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By David Gianatasio

“I don’t have much money, but, boy, if I did. I’d buy a big house where we both could live.”

Rising artist AHI performs a passionate cover of Elton John’s “Your Song,” wringing fresh nuances from each familiar line as Ikea Canada launches a revamped brand platform themed “Bring Home to Life.”

This husky, expansive version drives the short film below. It tells the tale of an immigrant family’s arrival in Toronto, opening with a young father’s first glimpse inside their new apartment.

He’s greeted by an odd tableau: In otherwise empty rooms—with no furniture, carpets or even pictures on the walls—about a dozen people wait, frozen in space and time. The action mainly transpires in the father’s imagination as he contemplates a joyous future in this place, surrounded by family and new friends, with items from Ikea completing the scene.

Ikea | Bring Home to Life

Directed OPC’s Gary Freedman, a minute-long edit of the dreamy, cinematic narrative launched during last night’s Emmy Awards.

“We’ve been working on a new Ikea brand platform for more than a year, and this spot is the anchor of that new platform,” says Michelle Spivak, creative director at Rethink, which crafted the campaign. “We looked to tell a story that demonstrated how Ikea helped bring a home to life in a heartwarming way. We loved the idea of that moment when you walk into a new home for the first time, and all you can see is potential.”

The work feels like an extension of recent brand efforts focused on reimagining what home can be. These include introducing a cheeky Ikea collection to ease the transition of returning to the office, and transforming actual Toronto-area houses into showroom displays. “Bring Home to Life” expands on such notions. The push explores many vibrant physical, emotional and social aspects of home, with the retailer’s products and services adding special significance.

In the launch film, “you see the bare space and think of the people who will fill the room,” Spivak says. “The people who will sit at the table. The friends who will gather on the sofa. Ultimately, a house can be filled with a number of items, but it’s the moments and memories we create around those pieces that give them significance. We took that thought and added a bit of magic by having everything frozen until Ikea is added to the home. As our main character arrives to his empty apartment, he’s met with the vision of the housewarming celebration he’ll throw the day his wife and young daughter finally join him.”

That’s a lofty, poetic conceit, well-realized and visually striking, if a tad difficult to fully grasp without repeat viewings. Still, the heartfelt remake of “Your Song” and those intriguing images should enchant ears and eyes, even if the storyline feels elusive at first.

The team shot footage over four days in Parkdale, one of Toronto’s most diverse neighborhoods. “The bodega is real. The bike shop is real. It’s a very authentic place for a newcomer to start their life in Canada,” Spivak says. “The interiors were matched to the exterior of the building but were actually captured in a custom-built set.”

And yes, those actors had to hold their positions, like statues, often for several achy minutes per take.

“As part of the casting, we asked people to freeze in place,” Spivak recalls. “We needed people who could translate emotion without words, but also without moving. That’s when it became apparent how difficult being frozen—while looking natural at the same time—would be. We did as much in camera as possible, with some of our talent propped up on apple boxes and stools we removed in post.”

As for the song choice, “we cast a wide net across genres, but always knowing we wanted the performance to be intimate and personal,” says Johanna Andrén, head of marketing at Ikea Canada. “The lyrics needed to punctuate the story. The voice needed to feel authentic. Our music director found this amazing singer, AHI, a local, Juno-nominated artist with a voice we loved—emotive and warm. He had a young family of his own, and you could feel his tribute to them in his performance.”

“Your Song” mentions home fleetingly, but the vibe’s just right. And you really can’t go wrong with Elton John. Kudos for passing over more obvious choices, like “Our House,” a very very very fine track, to be sure, but too on the nose.

Ultimately, “while there is Ikea furniture in almost every scene in the spot, the aim was to inspire a feeling bigger than the collection of products,” Andrén says. “There is real magic in how every individual home comes to life in its own unique way, and we want to celebrate that idea with this platform for years to come.”

Along with TV, online video and social, the campaign will include traditional billboards and 3-D OOH activations.

CREDITS

Client: IKEA
Agency: Rethink
CCO: Aaron Starkman
CSO: Sean McDonald
ECD: Mike Dubrick
Creative Director: Michelle Spavin
ACD: Brendan Scullion, Max Bingham
Art Director: Max Bingham
Writer: Brendan Scullion
Strategy Director: Jay Fleming
Director of Broadcast Production: Shelby Spigelman/Nadya MacNeil
Broadcast Producer: Mark Pan
Senior Print Producer: Agnes Gilchrist
Print Producer: Jenna Fullerton

TV Production Company: OPC Production
Director: Gary Freedman
Line Producer: Max Brook

Post Production House: Nimiopere
Editor: Graham Chisholm
Executive Producer (Nimiopere): Julie Axell

VFX House: The Vanity
VFX Supervisor: Naveen Srivastava
Colourist: Andrew Axworth
Senior Producer (The Vanity): Katie Methot

Photography Production Company: Fuze Reps
Photographer: Chris Robinson
Director of photography: Zach Koski
Executive Producer (Fuze Reps) : Nicole Gomez
Associate Producer: Alexa Dimitruk

Audio House: Vapor Music
Executive Producer (Audio House): Kailee Nowosad
Creative Director (Audio House): Ted Rosnick
Engineer: Ryan Chalmers

Account Services:
Group Account Director: Kiara Wilson
Account Director: Sheldon Abreu
Account Director: Catherine Blouin-Mainville
Account Supervisor: Melissa Luk
Account Manager: Gabrielle Bergeron

Client:
Head of Marketing, IKEA Canada: Johanna Andrén
Director of Brand Marketing, IKEA Canada: Claudia Mayne
Country Marketing Campaign Leader: Jordan Sequeira
Marketing Communications Specialist: Carolyn Thrasher
Marketing Specialist: Noah Keefe

Additional Credits:

Media Agency: Carat Canada
Vice President: Karen Hrstic
Account Director: Tracey Cronin
Media Supervisor: Christine Ma

CRM: Wunderman Thompson
Account Director: Maryam Asad
Account Executive: Hannes Danielsson

 

By David Gianatasio

Sourced from Muse by Clio

By Laura Abernethy

Ikea says it will stop printing its famous catalogue after almost seven decades.

The booklet is one of the world’s biggest publications every year as the brand showcases its range across the world. It says that customers and turning to their website to browse more and more and the current edition will be the last. The catalogue, with an MK Wing Chair on the cover, was launched in Sweden back in 1951 and had a run of 285,000 copies. At its peak in 2016, 200 million copies were distributed to 50 markets across the world, but this year the run fell to 40 million copies. The brand is aiming to become more digital. In the last 12 months, online sales jumped 45%. Konrad Gruss, Managing Director at franchisor Inter IKEA Systems told Reuters: ‘The number of copies has gone down, but we have also seen that people have much more used our website, apps and social media. The catalogue became less and less important. ‘The interest in the catalogue has come down.’ Back in 2004, the brand admitted that the catalogue made up 70% of it’s annual marketing budget. The brand will produce smaller print publications to provide inspiration but the current format will not be printed again.

It comes after Argos announced it would stop printing its famous catalogue after almost 50 years. It’s first book was published in 1973, with two editions every year. At its height the Argos catalogue was Europe’s most widely printed publication, and was found in three quarters of homes in Britain. Over almost 50 years, one billion copies have been printed.

Feature Image Credit: Goodbye Ikea catalogue (Picture: Reuters)

By Laura Abernethy

Sourced from METRO

Shoppers are reminded to ‘maintain a good shopping environment’

IKEA is reminding customers that its DIY business model applies only to the furniture.

The Swedish furniture giant’s statement comes after an explicit video of a half-clothed woman inside a China store went viral, according to multiple reports.

IKEA China said it is increasing security inspection of its showrooms, sales areas, parking lots and blind spot areas in stores. Stores will also strengthen cleaning and disinfection protocols in the showrooms, sales areas and customer service areas, in addition to its regular maintenance and cleaning procedures.

“We are strongly against and condemn this kind of behavior and have already reported to the police in the city of the suspected store,” IKEA China told FOX Business in an emailed statement Tuesday. “IKEA is committed to continuously providing the consumers with home inspiration and creating a safe, comfortable and healthy shopping experience and environment.”

The company is calling on customers to “maintain a good shopping environment” while perusing the aisles, and employees are being reminded to report suspicious personnel to security.

It is unclear when the video was filmed, however, the lack of masks in the footage suggests it was filmed pre-coronavirus. The virus first surfaced in the city of Wuhan in late December. Within a matter of weeks, the second-largest economy in the world was brought to a standstill in an effort to mitigate the spread.

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The woman has yet to be identified and the video has since been scrubbed from social media in China, where citizens reportedly face hefty repercussions for indecent exposure.

Feature Image Credit: Workers walk outside an IKEA store in Hangzhou in east China’s Zhejiang province. (Feature China/Barcroft Media via Getty Images)

Sourced from FOX Business