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By Melissa Chu

Trying to think up new ideas is a counterintuitive process. Do you ever notice that the harder you look for it, the harder it is to find?

It’s incredibly frustrating when you focus your mental energy on trying to find that one insight. You spend hours, days, or even weeks trying to find the solution to an issue.

Yet there are other times when that “Eureka!” moment just pops up out of nowhere. And of course, your brilliant idea arrives when you happen to be far away from your computer.

If you can’t force your way towards a great idea, then what can you do instead?

The problem with relying on intense concentration is that it isn’t enough. You can’t simply “think your way through” things. You end up running in circles, recycling the same old concepts.

What you need is a trigger. Something that inspires you, something that forces you to think outside your current train of thought. Once you step outside that cycle, you can generate one creative idea, which leads to another, and so on.

Here are 5 methods you can use to stimulate fresh, innovative ideas:

1. Create an “ideas page”.

An “ideas page” is a great way to store interesting thoughts and concepts that you come across. For instance, I have a document where I jot down ideas from time to time. Some are more fleshed out than others, ranging from a single point to a couple paragraphs and even research references.

Every time I notice or think of something interesting, I write it down. The important part is not the organization or formatting, but about recording those thoughts that pop up suddenly (and sometimes vanish just as quickly). By nurturing an ideas page, I find myself referring back to it often to help me write about various topics.

2. Immerse yourself in a busy place.

Sitting in a room and stewing isn’t likely to give you that sudden burst of inspiration. If you’re surrounded by the same old places doing the same old things, your brain won’t be stimulated to think differently. What you need is a source of external stimuli.

To do so, immerse yourself in a place that’s full of new things. Think the mall, a local park, or a street lined with boutique stores — anywhere that’s bustling with interesting things and lots of people. You’ll see, hear, and maybe even interact with people and places that can lead to an idea.

3. Clear your mind of distractions.

While clearing your mind is the opposite of immersing yourself in a busy place, it’s an incredibly effective, albeit different, way to search for ideas. Using this method, you rely instead on your brain as a source of internal stimuli. To get rid of distractions, try to lie down and listen to music, walk along a quiet path, or take a shower.

Basically, engage in relaxing activities that take you away from busy noises and sights. Relaxing allows your body to produce dopamine, an important ingredient in creativity. As a result of this increased dopamine, your mind is able to wander freely and make connections that weren’t at the forefront.

4. Surf the web.

If you’re chained to your desk and trying to find ideas, then look no further than the web for answers. I’ve gotten insights simply from going onto Google and checking out their Google Doodles. Many of the people and events featured have interesting backgrounds that provide valuable insights and lessons.

Or, you can check out one of your favourite bookmarked sights and see what’s new. The possibilities are nearly endless. You can end up reading about new places to visit, recommended books, or clever techniques to solve problems.

5. Look at something you think can be done better — and then improve it yourself.

Have you ever looked at something and thought, “I could do better”… and then proceeded to do nothing?

Talking about what you can do is easy. It’s another thing to break down how exactly something can be improved and why it would be beneficial. For instance, Ben and Jerry thought that existing ice creams were bland and lacked texture, so they created rich and chunky ice creams in a variety of unusual flavours under their brand, Ben and Jerry’s.

But you don’t necessarily need to improve a concept. Instead, you can alter something that exists by presenting it in fresh way. You see this in music when people create remixes and covers of popular songs. In literature, Pride and Prejudice and Zombies is a mash up between the classic Pride and Prejudice and the zombie genre. It became so popular that the book was turned into a movie, which was just as well-received.

You Can Find Ideas Anywhere

Ideas are applicable everywhere in life, from business to writing to everyday tasks. Did you find a simple way to solve a small, yet irritating issue? That’s an idea. Did you combine two separate items to create a unique concept? That’s another idea.

Ideas don’t simply appear out of thin air. They’re around you. That is, if you know how to look for them.

This article is from Medium.

Feature Image Credit: Shutterstock

By Melissa Chu

Sourced from LADDERS

Sourced from jemebuyan.com

Being an ideas machine is one thing; giving your ideas the chance to be rediscovered and flourish is another.

Because let’s face it: Ideas are merely forgotten thoughts if they’re not recorded, organized, managed, and implemented. How many times have you heard of a new business and thought to yourself, “I totally came up with that idea years ago”? That’s proof that great ideas mean nothing if you don’t manage them for later expansion and implementation.Creativity Creativity Creativity Creativity Creativity

While dreamers often have the best ideas, it’s the doers who are getting things done. Below, five leaders share how they record, organize, and manage their ideas.

STAY OBJECTIVE AND GET FEEDBACK

Anne Raimondi, senior vice president of operations at Zendesk

To manage her ideas, Raimondi has a three-step process:

1. Stay objective. If you’re an ideas machine, it can be difficult to to decide which ones are worth filtering, editing, and revising, and which ones you need to let go of (at least for now). For Raimondi, continuously asking, “What problem am I trying to solve?” is crucial so that she doesn’t “fall in love with one idea and miss coming up with a better one.”Creativity Creativity Creativity Creativity Creativity

2. Ask for feedback. After coming up with a sketch of an idea, getting others to brainstorm with you is a great way to expand and build your nugget from something okay to something great.

Collaborating almost always makes an idea better.

Recently, Raimondi asked two colleagues to help her brainstorm for an upcoming event after she came up with a rough idea. “Including them in the conversation transformed it into something I could never have come up with on my own,” she says. “Collaborating almost always makes an idea better.”

3. Be patient and persevere. Sometimes, the best things take time to become a reality. When you know you have a big idea worth holding on to, don’t forget to take the time to revisit it every once in awhile. Raimondi’s big idea came nearly a decade ago:

Nine years ago, on a cross-country plane ride, while working together at a crazy startup, one of my best friends and I decided that someday, we wanted to build something together. We didn’t know what or when. We just knew it was a goal for us. Almost a decade later, we’re now forming a partnership to invest in talented entrepreneurs we’ve met and worked with over the last nine years. If not for the different journeys we’ve been on, and being patient, our idea wouldn’t be coming to fruition.

ALWAYS HAVE A NOTEBOOK AROUND

Scott Adams, creator of the Dilbert comic

For Adams, who is the creator of Dilbert and has a handful of companies under his belt he’s either started or invested in, coming up with new, great ideas is crucial. He’s tried note apps, but finds them too slow. Instead, he has a system that enables him to record for revisiting later:

“I have a seven-second rule in my home,” he says. “I have to be able to reach a working pen and notepad or I risk being distracted and forgetting.”Creativity Creativity Creativity Creativity Creativity

He adds: “Smartphones and computers take longer than seven seconds and add distraction. I transfer them to a computer later.”

Additionally, Adams emails himself ideas using the same subject line for all of them.

“That makes it easy to search later,” says Adams when he’s ready to transfer his ideas to the computer for organizing and managing.

But Adams isn’t done managing his ideas: He has a whiteboard in his “man cave” to write ideas on, he starts draft blog posts and saves them in Tumblr, and for his movie script, he’s turned a room into a visual timeline of the film with notecards for scene ideas.

Click HERE to read the remainder of the article.

Sourced from jemebuyan.com

By Jenny Brewer

The Future had its inaugural event from 3-4 November in Dublin, organised by the founder of creative festival Offset, and its remit was simple: to explore the ideas, attitudes and innovations that will affect the design industry in years to come. Around 70 speakers took to four stages, ranging from design studios – many from Ireland and others further afield – to trend forecasters, ad agencies, and big name designers like Stefan Sagmeister and Paula Scher, plus It’s Nice That founders Alex Bec and Will Hudson, to share their take on the future. Interpretations were eclectic but generally offered a refreshing point of difference to typical talks that focus on existing work and hindsight, with many presenting analysis and predictions for the shifts in creativity and wider culture. Here we’ve picked out a few highlights and interesting takeaways.

Fjord-dublin-itsnicethat
Fjord Dublin

Lorna Ross, Fjord Dublin

Lorna Ross, director of design agency Fjord’s Dublin studio, kicked off her talk talking about her obsession with photos of “desire paths” on the internet. Google the term, she says, and you’ll discover countless times when humans created more efficient shortcuts to their destination. She used this as an analogy for how we should approach the creative process. “Design is about paying attention to what people are already doing.”

She continued that “designers are being asked to do increasingly difficult things,” as a direct result of changing eras of society, from a manufacturing economy to an experience economy, attention economy, sharing economy, and now a data economy. Members of her team are working in emerging technologies and experimenting with their job roles – for example, one staff member is a synthetic personality architect, designing what robots say and how they say it.

Lorna also touched upon the agency’s acquisition by Accenture, and commented that Facebook, Google and Amazon have grown their art and design headcount by 65%, showing a widespread investment in design by multinational tech companies. They’ve realised, she says, that “design needs to unlock the transformative potential of new technology”.

Campbelladdygetty
Campbell Addy: Getty

Will Rowe, Protein

Protein founder Will Rowe presented trends based on statistics and examples from its recent report. One of these focused on young people’s trust of institutions, finding that only 22% of millennials trust brands, and only 28% trust the media. “With the commercialisation of political issues, 35% [of Gen Z] think it’s positive but misses the mark,” Will said. “It comes down to authenticity.” He referred to brands who’ve succeeded, such as Getty, which commissioned photographer Campbell Addy to produce a series addressing diversity in stock imagery; and Absolut, which continued its long history of supporting LGBTQ rights with campaign Kiss With Pride.

This was echoed by The Future Laboratory’s Trevor Hardy later on, who stated that “60% of Gen Z support brands that take a stand on issues they feel strongly about, and take a civic role”.

Will also talked about how the virtual is merging with reality, and how brands are adapting, referring to Lil Miquela: “The archetypal Instagram star who goes to all the right parties, has a record label, a fashion line – the only difference is she doesn’t exist, she’s an avatar.” He also mentioned Alex Hunter, a virtual character in Fifa who just signed a sponsorship deal with Coca-Cola; and Google Pixel and Boiler Room’s VR dancefloors project.

Technology-will-save-us-micro-bit-list_guitar
Technology Will Save Us

Technology Will Save Us

Demonstrating its latest release, the Mover Kit, Technology Will Save Us spoke about the importance of offering kids off-screen fun. “Technology is closed to our generation,” said founders Bethany Koby and Daniel Hirschmann. “We don’t know how to fix it, it’s not a creative platform. But tech isn’t novel to kids now. They’re fearless about tech. We had a kid, and we were shocked at how pink and blue the toys still are. They don’t engage or empower kids, or help them to see what they’re capable of.”

Tech Will Save Us makes DIY kits for kids to learn making and coding skills, in line with the STEAM approach to education. There is a STEAM Barbie, Bethany said, “but a doll in a pencil skirt and glasses isn’t going to inspire a generation with the practical skills for the future”. The company was also instrumental in the design of the BBC’s Microbit, which aimed to inspire a generation of digital makers, and so far has seen a 9% increase in kids saying they would study ICT/Computer Science, and a massive 23% increase in girls doing so.

Yes-stefan-sagmeister-yes-dumbo-itsnicethat
Stefan Sagmeister

Stefan Sagmeister

Dividing opinion but drawing a crowd, as always, Stefan Sagmeister didn’t exactly stick to the “future” brief with his talk. He did, though, talk about how he believes beauty is becoming culturally important again after 50 years of modernist principles ruling design. “These economic modernists used modernism to pollute our earth with urbanist blocks,” he said, blaming architects Adolf Loos, author of Ornament and Crime, Ludwig Mies van der Rohe and Le Corbusier for “telling the world what it should look like” – which resulted in many cheap and “ugly” uses of modernism to save property developers money. “There is a joke that goes, ‘what is the difference between God and Le Corbusier? God never thought he was Le Corbusier’.”

Stefan also conducted what he called the Mondrian Test on the audience, asking for a show of hands on which of two images was the real Mondrian. “It’s never less than 85% of audiences that recognise the real one,” he claimed, explaining his inference that people instinctively know real beauty. “Form follows function is bullshit. Beauty has a function too.” He also referred to New York’s Highline as an example of beauty’s impact on behaviour. “It’s one of the most successful and influential buildings in post war America. There has not been a single crime on the Highline. I’ve never seen a single piece of trash. That is a direct result of its beauty. And right now there are around 16 projects worldwide trying to emulate its design.”

By Jenny Brewer

Sourced from It’s Nice That

By Mikelle Leow

What happens to your ability to think up novel ideas when you get older, and when does creativity truly peak?

To answer these questions, Alison Gopnik and Tom Griffiths—professors of psychology at the University of California, Berkeley—have conducted a handful of experiments with their colleagues to determine the effects of age on creativity.

The team began with a group of participants of different ages: namely four- and five-year-old preschoolers, six- to 11-year-old children, 12- to 14-year-old teenagers, and adults.

The researchers discovered that, when it came to making descriptions, preschoolers were the most likely to think up creative, unusual explanations, and school children were slightly less creative. “And there was a dramatic drop at adolescence. Both the teenagers and the adults were the most likely to stick with the obvious explanation even when it didn’t fit the data.”

However, when it came to social problems, teenagers were deemed the most creative group. “They were more likely to choose the unusual explanation than were either the 6-year-olds or the adults.”

“Why does creativity generally tend to decline as we age? One reason may be that as we grow older, we know more. That’s mostly an advantage, of course. But it also may lead us to ignore evidence that contradicts what we already think. We become too set in our ways to change.”

It turns out that while much of childhood and adolescence is spent exploring multiple facets of life, creativity dwindles in adulthood as a result of the stern constraints of reality. Moral of the story: it’s important to see things in a childlike wonder at times, even when your consciousness fights back and tells you how ridiculous things might be.

You can read more about this study over at The New York Times.

By Mikelle Leow

Sourced from DesignTaxi