. We need to be willing to sacrifice profit for the cost of building better. It is crucial that more brands act on their philosophies, and stop making empty environmental and social promises.

I’m relieved that brands like Karma Cola exist that are focused on people and the planet, on ethical behaviour, versus world domination. The brands mentioned in this article are relatively small, this enables them to maintain the integrity of their actions and be agile.

In short, be more human, not god-like in the pursuit of perfection.

Take actions that do good in the real world, and don’t be seduced by the dangers of omnipotence, omnipresence, and the divine glory of being absolutely perfect.


As Brandingmag reached its 10th anniversary this year, we’re putting together an original series that envisions a perfect future for branding. Ten articles will explore ten different sides of branding, each one through the eyes of an expert on the subject. Join our celebration and stay tuned for the next installment in the “Branding’s Perfect 10” series.

Feature Image Credit: Rostislav Uzunov

By Chloe Schneider

Chloe Schneider is a strategist and semiotician at Here Design. Her expertise is in analysing culture and its artefacts — objects, brands, art, films, media, spaces, iconography, and words — to inform and develop brand and design strategy.

She has unlocked new ways of thinking for Allpress, one of New Zealand’s best-loved coffee shops, Glenfiddich, one of the most globally iconic alcoholic spirits, and The Fife Arms, a hotel from the co-founders of acclaimed gallery Hauser & Wirth. A background in consumer insight and cultural strategy ensures her provocations are grounded and relevant.

Sourced from Brandingmag

Sourced from The Network Journal

You probably hear the word “branding” thrown around a lot. Branding has become a common topic of discussion in entrepreneurship – and for a good reason. Branding isn’t just a memorable logo. It’s vital to your online presence and the success of your business.

What exactly is a brand?

Put simply, a brand is a promise of a specific experience that you create through the sum of different elements, including your logo and tagline, messaging, promise, a specific personality, and visual elements.

Building a brand helps you cultivate trust in your target market, build a community, and showcase yourself as an authority in your field.

Here are additional reasons why you should build your brand as an entrepreneur:

Instant recognition. As an entrepreneur, much of your business growth depends on your getting out there and marketing. With the number of entrepreneurs on the rise, it can be hard to distinguish yourself. Wouldn’t it feel nice for people to know your company without your ever having to introduce it?

A logo is one of the key components of your brand. As the “face” of your business, it’s what people will instantly recognize. A professional logo design should be simple enough to be memorable but powerful enough to give your business the desired impression.

Increased client attraction. Do you find yourself chasing clients? Perhaps they vanish into thin air after your initial meeting. Don’t let this happen to you.

A strong brand is like a magnet for your business. When you focus on building your brand as an entrepreneur, you become exposed to a larger audience. People can find you online and interact with you easily, attracting more business than you know what to do with.

More than regular clients, your brand attracts higher-quality ones. Successful people want to do business with other successful people.

Enhanced credibility. Many smart entrepreneurs struggle to get their big break simply because they have no idea how to position and present their know-how, skills and experience. They lack credibility among those outside their traditional circle of influence.

Credibility is extremely important for entrepreneurs. The more credibility your business has, the more likely people will buy your products or services. A brand is a strategic representation of everything you embody. It expands your circle of influence and boosts your credibility.

Ability to charge more. With increased credibility, you’ll be in a better position to charge more for your product or service.

As an established brand, you may have a limited amount of time in a day to do all the work your business demands. As demand for your skills, expertise, and time increases, you can start to charge more for your time.

Charging more allows you to decide how much you want to work, meaning more freedom.

A better network. You may have heard it said, ‘who you know is crucial if you want to make it in business.’ This couldn’t be further from the truth.

As you grow your brand, you will develop an ever-growing network of heavy hitters in your industry. This network can come in handy when it comes to growing your business. It’s a beautiful cycle.

Whether you want to release a new product in the market or try another route in your business, having a network of people at your disposal can prove to be very valuable.

Inspires employees. Your employees need something to work towards – something more than work and salary. When your employees understand your business’ mission, they’re more likely to feel that they’re part of something bigger and more likely to work to attain the goals you set.

Building a strong brand is like turning the company logo into a flag your employees can rally around.

What are the best branding practices?

Become familiar with the best strategies to avoid common pitfalls when you begin to build your brand.  A single misstep can hurt your reputation and set your brand back.

Here’s how to avoid that:

  1. Harness your personality. Your personality is the most unique thing about you, setting you apart from your competitors.
  2. Believe in yourself as a brand. You become a brand the moment you start your own business.
  3. Know and embrace your strengths and weaknesses. If you want your brand to come off as authentic, you have to own your strengths and weaknesses.
  4. Build a website for your brand. Unlike social media profiles, your website is something you own. Use this personal platform to share blog posts, digital products, webinars, and any other content you deem appropriate for your audience.
  5. Provide value at every chance. The people who follow your brand are interested in learning what you already know. For this reason, try to share content that provides value for the reader.
  6. Foster relationships with other popular brands. Interacting with other well-known brands in your industry is another way to build your brand. Your competition is not always the enemy. You can find success when you partner with your competition on specific marketing campaigns.
  7. Keep reinventing yourself. If you commit mistakes while building your brand, reinventing yourself will help to present a new persona to your online audience.

Branding is not something that occurs overnight, and it’s definitely not something that you should leave to chance. If you really want to stand out from the crowd, concentrate on building your brand.

To build a successful brand, start by understanding the branding best practices. Brands do not exist in a vacuum. Build relationships with movers and shakers in your niche to stay ahead of your competitors.

Sourced from The Network Journal

By Rachel del Valle

This year, heritage brands looked to their pasts to create visual identities for the multi-platform era

In a year packed with change, a certain shade of nostalgia has taken hold of branding design. A number of legacy brands, from Burger King to Campbell’s Soup to Colt 45, ABC, Zagat, and Peugeot, drew on their archives to create new looks. The unfussy lettering, crisp lines, and pared-down color palettes of these rebrands look like stylish cartoon versions of the original logos. They have the visual efficiency, if not exactly the style, of Hanna-Barbera’s golden age.

“There is something that changed this year that made this aesthetic and this approach not just acceptable, but really successful in the marketplace,” says Armin Vit, co-founder of UnderConsideration. Vit says Jones Knowles Ritchie’s Burger King rebrand, which made headlines in January, made consumers want to engage with the brand in a way that they hadn’t felt the need to before. While Vit agrees there have been more archive-referencing rebrands since then, he says it’s hard to know how many of them were already in progress before Burger King’s fresh-but-familiar look became a hit. It should be noted that despite media coverage to the contrary, JKR’s executive creative director, Lisa Smith, doesn’t characterize the rebrand as an homage to the restaurant’s glory days. While the new logo is a take on the longstanding previous Burger King sign, other elements—from the Kraft paper packaging to the elegant favicon—are entirely original.

A product shot of Burger King meals in minimal, colorful packaging against a red background.
02
Burger King rebrand by Jones Knowles Ritchie.

This trend is one part practical, one part cultural. Midcentury graphic design, which straddled the print and emerging digital worlds of its time, had technical restrictions that resulted in simpler, more abstract work. Accents like drop shadows and gradients had to be done by hand. There were far fewer typefaces to choose from. So by default, most logos created between the mid 1950s and 1970s were what we now call flat design: two-dimensional, characterized by blocks of color and a general lack of filigree. While the textured visual identities of the 1990s and 2000s—think the glint on Windows 2000—don’t translate well to small-scale digital screens, the unadorned designs of the midcentury era lend themselves well to today’s multi-platform landscape.

Modern brands live in lots of places. Social media accounts, digital ads, and apps add a new dimension to the world of storefronts, websites, and print. That increased exposure, along with the forum for superficial nitpicking that the internet provides, has made consumers—and brands themselves—care more about branding than ever before. Vit pinpoints mainstream interest in corporate identity back to 2010. That year, the Gap unveiled a new logo: a black Helvetica wordmark, layered over a gradient blue box on the upper-right-hand corner. Since 1986, the retailer’s logo had been a narrow, white wordmark in a navy blue square. It was a big, unpopular change. The backlash, which played out via customer comments on Twitter and Facebook, garnered media attention. The sites that covered the debacle read like a who’s who of digital media circa 2010: Slate and Refinery29 blogged about it. Gap chairman Bob Fisher posted a response on Huffington Post. A week later, the company reverted to its former logo. While brands have long known that consumers are wont to grow attached to visual identities, Gap’s snafu showed that in the digital age, every change is subject to mass approval.

03
Colt 45’s rebrand.

While in recent decades legacy brands attempted to use design as a way to communicate their immediate relevance, the tide seems to be shifting toward visuals that convey a more timeless presence. Put another way, established brands have always had the advantage of age, but it’s only recently that they’ve started to embrace it. But is the recent spate of nostalgic rebrands simply a trend, or is it indicative of a larger shift in corporate identity among older brands? After all, zhushing up a logo from the last century is a power move that’s not available to venture-funded competition.

Most brands launching today believe that establishing an emotional connection is essential to their success. Older brands can do this simply by reminding consumers how long they’ve been around. A page from ABC’s recent internal “brand evolution” guide reads: “We have something every brand dreams of: an iconic logo. Since being crafted by the legendary designer Paul Rand in 1962, our logo has experienced many different treatments and variations as tastes and trends change—from glossy and shiny to sleek and sophisticated. Now, almost 60 years later, we’re taking this opportunity to return to our roots—redrawing, simplifying and strengthening ABC.”

Logo featuring ABC on a blurred black and white background
04
ABC’s rebrand.

Creating a connection with the past, if not your past, is also particularly appealing for up-and-coming brands that need to rationalize their existence in a market that feels like it’s expanding at an exponential rate. So says independent designer Elizabeth Goodspeed. More and more, “the brand is the story.” Being able to tie that story to something larger than a set of products or services imparts significance into otherwise redundant offerings. Goodspeed says her work has always been “nostalgia influenced,” but she’s found that inclination has been especially in demand as of late. “There were a couple years where everyone was like, ‘This is too retro,” and now, she says, “I’m getting told, ‘It’s not retro enough.’” Goodspeed says that a vintage-inspired brand identity lends credibility, especially to new companies. “It feels counter-DTC, which often gets associated with low quality. So being able to say, ‘No, no, it’s craftsmanship, it’s heritage,’ gives it that sort of oomph.”

The prospect of what’s to come is seldom as comforting as the memory of what’s past. In future-oriented design, a sense of familiarity is replaced by possibility. But these days, branding that evokes the past seems like a surer route to a positive emotional connection than gesturing toward an amorphous future. In 2022, we can look forward to more looking backward

Feature Image Credit: Illustration by Beatrice Sala

By Rachel del Valle

Sourced from AGA Eye on Design

By

Developing a strong brand is crucial to a business’s success. You run the risk of losing your company’s identity without a branding strategy.

Your brand identity is the mortar that holds your brand together. Consistent branding is key to creating a brand that is memorable and easily recognizable to customers. Effective branding involves sculpting a brand identity that carries through across all of your marketing platforms and consumer touchpoints. Everything from graphic design to content development, web design to email signatures should subscribe to your brand identity. That way, from first to last impressions, your customers will know exactly who you are as a brand.

Why is branding necessary?

Branding isn’t just an accessory: It’s foundational to business. Consistent branding generates memorable, lasting impressions.

Take Airbnb, for example. The popular holiday-home hosting and rental service has defined a space for itself in the travel and tourism market with monumental success. Airbnb’s branding is consistent and ethos-driven. A winning combination.

Everything from imagery to content promotes active living, adventure and limitless possibility for everyone from beginners to seasoned travellers. Airbnb is recognizable, accessible, consistent, contemporary and oozing personality.

Everything contained in your brand book from logo design to value prepositions should communicate who you are, what you do and your fundamental brand personality to the customers who encounter your business. A successful and memorable brand image is one of the best ways to differentiate yourself from the competition and ensure that customers come knocking on your door.

Brand-guide creation is the first place to start. One of the best things you can do to create and maintain a consistent brand identity is to create a brand book. Here at Valux we help businesses establish robust brands with a comprehensive brand-building process covering everything from digital marketing to public relations and integrated sales.

Brand opportunities versus challenges

Branding is an opening to so many business opportunities.

A robust brand strategy will help you:

Establish your brand as a credible market leader

Building customer trust is a natural by-product of great branding. Unified branding establishes a business’s credibility in the market. In turn, this tends to increase market receptiveness and brand loyalty in the process. Consistent marketing messaging that delivers on its promises shows customers what they can expect from your businesses.

Look professional and trustworthy to prospective customers

Consistent brand imagery and messaging makes a business look professional. The best way to adhere to a unified branding strategy is to create a set of branding guidelines (a.k.a a brand book). Your brand book will contain key criteria including brand name, story, ethos, logos, icons, fonts, colour schemes and imagery.

Increase customer loyalty and customer referrals

If customers resonate with your brand ethos and story, then they are more likely to buy. What’s more, they’re more likely to buy again and again, and they might even tell their friends and colleagues to check out your business too. Great branding is a recipe for increased sales, customer loyalty and referrals. Strong and consistent messaging is the key to attracting a loyal customer base.

Stand out in competitive markets and industries

Branding gives every business the opportunity to stand out from its competitors. As a business, you can use your branding strategy to differentiate yourself from those around you. That could be by creating a striking image that immediately speaks of your business or tailoring your band messaging in a way that speaks directly to your target personas.

However, successful branding does not come without its challenges. Branding isn’t something that just happens. Maintaining brand relevance requires a consolidated effort. Your branding must be synergistic and respond quickly to market fluctuations.

Responding quickly to social, economic and political changes and trends improves customer perceptions of an organization. Take Nike, for example. In 2020, Nike took a clear stand against racism and voiced its support for the BLM movement.

The most successful brands don’t just build their branding outwardly but inwardly too. Nurturing your brand internally is imperative for a successful, integrated marketing campaign. Your people should be as invested in your brand identity as your customers.

And Nike did just this. Following on from the company’s campaign, Nike’s Chief Executive John Donahoe demonstrated that his organization’s commitment to the cause went beyond just “hot air” and virtue signalling by implementing internal changes to nurture a culture of anti-racism throughout the company. Donahoe pledged to commit $40 million to support black communities and fight systemic racism.

Clear and consistent branding is a must for all businesses. A concerted effort towards improving your branding strategy will help you stand out from the competition and gain industry credibility, consumer trust and loyalty. In today’s fast-moving consumer ecosystem, the ability to maintain an ethos-driven, authentic and timely brand image is imperative.

By

Entrepreneur Leadership Network Contributor

Jessica Wong is a digital marketing expert with more than 18 years of success driving bottom-line results for clients through innovative programs aligned with emerging strategies. She is the founder and CEO of Valux Digital.

Sourced from Entrepreneur Europe

By

Getting your colours right, having a clean typeface, and everything else you have heard about branding is probably, mostly correct.

However, this is where many entrepreneurs and brand designers fall short: aligning everything to form an identity. There is a difference between creating a memorable logo or colour palette and the concept of Brand Design – the intersection of ‘Branding’ and ‘Brand Identity.’

Brand Design is what bridges the elements of a brand with the way it is perceived in the market – its true meaning among consumers. Let’s take a closer look at branding 101 and these various definitions.

Brand Identity vs Branding vs Brand Design

Branding

The concept of branding is more than just a logo or colour palette – it’s a sum of all those parts and more. Branding is an ingenious collaboration of all the components: logo, tagline, typography, colour palette, website design, and visual communication tools, that form a recognizable depiction of your business.

Brand Identity

One of the best and closest definitions of a brand identity is given by Marty Neumeier in his book The Brand Gap.

“A brand identity is a person’s gut feeling about a product, service, or company. You can’t control the process but you can influence it”.

It is all about what your target market thinks of you, which is based on your branding efforts. You need to be authentic with your branding efforts and strategies; in order to grow in the long run in today’s competitive and ever-growing world, it is important to stand your ground and connect with your audience.

Brand Design

As discussed, brand design is the common ground that connects brand identity to branding and leaves an impression of a brand in the minds of the respective target audience. It represents the holistic personality of the brand.

In order to create an effective, unique, and consistent brand identity, it is essential to lock in the basics of brand design elements which will be used in all the components of your brand, such as a logo, website, billboards, social media pages, etc.

Elements of brand design

You have likely come across phrases such as ‘less is more,’ ‘be unique,’ ‘design to be memorable,’ and many more. While following these is certainly a great idea, it all boils down to brand design. The more well-thought-out and assembled the elements of brand design are, the better all design decisions will be. Eventually, this will lead to a better brand identity.

Elements-Of-Brand-Design

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Logo

Of course, this is one of the most obvious and known design elements; even confused as the brand identity itself (which, of course, is not true). Be that as it may, with logos being the foremost of brand identifiers, it is important to be highly attentive when it comes to designing your logo.

Typography

When it comes to typography, also known as font styles, I would suggest you select the main font – this could be the font you use for your logo or major headings – and one or two secondary fonts. This may not seem as crucial, but if you want to set the style of your brand from scratch, it’s important.

Colour Palette

As typography sets the style and tone of your brand, the colour palette is what sets the overall mood of your brand and its graphics. In order to get this right, it is important to understand how different colours have different effects on people. After a bit of research concerning colour psychology, you can come up with a colour combination that aligns with other brand design elements.

Photography

Now, this may seem a bit out of the ordinary, but integrating a photography style with your brand can bring out excellent results. After all, photography is a bit more real than all others. Therefore, when it comes to making your target customers feel associated with your brand, this is quite an underutilized design element.

Iconography

This is by far the most flexible brand design element. From an icon of a gaming console to an arrow, there are generic icons for numerous things. Selecting a style of icon to be used specifically for your brand is an extra mile that many brands don’t take. One of the best examples to prove this are Apple products, from its laptops’ keyboards to its different set of stickers and symbols, the brand shows that it doesn’t shy away from going all unique while being relevant.

Illustration

This is not for everyone. Not that it cannot work for everyone, but most brands go with either an illustrations style or photography style. Having said that, illustrations have been acing design elements recently, especially when it comes to the IT, entertainment, clothing, health, and FMCG industries.

Audio and Video

As people are experiencing brands in different ways, which is changing faster than we notice, exploring audio and video as visual communication tools can hardly go wrong. Elements such as podcasts and YouTube videos are only going to be increasingly important from here, but it is also important to know when is the right time to get on board with this. As these are capital-intensive strategies, I would suggest keeping these at a medium on your priority list.

Pattern

More often than not, we interchange the meaning of patterns and textures with each other – somewhat, at least. Consequently, we presume that pattern plays an important role in design only when a product is involved. Nevertheless, this is one of the most flexible brand design elements.

Motion and Animation

With the digitization of the world, experiences, and branding strategies themselves, there has been an unbelievable growth in brands getting online. The more they focus on the online presence, the more interactive websites and applications tend to be. Besides websites and applications, there are several other opportunities for brands to add animation; these may range anywhere from animated characters to the use of motion graphics for your logo design in your videos.

While the above-mentioned elements of brand design are all about tangible aspects of your brand, it is not all that encompasses brand identity. You should consider brand positioning all throughout your brand design decisions.

Some questions to help you address the positioning of your brand:

  • Which unique market do you dominate (or plan to dominate)?
  • How are you better than your competitors? (Answer this positively by understanding and communicating what you bring to the table that is exclusively associated with your brand)
  • What are the benefits of your products and services?
  • Is there is any proof to your claims to increase credibility?

To conclude

There are a few things that you need to know before diving into brand design:

  • It is the powerhouse of your brand. While quality, marketing mix, and all other aspects are important, your target customers will never care unless it feels right to them. With well-structured brand design, you can lay out your brand identity to your customers, and welcome them instead of vigorously advertising.
  • Storytelling never gets old. From ancient wall scribbling to today’s storyboards, stories are the most engaging and effective manner to represent your brand. With the help of all brand design elements, you can tell your brand story, your customers’ stories, your opinions, and everything else to be more inclusive of your target audience.

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Guest author: Manas Chowdhury is a Digital Marketing enthusiast with a PG in Economics and a specialization in Finance. He is an entrepreneur who has a keen interest in stocks, bullions, gaming, and blockchain technology. While he runs his own startup, he also enjoys writing on a variety of topics. Being a philanthropist, he is also involved in various activities contributing to the betterment of the environment and society. You can connect with Manas on LinkedIn.

Sourced from Jeffbullas.com

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Can you spot the invisible bottle?

It isn’t every day that we see a company as big as Coca-Cola tweak its brand, but the soft drink giant has just revealed its magical new logo. Featuring a fresh wrap-around logo called the ‘Hug’ and a new tagline, this design is genius.

Coca-Cola has been running the fizzy drink game for decades now, and its logo has become an icon of modern culture. But the famous logo that we all know and love has just had an ingenious makeover – and we love it. If you are hoping to design your own clever logo, make sure you check out our 15 golden rules on logo design.

A Coca-Cola print ad for the 'Real Magic' campaign

The ingenious design looks as though the logo is wrapped around a Coke bottle (Image credit: Coca-Cola)

The new logo features the traditional Coca-Cola logo but is slightly wrapped around what we can only presume is an invisible Coke bottle. It’s amazing that the brand is so well recognised, that we can decipher the shape of the Coke bottle, despite it not even being there. The new logo is apparently inspired by togetherness, and the actual action of a hug, hence the wrapped around logo imitating that of arms mid-hug.

The new logo is accompanied by a new campaign and the tagline “Real Magic.” In the ad (below) for the branding update, viewers watch as a bottle of Coke sparks peace between players on an online game. And despite this ad feeling oddly similar to the advert when Kendall Jenner controversially solved world peace with a can of Pepsi, we think the new logo and the values behind the “Real Magic” are actually rather endearing.

Chief marketing officer Manolo Arroyo at Coca-Cola has said the “Real Magic” is “not just a tagline” and that it is “a philosophy.” According to an article on the Coca-Cola company website, the intentions behind the new campaign are to “increase the Coca-Cola consumer base through an ecosystem of experiences anchored in consumption occasions, such as meals and breaks, and merged with consumer passion points like music and gaming.”

The campaign features work from a number of artists and photographers that celebrates togetherness and inclusivity. With vibrancy, happiness and diversity all included in the new campaign, a number of new print ads will feature a range of colourful mediums.

Image 1 of 4

Coca-cola print ad.

The Real Magic campaign features a number of artists and mediums to promote inclusivity and happiness (Image credit: Coca-cola)

Coca-cola print ad.

This print ad takes the ‘hug’ quite literally! (Image credit: Coca-cola)

Coca-cola print ad.

We love the colour palette in this one (Image credit: Coca-cola)

Coca-cola print ad.

This design is utterly adorable (Image credit: Coca-cola)

The new logo has been praised online by Twitter users with users dubbing  the campaign as “happiness to look at,” and another calling the campaign “magic.” It’s apparent the internet likes the rebrand as much as we do.

We love this new friendly rebrand and love the fact that Coca-Cola have chosen to feature a number of different creative mediums. If you want to try your hand at logo design, then why not have a look at our roundup of the best free logo designer.

Feature Image Credit: Coca-Cola

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Sourced from CREATIVE BLOQ

Sourced from Inc.

It’s not “if” TikTok has potential as a business platform; it’s when your company will decide to leverage it.

Roger Patterson is an EO Vancouver member and the founder and CEO of visual marketing platform Later, and co-founder of accelerator Launch Academy. We asked him about the business case for TikTok. Here’s what he shared.

My first impression of TikTok was typical for a Gen Xer: The platform seemed like a hub for tweens to flaunt dance moves and indulge in pre-adolescent narcissism. But after participating in a company hack week where the mission was to build an integration with TikTok, my eyes opened to its possibilities as a serious business tool.

With more than a billion monthly active users globally, TikTok has become the fastest-growing social media platform of the decade–but with 63 percent of its users under the age of 30, executives are quick to disregard it.

And while increased screen time among the under-15 demographic during the pandemic contributed to its growth, the platform is more than short-form dance videos–it’s the next generation of content creation.

With its suggestive algorithm, musical navigation and brilliant editing tools, TikTok has mastered compelling, short-form video as a service in a way legacy platforms like YouTube and Instagram have not. The latter may have secured more placement in marketing budgets for now, but TikTok as a legitimate new content channel is forcing brands to re-evaluate how they engage consumers.

If you’re a Gen Xer, Boomer or traditionalist doubting TikTok;s business ROI, here are three reasons you should reconsider:

Branded Entertainment Has Become a Must-Have

First and foremost, TikTok is about entertaining its users. Entertainment has become a new form of brand currency, and it’s a must-have. Social media influences 71 percent of consumer buying decisions–and that funnel starts with interest and awareness. Millennials and Gen Z in the US alone have a combined $350 billion of buying power, and they’re also turning to mobile video as a primary source of entertainment.

Brands need to start thinking of entertainment as a service–a way to add value to consumers first and establish a relationship before moving to transaction.

Importantly, entertaining content doesn’t need to exclusively be a frivolous distraction. Done right, TikTok videos can be a gateway to brand education, tying to a brand’s mission or higher purpose in more creative and authentic ways.

Early Adopters are Rewarded with Influence 

Just as Snapchat graduated from the exchange of ephemeral photos to include video, stories and chat–a formula brands quickly acclimatized to–TikTok is showing signs of breaking out of its Gen-Z niche. The platform just launched a TikTok Resumes pilot program and a new Shopify partnership to support social commerce. Recently, Vimeo integrated with TikTok Business: The first video creation platform to do so.

While the platform’s expansion into more mature markets is inevitable, research shows those who get in early have a distinct advantage–higher social status, increased customer loyalty and influence–over competitors who are left playing catch up. Not to mention, building an authentic community on any social platform takes time.

Retail giants including Walmart and Amazon are already diving in head first, securing their position on the platform, as other brands figure out how to embrace the new kid on the social media block. The Washington Post, for example, may not seem a likely brand for TikTok success. However, the legacy publication was an early adopter, turning its news into funny, bite-sized videos that appeal to an entirely different audience than its print or web presence. The reward for its efforts: 40.9 million likes.

Connectivity is the New Word of Mouth

In January, TikTok star Barbara Kristoffersen posted a video of herself wearing a vintage Gap hoodie in brown, a colour the retail giant hadn’t produced since the 2000s. The post went viral, garnering more than 6 million views. By February, retro Gap hoodies were a common sight on style influencers across all platforms. Just a few months later, Gap was taking preorders for a reissue of the iconic pullover sweatshirt.

The fact is, social connectivity is the new word of mouth. And Gen Z’s status as the most socially connected generation of all time can’t be ignored. These are the consumers most likely to be talking, sharing and posting about your brand.

Hesitations some have about social media in general, and TikTok in particular, are legitimate. Between privacy issues, concerns about spyware and misinformation bubbles that just can’t seem to be popped, the internet can feel like a scary place. But ultimately, at its best, social media allows people to connect around shared interests and businesses to relate to their customers in a more direct way–through conversation, not broadcast.

TikTok may be whimsical and fast-changing, but it’s not going anywhere anytime soon. Much like the social media platforms that came before (Facebook started for university students, and is now a key player in the $48 billion social commerce market) TikTok will eventually grow up, expand its demographics and monetize in new ways.

It isn’t a question of if TikTok has business potential; it’s whether Gen X wants to lead the way in harnessing it, or follow.

Feature Image Credit: Alamy. Illustration: Inc. Magazine

Sourced from Inc.

By Myles Suer

A large part of my career has involved pivoting between product management, product marketing and solution marketing. I spent nearly two years out of work after my second start-up had failed in 2000. During my job search, I kept noticing Silicon Valley organizations cobble together multiple jobs under one title. One that came up frequently was product marketing jobs asking for brand builders.

Now I had hired a branding company to name my largest start-up, but had no idea myself how to build a brand. Desperate for an answer, I bought David Aaker’s 1991 book, “Managing Brand Equity.” It explained the value of a brand, and recommended marketers do five things to help build one:

  1. Treat the customer right.
  2. Stay close to the customer.
  3. Measure and manage customer satisfaction.
  4. Create switching costs.
  5. Provide unexpected extras.

Aaker’s book provided the answer I needed for my next job interview, but I knew there was more to positioning and branding. A new book published this week reminded me of my quest for branding and positioning knowledge all those years ago: Kimberly Whitler’s “Positioning for Advantage: Techniques and Strategies to Grow Brand Value.”

How Marketers Create Competitive Advantage

Whitler is the Frank M. Sands Sr. Associate Profess of Business Administration at University of Virginia’s Darden School of Business. She argues marketers should focus on creating sustainable advantage for their businesses. Advantage is created “by combining the firm’s resources with insight-generated marketing intelligence (information on competitors and consumers) and direction from firm level strategic marketing choices about where a brand should play or its desired position.” Effective marketing plans should therefore define how to win, choices and decisions regarding resource allocations, organizational structure design, strategic partners and go-to-market activities.

The outcome from this effort should in theory be superior marketing strategies and plans. These should deliver a perceptual advantage (in the hearts and minds of customers) which translates into a brand equity advantage and ultimately drives business growth. As Whitler sees it, the business outcome is a vision of how to win given an organization’s competitors.

The Positioning Concept

The problem, according to Whitler, is entrepreneurs spend so much time learning how to create new products and not enough learning how to create a brand. I agree. Most start-ups in Silicon Valley focus on selling products and product features prior to their Series C or D funding. This approach puts all the focus on “the development of a new product, fails to connect the value of the benefits that the product creates to the market for the solution. When leaders focus on the developing a product, it’s possible that there won’t be a real consumer (customer) need.”

For these organizations a gap exists in how they create, test and perfect the core positioning of the brand. Whitler argues positioning should be done first. And because this is rarely the case, 90% of new products fail. The “problem is few are taught to understand why it’s important to use a rigorous process to define the strategic positioning and that all decisions — from the product to brand design to the choices of commercialization strategies and tactics” come from a company’s strategic positioning.

Whitler’s proposed solution is for organizations to adopt a positioning concept. Leaders can then create, test and perfect ideas upon which brands and new products are created and then launched.

The positioning concept specifically identifies the customers’ problem, the solution the brand is designed to provide, and the proof that the brand can deliver. It essentially summarizes why a brand exists. To be effective, problem statements should be in the customers words and state the customer problem in simple language. The solutions statements should connect the solution to the customer problem statements. And finally, supporting statements should provide the granularity around how a new product works to solve the customer problem. Whitler argues it is important to create a process deliberately comparing ideas that are generated against established criteria. This ensures a product has the best chance of success.

Related Article: What Brand Marketers Can Learn From Personal Brands

Crafting a Brand Essence Statement

A marketing strategy, Whitler claims, should at its core be about identifying a position in the marketplace that provides the greatest opportunity to create value for a chosen customer target. Over time, successful brands come to stand for something as well — these establish meaning, feeling and emotions that capture the hearts and minds of their customers.

Marketers have had a hard time determining what the brand essence should be, argues Whitler. She calls the process both art and science. A brand is a distinguishing name/symbol intended to identify goods and services and differentiate the company from competitors. Given this, a brand essence statement (BES) is a document, picture, video or other communication vehicle that captures the intrinsic nature and indispensable qualities that make a brand unique, compelling and meaningful to a target.

Whitler stresses a BES is more than a messaging document. It should precede the design of a product, to guide the decision on which product to create. It serves as a beacon that summarizes the brand’s unique positioning in the marketplace. As a goal, the BES serves as the brand image that marketing is working to develop and, therefore, should be used as a filter to think through brand decisions.

In terms of timing, a BES should be created after determining segmentation, target definition and positioning concepts. It should consist of four components:

  1. Foundation (brand values and brand personality).
  2. Impact (the impacts the brand will provide customers rationally and emotionally).
  3. Support (the reasons to believe).
  4. Brand essence (what is the summary statement of what the brand can do for the target customer).

Whitler cautions marketers to watch for gaps where the promise and behaviour do not align in this process. A key idea I really like is a brand must be authentic, and this includes people decisions. “Authenticity and veracity are mechanisms thru which brands create trust.” To make things right, Whitler says marketers need to serve brands and consumers, and not the other way around.

Communicate Your Vision With Strategy Maps

Once an organization has built its BES, the next step is to communicate its desired position to the broader organization in a way that is clear, aligned and committed to delivery. Strategy maps are a great tool to do this. They are a visual, fast and easy way to share an overview of the corporation, its brands and its competition.

Whitler believes CMOs should lead this effort because they sit at the intersection of the external marketplace and the internal functions of the C-Suite. She suggests CMOS create four strategy maps: 1) Brand portfolio and resource management; 2) Consumer perspectives and preferences; 3) Competitive market dynamics; and 4) Strategy maps (the process).

Strategic Marketing Plan

To a large extent, Whitler builds upon the work of Derek Abell’s “Strategic Marketing Planning.” Abell defined a three-cycle enterprise planning approach:

  1. Develop alternative long-range business definitions and missions.
  2. Develop long-range functional strategies.
  3. Develop one-year plans and budgets.

Like Abell, Whitler believes the strategic marketing plan flows from the corporate plan to assure that all departments are aligned with the firm’s overall strategic plan. Whitler is clear that converting marketing strategy into plans that can achieve a vision is more difficult than devising an effective strategy. Without question, a strategic plan represents a set of choices that direct and focus activity to achieve corporate goals.

In terms of structure, Whitler suggests a strategic marketing plan include the following: visions, objectives, strategies, tactics and measures. To be effective, it should be a stand-alone document that reflects ruthless choice making and not be created in isolation.

The Creative Brief: A Blueprint for Marketing Activities

With agreement on the BES and strategic plan, a creative brief aims to strategically communicate key information about a specific project. It provides creatives a guide or blueprint to inform any marketing activity, such as advertisements, store design, brand communications, website, events, logo design and IT projects. As someone who often works with IT organizations, the last point was interesting to me.

Whitler asserts “it is better for clients to write the creative brief because they have more knowledge on the target consumer, the brand, and the business objectives.” In terms of specific writing tasks, they include:

  1. Project assignment.
  2. The situation.
  3. Objectives and success criteria.
  4. Customer insights.
  5. Communications strategy.
  6. Execution guidelines.
  7. Details and approvals.

Marketing Technology Blueprint

CMOs are spending billions in technology to modernize marketing with the aim of discovering, engaging, creating and delighting customers. The question for CMOs and CIOs to answer together is how can they leverage technology to create superior value to customers? A martech blueprint is used to evaluate, inform and support marketing technology investments across an entire organization.

Typically, the blueprint is a diagram or visual, created with an enterprise architect, that illustrates how technologies connect and worked with each other to drive marketing processes. A martech blueprint should answer the following questions: 1) vision for customer experience and journey; 2) desired state of marketing technology guide the buyer journey; 3) What is in place and left to add; 4) Are we using what we have; 5) Have we integrated what we have: 6) Are there duplications and unnecessary capabilities; and 7) The roadmap for data flow, marketing capabilities and customer experiences.

Brand Measurement

Measurements are core elements of how every organization should run itself. In marketing organizations, Whitler says measurement should guide marketing strategy; access in-marketing process; access extendability of a brand; evaluate the effectiveness of decision; track brand strength against competitors; and assign financial value of the brand. Key areas of consistent measurement across brands should include consumer knowledge, consumer perception; consume behaviour; and financial valuation.

Parting Thoughts on the Book

Whether you are a B2C or B2B marketer, the principles of Whitler’s book should be foundational to your marketing plan. Marketing organizations need to do their homework. And while the book does not explicitly consider digital adjuncts to products or the need for digital speed, the same principals apply. I would not have received dollar one of venture capital for my startups if I hadn’t done my homework. And every time I learned something new about a customer and their problems, it would be like entering a room and finding everything changed. Given this, it is smart to follow Whitler’s guidance, regardless of business type.

Feature Image Credit: Brands&People | unsplash

By Myles Suer

Myles Suer, according to LeadTail, is the No. 1 leading influencer of CIOs. Myles is director of solutions marketing at Alation and he’s also the facilitator for the #CIOChat.

Sourced from CMS Wire