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Over the past three months, UK marketing budgets have declined at their fastest rate since the 2008/9 global financial crisis. However, marketers’ spending is poised to start recovering from the shockwaves of the pandemic by 2021.

According to the quarterly Bellwether report from the Institute of Practitioners in Advertising (IPA) – which draws data from a panel of around 300 UK marketing professionals from the UK’s top 1000 firms – the spread of Covid-19 has caused sweeping cuts to all forms of marketing activity from UK firms.

The IPA found that a net balance of -6.1% of UK companies had slashed their budgets since the start of the year. The sum was calculated by tallying the percentage of respondents showing an improved revision to their marketing budgets minus those that indicated a fall. 25% of respondents recorded a budget cut, compared to 18.9% signalling growth.

The figure marks a notable swing from the final quarter of 2019 when the net balance stood at +4.0%, buoyed by a degree of political certainty presented by Boris Johnson’s decisive election victory. The figures also come at a time when big global brands including Coca-Cola, Budweiser and Airbnb are freezing or reallocating advertising spend.

When it comes to which areas have been impacted most, market research budgets were identified as the worst hit by Covid-19 cutbacks, with a net balance of -21.0% of companies reporting a downturn.

This was closely followed by events at -15.9%. Elsewhere, PR was the next worst off at -14.3%.

Though not a single strand of the marketing mix has seen growth since January, for British businesses, direct marketing and sales promotions were among those to observe the slowest reductions, with net balances of -6.6% and -7.2% respectively.

There have been repeated warnings from the likes of Warc that Covid-19 could bring about a global ad recession. The accompanying suggestion is that marketers should invest in brand-building campaigns if they wish to emerge from the crisis in a strong position, a strategy that’s been adopted by the likes of clothing retailer Next. However, the IPA noted that the key brand-building category (which includes online video, TV, cinema and radio) had recorded its strongest downward revision since 2009 at -9.9%.

‘A sobering snapshot’

For the IPA’s director general Paul Bainsfair, the numbers offer a “sobering snapshot” of the initial impact the global pandemic has had on advertisers’ budgets.

He observed how fieldwork for the Q1 Bellwether Report closed just a few days after UK government enacted the official lockdown, adding: “These are undoubtedly the toughest overall trading times that any business and indeed any marketer will have ever experienced, but while we suspect the fuller, sharper extent of this global pandemic to be captured in Q2 data, the hope from this report is that we will see a more upbeat end to the year.”

Given the extreme degree of uncertainty surrounding the UK at present, the IPA Bellwether Report ad spend forecasts could be subject to “substantial revision” in the future as the impact of coronavirus on the UK economy becomes clearer in line with the release of official data statistics, which at present are lacking.

The IPA Bellwether Report has used IHS Markit’s latest forecasts for GDP, consumer spending and business investment which assume an extended lockdown to May but then a gradual reopening of parts of the economy.

IHS Markit estimates that GDP will contract by -4.3% in 2020 as a result of the coronavirus pandemic, under which scenario the historical relationship with ad spend implies a -13.7% decline in expenditure. However, as the current situation is clearly unprecedented, there is an unusually high degree of uncertainty pinned to these forecasts, with risks tilted to the downside.

Consequently, 2021 may also pose a difficult year for marketers as the recovery spills over and Brexit negotiations creep back in. The IPA Bellwether Report forecasts that ad spend will rise modestly in 2021 (by +1.0%), before seeing more robust growth in 2022 onwards when the economy is more stable.

To achieve this return to growth will require UK marketers to make “bold decisions,” asserted Bainsfair, who acknowledged that when recession looms it is “understandable” if businesses try and shore up short-term profits by tightening the purse strings.

“However, as our evidence from past downturns shows, unless companies are saving cash simply to survive, or because they can no longer supply advertised services, cutting ad budgets – relative to competitor spend – is a high-risk strategy,” he went on.

“Such a move exposes firms to losing market share, forgoing sales and delaying the recovery of profits in the long term. Those brands that hold their nerve will gain extra share of voice which will achieve competitive gains.”

‘Survival mode’

The Bellwether data also showed a sharp deterioration in both company-specific and industry-wide financial prospects during the first quarter. This will come as a blow to agency giants, who in line with diminishing client budgets have had to introduce a series of cost-cutting measures to safeguard their own businesses.

Sentiment around own-company prospects moved into negative territory, reversing the marginal improvement seen at the end of last year which followed the partial decline of political uncertainty after the general election.

A net balance of -26.0% of firms felt less optimistic towards their company-specific financial prospects, down sharply from +1.0% in the previous quarter to the lowest since the global financial crisis in 2009. Almost half (46%) of panel members were pessimistic, compared to approximately 20% who said they still foresee growth.

Fran Cowan, vice-president of marketing, International Advertising Association (IAA) the report, though far from optimistic, offers an opportunity to apply learnings from previous times of crisis.

“Companies that maintain some marketing efforts will most likely reap the rewards and rebound quicker,” she said, agreeing with Bainsfair. “However, it’s important to do this in a controlled way. Now is the time to carefully consider where marketing budget is best spent, to look after employees, partners and suppliers as well as protect brand images.”

She continued: “Luckily in the UK, we have an industry that pulls together during these times. We’ve already seen some great collaborative thinking and initiatives that support the notion of ‘advertising for good’.”

Joe Hayes, Economist at IHS Markit and author of the report said firms are still very much in survival mode, reallocating funds to service liabilities and keep the business alive.

“This is critical to ensure that they can keep staff on the payroll, which will give their businesses the best chance to recover when the time comes. It will also support the economy on a broader scale if people remain employed and are earning, as they will be in the position to go out and spend when the lockdown is over.

“Positively, it seems that a number of firms expect a quick economic recovery and are planning to boost marketing budgets later in the year.”

Feature Image Credit: The IPA found that a net balance of -6.1% of UK companies had slashed their budgets since the start of the year

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Sourced from The Drum

By Judann Pollack.

Plus, How China’s agencies are going back to work and will your phone track you in the name of public health?

What 9/11 can teach us about marketing in the time of coronavirus

With the economy reeling and uncertainty lingering, there may be a tendency to put brand plans on hold and freeze spending. But Bradley Johnson, looking at the current crisis through the lens of 9/11, maintains that would be counterproductive. “The economy needs marketers and marketing,” Johnson writes, recalling General Motors’ “Keep America Rolling” campaign (see next item) in 2001. “Marketing helps drive commerce. Marketers have an opportunity to give consumers a reason to spend—deals, products, services—even when we are bunkered up and hunkered down.” Johnson points to how comments  from industry executives in 2001 seem eerily familiar (“We are on hold, and taking it day by day. Nothing is typical anymore.“) and recalls Ad Age’s counsel to the market just days after 9/11.

“Time stood still during other crisis events,” Ad Age wrote to readers at the time. “After each, we sought explanations, took actions and grieved. We did not forget those times, and we will never forget what happened Sept. 11. But we moved ahead for the good of the nation in the wake of other crises. So it must be now.”

General Motors looks to roll again

General Motors is taking a page from its own “Keep America Rolling” playbook mentioned above. According to Automotive News, the company is offering 0 percent interest,  84-month loans and deferred payments of up to 120 days to customers in top credit tiers. Ford and Hyundai have announced similar programs aimed at helping buyers as the coronavirus pandemic causes economic uncertainty. The programs “demonstrate for customers that we’re there for them,” GM spokesman Jim Cain told Automotive News. “The financing offers are a way to reinvigorate people.”

China could lead the way back

While the U.S. and much of the world is just beginning to feel the full extent of the coronavirus, agencies in China are starting to return to their offices for the first time since January. “Chinese agencies and marketers started [preparing] early and thankfully finished early,” R3 Co-Founder and Principal Greg Paull tells Ad Age’s Lindsay Rittenhouse. “By extending Chinese New Year and strictly following government guidelines, it’s meant that life is more ‘back to normal’ now than any other client-agency ecosystem on Earth.” Read the story here to learn how local agency executives are beginning the recovery process.

Ad Council jumps into action

The Ad Council is teaming up with the White House, the Centers for Disease Control and Prevention, and the U.S. Department of Health and Human Services, to “provide critical and urgent messages to the American public,” the group said in a statement. These will be disseminated by media companies and digital platforms who have donated inventory on their TV channels, radio networks, social pages, outdoor space and other digital media. “National broadcast PSAs featuring the U.S. Surgeon General will communicate the ways Americans can protect themselves and those most at risk,” writes Jeanine Poggi. “That script, developed by Group SJR, will also be made available as a template for media companies to create assets with their own local and state public health officials.”

ViacomCBS, meanwhile, is using its airtime to explain the importance of social distancing with a push called #AloneTogether via the Ad Council. The push encourages people “to find comfort and connection through entertainment” and reminds people that social distancing doesn’t have to mean social isolation. Read more here. 

Is your phone spying on you? 

While technology is allowing widespread working from home, it may also take a darker turn as quarantines, curfews and lockdowns take hold in many areas around the country. The Washington Post is reporting that the U.S. government is “in active talks with Facebook, Google and a wide array of tech companies and health experts about how they can use location data gleaned from Americans’ phones to combat novel coronavirus, including tracking whether people are keeping one another at a safe distances to stem the outbreak.” The idea, says the Post, is to collect the data anonymously in aggregate to map the spread of infection. But as the ad industry well knows, privacy concerns are a major flashpoint with consumers.

Just briefly

PHD scores a win: Diageo chose Omnicom Media Group’s PHD as its agency of record across the majority of its global media business following a “closely contested review,” says Isabel Massey, the brand’s global media director. The review, which kicked off in September 2019, involved longtime incumbent Dentsu Aegis Network’s Carat. The incumbent agency had previously handled media responsibilities for North America, Europe, Latin America and Southeast Asia.

Life after Lesser: AT&T’s John Stankey sent a note to employees this week reassuring them on the future of the company’s Xandr ad unit following the departure of CEO Brian Lesser. “While I am disappointed Brian will not be with us for the next chapter, I want you to know that our commitment to making advertising matter has not changed,” Stankey, who is president and chief operating officer at AT&T and CEO of WarnerMedia, wrote in a memo obtained by Ad Age. 

Home cooking: Amazon is pausing shipments of non-essential products to its warehouses as it tries to manage its supply chain strained by coronavirus-related demand, writes Garett Sloane. But what’s essential might be up for debate. Among several Amazon Fresh items ordered by this writer, only one was limited: Kraft Macaroni & Cheese.

Feature Image Credit: GM

By Judann Pollack.

Sourced from AdAge

Ad Age’s Wake-Up Call, adaily roundup of advertising, marketing, media and digital news. If you’re reading this online or in a forwarded email, here’s the link to sign up for the Wake-Up Call newsletters.

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Business-to-business marketers are responsible for raising awareness, generating leads to drive revenue and differentiating their organization from its competitors. A B2B marketer faces a different set of challenges with each campaign. If these challenges are not combatted, they can significantly lower the business’s efficiency and revenue.

As the president of a marketing agency, here are the top challenges I’ve observed B2B marketers are facing today and how you and your team can combat them:

1. Generating Quality Leads 

In today’s digital era, many platforms exist to publish and promote marketing content. The digital space is so cluttered with content, consumers no longer have to seek out information. Push notifications, geo-targeting, customized ads and messages, and site pop-ups deliver tailored content to every user.

B2B marketers can struggle to create enough demand for their content. Because of the plethora of content syndication opportunities available today, B2B marketers often lack understanding of which channel is right for their message.

An effective way to address this problem is doing research on the type of content your target audience actually wants — such as video, blogs, etc. — about the topics that are keeping them up at night. Creating high-quality content that provides the reader with value will gain their trust, and they will come back for more.

2. Knowing The Right Target Audience 

Strong marketing strategies should satisfy the needs of customers at every level of the customer journey. You must know your audience and what they care about in order to reach them. But, there’s a lot that goes into a B2B buyer’s decision-making process, such as how their company does business and their personal preferences. This can make it challenging to determine your target audience.

Studying your customers’ buying process enables you to segment your buyers by their pains and their needs, so you can deliver a more personalized experience when communicating and marketing to them.

3. Proving ROI

Return on investment attribution remains one of the most common challenges facing many B2B marketers. In order for a marketer to comprehend the effectiveness of each piece of content, each campaign and the overall strategy, a marketer must be able to attribute a relatively accurate amount of revenue to them.

B2B organizations often find it difficult to prove ROI because of the multiple points of contact a marketer must make before a business purchases their product or service. B2B purchasing decisions often involve interacting with a number of professionals within a company in a variety of ways, so the sales cycle is much longer and more complex. Tracking the revenue that these interactions generate can be extremely time-consuming and convoluted, as the purchase process is not linear and the financial benefits of the marketing effort are often not reaped until long after their execution.

I advise organizations to tackle this issue by facilitating two-way communication between your company’s marketing and sales teams, in addition to implementing reporting tools into your regular analysis.

4. Optimizing Your Website 

A B2B company’s website is a marketing asset that is working all day, every day, to generate traffic and convert prospects into customers. Keeping your site functional, fast and user-friendly is essential for any B2B business.

This is an umbrella issue that encompasses a variety of challenges, including:

• Optimizing SEO;

• Producing strong messaging that speaks to the pains of your buyers;

• Engaging website users with your content;

• Designing pages in an easy-to-read, yet appealing style.

It takes different skill sets to effectively manage all these types of projects, so having strong marketing partners is important to ensure you can get the right skill for the right role.

5. Strategic Marketing Planning

To plan or not to plan? While it takes time, I firmly believe that to effectively market to your customers, you must know them inside and out and plan accordingly.

Ask yourself the following questions about your customers:

• How do your customers form their plans?

• How do they evaluate solutions?

• Where else do they search for information to educate and later purchase?

• Where do they get recommendations and purchasing advice?

I believe by conducting buyer persona research, you can overcome the common challenge of marketing to the wrong consumer or marketing with the wrong message at the wrong time. Customers’ answers to these questions can inform email marketing, social media, outreach to influencers and more.

So, you have some or all of these challenges. Now what?

From creating a personalized website experience to generating quality leads, marketers face a different set of challenges. A seasoned team of marketing strategists can help you identify and overcome the marketing challenges your B2B is facing. Whether it is an in-house marketer at your organization or employing a marketing agency to fill your unique gaps, surround yourself with those who are professionals in the space so you can get the results you need.

Feature  Image Credit: Getty

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Shannon Prager is President of Leadit Marketing, a marketing and demand gen agency focused on B2B tech and professional services companies. Read Shannon Prager’s full executive profile here.

Sourced from Forbes

By Lane Ellis.

Experiential content will help drive 2020’s digital agenda, and savvy B2B marketers should take notice.

Experiential is a word with subtly differing meanings depending on which setting it’s used in, however at the core of each definition is the fact that it all boils down to experiences.

Experiential content makes us a central part of a story, and not just a passive subject receiving a one-way brand message.

Experiential B2B Word Cloud Image

Use of experiential content has grown over the past several years as online technologies have reached a level capable delivering vibrant and engaging motion and sounds alongside clickable, swipable, and all other manner of interactivity to put you front and center.

TopRank Marketing CEO Lee Odden recently mentioned experiential content in his annual list of the top ten B2B digital marketing trends for 2020.

“Visual, experiential content that is easy to find and satisfies business buyer’s needs to be informed, entertained and inspired will continue to be areas of focus.” @LeeOdden Click To Tweet

With 98 percent of consumers more likely to make a purchase after an experience (Limelight), and 77 percent having chosen, recommended, or paid more for a brand that delivers a personalized service or experience (Forrester), why haven’t more B2B marketers begun to use experiential content?

Experiential Content’s Advantages

In a seemingly million-message-a-minute online world, experiential content offers a number of advantages.

It removes us from all other messaging, if only for a short while, and allows us to enter a world under our own control, where we can interact as we see fit, learning or buying at our own pace, all while creating a story that intertwines us with brand information and messaging.

In 2020 experiential content comes in many forms, no longer limited to just the real-world selfie booths and similar elements of the past, with just a few examples listed here:

  • Virtual Reality (VR)
  • Augmented Reality (AR)
  • Cloud-Based Digital Assets from Ceros and Other Platforms
  • Quizzes and Polls
  • Interactive Flipbooks and eBooks

In a way online gaming has been leading the way for decades when it comes to digital experiential content, and only recently have brands and marketers started to bring this power to B2B advertising campaigns.

An example of experiential content comes in the form of our Break Free of Boring B2B Guide, featuring interactive insight from a variety of B2B marketing industry influencers. Click here to enter the full-screen experience.

Experiential Marketing Embraces Digital Storytelling

Experiential content is also intertwined with both storytelling and customer experience (CX), together forming an extremely powerful triptych of B2B marketing strategy.

As a key component of experiential content, storytelling becomes even more personal and memorable when you’re a key part of the messaging experience a brand is sharing, and being remembered is more important — as well as more difficult — today than ever, which is why forward-thinking B2B marketers are utilizing experiential tactics in their 2020 tool-kits.

The importance of storytelling in the customer journey has become less of a secret in the past five years, as marketing experts and the data to back up the fact have combined to make brand storytelling a trend for the decade ahead.

“Experiential content’s role in powerful storytelling will be an increasing theme among B2B marketers looking to drive next-generation brand efforts.” — Lane R. Ellis @lanerellis Click To Tweet

Experiential Marketing Embraces Great CX

The other key element of experiential content — CX — appears to offer an ideal match, combining to form two important facets of successful B2B marketing.

What better way to deliver a stellar customer experience than by creating memorable brand storytelling using experiential content?

Two years ago we saw the rise of real-world physical pop-ups from the likes of 29Rooms achieving considerable success on Instagram and other social media platforms, however a shift to creating these worlds virtually online as immersive experiential content has taken place in 2019 and into 2020.

Experiential content also appears in WARC’s recently-released ninth-annual marketers report for 2020, which places it alongside purpose and product as three of the most important elements needed for brands to achieve greater success this year.

Some marketers and brands are pulling back from an over-investment in technology that has taken a certain amount of focus away from creativity, the same report’s survey data shows.

WARC Survey Image

Indeed, among the survey’s respondents — almost 800 global client and agency-side executives — one of the top elements comprising experiential content, VR and AR, was seen as being one of the most important emerging technologies in 2020.

Another big part of experiential content is online video, a near-unanimous selection on most top marketing trend lists, as it continues to receive the type of swift growth in ad spend dollars that has helped make online video a big success for Instagram, YouTube, and increasingly TikTok.

Over 80 percent of marketers plan to increase spending for online video in 2020, with 33 percent planning to boost spending on TikTok this year, according to the WARC survey. In the U.S. alone digital video spedning is expected to increase by over 31 percent in 2020, to $5 billion. (Winterberry Group)

“Being creative while retaining consistency of brand is key to unlocking the benefits of brand-building: from forging emotional attachments, to driving long-term brand equity and sales influences.” — Simon Cook @Cannes_Lions Click To Tweet

Cloud-based experiential content platform Ceros offers both an overview guide and an on-demand webinar for learning more about the technology, and offers up their own take on just what the term means.

“Experiential content is digital content that is purposefully designed to create an immersive experience for its consumers through some combination of interactions, animations, embedded media, and storytelling. It encourages active participation in an effort to form memorable, emotional connections between the consumer and the brand or creator,” Ceros notes.

“Experiential content makes us a central part of a story, and not just a passive subject receiving a one-way brand message.” — Lane R. Ellis @lanerellis Click To Tweet

Bake More Experiential Goodness Into Your B2B Efforts For 2020

via GIPHY

We’ve looked at what experiential content is, explored a few examples of how B2B brands are using it successfully, and showed how it is likely to see growing adoption in 2020 and beyond.

It takes considerable time, effort, and resources to implement a standout experiential content campaign, which is why many brands turn to a dedicated agency.

TopRank Marketing had the honor of being named by Forrester as the only B2B marketing agency offering influencer marketing as a top capability in its “B2B Marketing Agencies, North America, Q1 2019” report.”

Finally, here are several additional related resources we’ve put together to help you build your own interactive content:

By Lane Ellis

Sourced from TopRank Marketing

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Are you ready for a Google-centric advertising world?

That’s what is about to happen. Last week saw Google announce it will be phasing out third-party cookies from Google Chrome. Chrome represents almost 70% of the market for web browsers on a desktop and 40% in mobile. Safari, Firefox and Microsoft have the rest, and many of them already include ad blockers, cookie-clearing and other tools that hamper digital targeting.

Google is going to offer its own ways to target leveraging Google data, which means if you work at an ad-tech company not named Google (or Facebook or Amazon, for that matter) then your ability to deliver targeted ad messages is going to be severely impacted.

This news does not come as a surprise. It has been rumored for years. And now it is coming to fruition.

Some industry pundits will make claims that this creates an opportunity for new ways to reach targeted audiences by proclaiming their technology does X or Y. These will be versions of fingerprinting or ad-DNA.

In any case, these claims will fall on deaf ears. The truth is that most marketers will see this, understand the impact, and move on. Moving on means they will either work with Google, or not worry about targeting, instead focusing on price.

A world where a third-party solution like the cookie is gone means prices will be pressured to drop to account for the untargeted nature of online advertising outside the Google parameters.

Google will still offer targeting. That targeting will be at a premium because it offers one of the only accurate ways to deliver a specific audience at scale. Outside of Google, ads will be scattershot, delivered to anyone on a platform where they come up.

The only way untargeted ads will work for marketers is if they are lower priced, to account for lower response rates. Then, just maybe, they have a chance to compete.

OTT and digital video ads may still have the opportunity to “target” based on data or context, but display will take a step back because the performance will be harder to achieve.

This does open the door for Facebook, strangely enough. Paid social is a channel where data can still be leveraged — although that will be using Facebook data on Facebook platforms. The dollars that were still hanging on for targeted display and native ads could easily be seen to shift to paid social, further padding the pockets of Facebook, Twitter and LinkedIn.

Google said it has no desire to injure publishers looking to make money from ads, and it’s telling the truth. Its intent is to create a stronger sense of demand for Google products, and doing so does mean a negative impact on anyone not currently in its network.

The marketers are the ones who will drive this adoption. Marketers like to work with Google. No matter how many ad-tech companies call, reach out and proclaim to have an amazing solution, Google still gets the benefit of the doubt.

A marketer’s day is busy. There are many demands on our time, and we don’t have hours upon hours to decode and test a new vendor whose solution may be great, but has questions of scale.

Speaking from my own perspective, I like new ideas and new solutions, but I prioritize the ideas that have the most bang for the buck. Most of the time, that defaults back to the larger, established players we currently work with and who have proven to provide scalable value in the past.

So, what does that mean for the industry? It means cookies are about to (finally) become a relic of the past, along with popups, pop-unders and 468x60s. It means the gap between the large players and the smaller niche players is about to widen even further. It means OTT and digital video are about to become the final battlefield for the remaining digital ad budgets.

Here’s to seeing what happens in the next 11 months!

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Sourced from MediaPost

By Kristina Monllos

In recent years, marketers have been on a tear to take back control of their brands. Much of that has been in the form of taking various agency functions in-house — creative, social, programmatic, even media buying — in the hopes of not only saving money but becoming more nimble. But doing so isn’t a quick fix, nor is it as simple as it may seem. As marketers start to wake up to that reality, they will start to work with agencies again — albeit in a hybrid model.

The CMO’s pitch to taking marketing in-house to CEOs and CFOs will certainly be more difficult next year as the challenges of handling marketing services in-house are no longer theoretical. As more and more major marketers have tried it, the difficulties of doing so have become clearer, especially for programmatic. There are myriad issues. Staffing is chief among them. Marketers not only have a hard time finding talent but retaining that talent. Others find that it’s not the cost-saving solution they thought it would be. And with former in-house success stories such as Intel’s Agency Inside and Thomson Reuters’ GSC dismantling their in-house teams as well as major marketers like Uber reducing their internal marketing headcounts, the question of long-term viability of in-house teams is starting to come into focus.

Marketers all year have voiced some of the issues with in-house teams. “If you want to take something in-house, it takes a lot of work and eventually you’re going to need the amount of headcount you have at your agency,” said one marketer.

“Whatever you do [in-house or agency], you get the best work when you’re working with a team who will tell you no or that your idea is bad,” said another, adding, “sometimes bigger corporations need an agency to step in to tell them that something is a bad idea, that they don’t have the pulse on culture.”

Another put their in-house issue bluntly: “Agencies will always do a quick turnaround. We can’t reach in-house talent on weekends.”

That doesn’t mean the business will shift fully back to agencies. Instead, marketers and agency execs believe that a new hybrid model will rise. Work will likely be split between in-house teams and external agency partners with those teams working together at times so that marketers get the best of both worlds. Anheuser-Busch, the world’s largest brewer, is already running a hybrid model of sorts. Over the last year or so, A-B InBev built out its own in-house team but doing so hasn’t been with the aim of reducing its agency relationships. Instead, the company has looked to build out a new hybrid model with its in-house and external agency teams so that it “frees up time for the big creative agencies to focus on big things” like Super Bowl, A-B InBev CMO Marcel Marcondes previously told Digiday.

That model of agencies taking the lead and in-house teams handling the day-to-day will likely become popular among marketers, said Sandra Duff, svp of strategy, activation and operations for consulting firm Jackman Reinvents. That may be especially true for marketers that have in-housed creative functions as over time those teams can lose their original intent and become more like a production house. “So the cycle may be turning in 2020 with agencies taking the lead creative role once again, delivering bold thinking for brands and using a smaller scaled internal team for smaller executions,” per Duff.

That’s not only the case for creative services handled in-house. “What we’re hearing from our members is that at the current level of in-housing many of them are finding ways to partner with these in-house resources and that the in-house resources are actually becoming clients themselves,” said Matt Kasindorf, svp of agency management services for the 4A’s, adding that he predicts it will “slow down” and that a hybrid model will likely be more popular going forward.

How agencies and brands will manage the hybrid model in the long-term is still yet to be seen. Of course, the looming threat of marketers moving services in-house doesn’t seem as bad if there’s still some work for agencies. “Movements in business may plateau or even perish, but a new synthesis nonetheless prevails. It’s no different with the matter of in-housing,” said David Rolfe, head of integrated production for BBDO. “I think we’re entering a new era of client-agency collaboration, optimized through operational co-dependence. And agencies will recognize that there’s opportunity on all fronts: responsiveness, proactiveness and complementariness.”

By Kristina Monllos

Sourced from DIGIDAY

By Aaron Brooks,

The Times recently reported that influencer marketing fraud costs sponsors, on average, £1 billion each year. This waste is attributed to social creators with inauthentic audiences. Brands are pouring their marketing funds into influencer collaborations which are broadcast to bot accounts, rather than receptive, engaged social audiences.

For anyone close to the influencer marketing industry, fake followers are old news. They are the unfortunate but inevitable hangers on that come with large social followings. Respectable influencers will regularly and ruthlessly delete them, knowing what a negative impact silent and inactive followers can have on the performance of their posts and their reputation. Manually checking new followers and gauging their authenticity is necessary admin for a social content creator – and the only way to keep the value in their followings.

On the other hand, some influencers still intentionally buy fake followers to enhance their follower count. It’s something that content and influencer marketing platforms – and Instagram themselves – have been cracking down on for years. The fact that someone has slapped a valuation on its impact has brought it back to focus.

Looking beyond reach 

The practise of buying fake followers originated with brands’ obsession with reach. The bigger audience an influencer had, the more interest they got and higher fees they received. Attempts to ‘game the system’ were made by smaller influencers trying to get a crack at the big brand endorsement deals.

It didn’t take long for the wheels to come off this half-baked plan. As marketers realised engagement (likes and comments) was actually more valuable than reach, influencers realised that high volumes of silent and inactive followers were in fact causing their engagement rates to plummet. Fake followers can’t mimic the same engagement as a loyal and genuine following, built up over years of posting.

Despite this, some marketers remain hopelessly devoted to reach. I have no doubt that those still ploughing their budgets into influencers with large followings, without doing due diligence on whether they are actually real, are losing money.

Luckily there are no shortage of amazing influencers to partner with. There are just as many creative, professional and authentic influencers that will deliver results, as there are wannabes with falsely inflated followings. A considered selection process is key.

Focussing on solid ROI

A genuine following should be the minimum requirement for brands partnering with influencers.

Advanced analytics can now tell a brand where an influencer’s following is based and how old they are, so marketers can target their customers with precision. Relevancy is essential for an effective campaign. The focus shouldn’t be how many people see the posts, but rather how many of the right people see the posts.

Brands should also be aiming higher when it comes to the results of an influencer marketing collaboration. Reach and engagement should come as standard, a natural byproduct of a campaign that achieves solid return on investment, sales uplift or app downloads. These are far more valuable metrics to focus on and diverts attention away from the size of an influencers following.

The end of Instagram likes?

As the influencer marketing industry matures, Instagram is moving the goal posts too. Their recent trial to hide likes from public view caused a stir in the marketing press. While it’s only being tested in a selected number of countries, many asked whether it was ‘the end for influencer marketing’. But I believe it will make for a more authentic practise.

Firstly, it will force agencies and campaigns that have pinned their success on empty vanity metrics, such as likes, to up their game. Visible engagement can not and should not be used to justify an influencer campaign. Let’s look at the real, transparent return on investment.

I think it will also place a renewed focus on quality and individuality. Creators will no longer feel constrained by pressure to chase likes and will be free to make content that feels more authentic. Content that’s braver and doesn’t follow a tried and tested aesthetic. This renaissance in creativity is likely to spark a surge in engagement across the board. Weary social users – increasingly feeling as if they have seen it all before – crave this authenticity. They want to see something new.

Keeping the industry authentic

Brand ambassadors have been – and will always be – an effective marketing tactic. Thankfully software is becoming much more sophisticated and adept in spotting fraudulent accounts. But to preserve the power of the channel, all parties involved must uphold their responsibility to keep the industry clean. Just as influencers monitor their followings, brands must be just as diligent with their choice of partners. Do your background checks. Make sure that their engagement rate correlates with their following, or enlist the help of a platform.

With more conversion functions from Instagram – like shoppable tags and ‘swipe up to buy’ –  the potential for influencer marketing is huge. Prioritise authenticity, practise due diligence and you can be sure your efforts will be rewarded.

By Aaron Brooks,

Co-founder of mobile content and influencer marketing platform, Vamp

Sourced from Global Banking & Finance Review

By

In this fast-paced industry, it’s easy to prioritise short-term results at the expense of long-term impacts which may not become apparent for some time to come. It may look great that your sales are up this month but is this occurring at the expense of the health of your brand?

Ahead of The Drum Advertising Awards 2019, we spoke to David Buttle, global marketing director, commercial at Financial Times about why marketers are still prioritising short-term tactics over long-term strategy, why it’s such a challenge for marketers, and what an industry-wide response will require.

Studies continue to show that marketers are prioritising short-term tactics over long-term strategy to meet the demands of the marketplace. How do you think this is impacting marketing effectiveness?

There’s an abundance of industry evidence and academic studies that show that creating customer-based brand equity in the shape of awareness, affinity associations and perceptions of quality, lead to loyalty. This, in turn, reduces price sensitivity and increases margins. By focusing on just activation, all of those commercial mechanisms are being left untapped by businesses.

The long and the short of it’ – a report by Les Binet and Peter Field, on average marketers, should invest 60% of their budgets in long-term brand building and 40% in short-term sales activation. Why do you think many marketers are finding this goal a huge challenge?

Our research suggests that there are a number of reasons for this. First and foremost, is the availability of metrics. Digital technologies have given marketers the capability to measure the commercial impact of direct-response campaigns reliably and in real-time. That just isn’t impossible with brand-building. The contrast between the nature of metrics between direct response and brand building is certainly one of the causes driving the shift.

Other forces are shareholder pressure and quarterly reporting cycles. We know that has an impact as well.

There’s a skills dimension to it also. Our research seems to indicate that the skill of brand building seems to be lost. That confidence in how to build a brand doesn’t exist in the marketing department in the way that perhaps it once did.

To build on those missing skills marketing leadership needs to value them and invest in training, development and recruitment in that area. Ultimately, for this to change the employment markets needs to demand that.

Do you think it is a real struggle for marketers to place a value on creative and planning at a time when a short-term ROI is more highly valued, or with an increasing number of agency negotiations undertaken entirely by procurement?

The requirement here is a bridging of the language between the marketing and finance worlds. The marketing discipline needs to find a credible way, in the eyes of procurement, to discuss the value associated with the creation of brand equity. This will help businesses to attach value to brand-building marketing as part of the procurement process. In turn, this should go some way towards freeing up budgets for investment the brand rather than just performance marketing.

What would you propose to the marketer trying to rectify this apparent imbalance in brand and activation advertising?

One of the strongest recommendations in our report was that discussions around brand health, brand strength and brand equity, need to be had at the most senior levels in organisations. Doing that will create awareness at board level of the importance of brand and the familiarity with some of the measurements that are in place and that can be put in place around the brand. And that would go a long way towards freeing up investments to improve the situation.

An industry-wide response is required to appreciate long-term brand building, while delivering growth short and long term. What would that response look like?

At an industry level, it’s about building a robust evidence base around the commercial return that brands deliver. That would be a good first step.

The metrics for brands should be linked more directly to commercial performance. If at an industry level we can understand the impact that brand awareness has on, say, cost per acquisition, average margin or price sensitivity etc, then that’s going make it a lot easier for individual marketers to have the discussions within businesses. There is also more work that can be done on brand metrics generally to make them more credible.

Feature Image Credit: Marketers should focus on brand metrics when it comes to building long-term brand strategy

By

Sourced from The Drum 

By Joshua Nite

Scene from a dinner party:

“So, Josh, what do you do?”

“I’m in marketing.”

“Oh, like Mad Men? Ad campaigns and stuff?”

“No, it’s content marketing.”

“Oh, like the Wendy’s Twitter account?”

“…Sure… like that.”

I’ve had variations on the above conversation more times than I can count. I’ll usually leave it at “Wendy’s Twitter account” in the interest of changing the subject. No one has the patience for, “I write business-to-business content designed to help people do their jobs better, which also builds affinity for a client brand, with the end goal of influencing purchase decisions.”

So most people think I just write fun stuff all day, that it’s a purely creative job. But my fellow B2B marketers know better. Content marketing requires an incredibly diverse set of skills, and “innate writing ability” isn’t even the most important one.

Most people think I just write fun stuff all day, that it’s a purely creative job. But as my fellow #B2B marketers know, #contentmarketing requires a diverse set of skills. @NiteWrites Click To Tweet

Here’s my list of must-have B2B content marketing skills. If you’re looking to get into the career, fill out your team, or, say, hire a marketing agency, keep these in mind.

12 Must-Have B2B Content Marketing Skills

This list is divided into two categories: The “hard skills” that you learn through instruction, and the soft skills that rely more on personal development and human interaction.

Four Hard Skills

#1 – Search Engine Optimization
You don’t have to be a SemRushin’, Google Analytics wizard to be a content creator and strategist. But creating great content does require a solid understanding of modern SEO practices. You should know how to understand search intent, dig into ambiguous keywords, and create best-answer content that meets search demand.

#2 – Social Media Marketing
You may have a dedicated social media person or team, but content marketers should still know how to create compelling B2B social posts that attract attention without breaking the brand voice. You should be up to date on what type of content performs best on each platform.

#3 – Influencer Marketing
Content marketers should know how to co-create content with influencers. That means writing a framework that allows for collaboration, asking the right questions to guide influencer responses, and even conducting intelligent interviews. Content marketers’ expertise makes all the difference in the resulting content feeling cohesive and compelling.

#4 – Measurement
Measurement is what turns content into content marketing. Content marketers should be able to strategize, create goals and metrics that match them, track progress, and ultimately optimize over time.

Eight Soft Skills

#1 – Empathy
The heart and soul of any content marketing is empathy. You have to be able to take the customer’s perspective and make a human connection. Empathy is even more important in B2B content, because it keeps the content focused on people.

It’s easy to lose the human connection when you’re writing about container-based software-as-a-service platforms. That empathy for the people, the buyer, the end user, should be what drives the content.

That empathy for the people, the buyer, the end user, should be what drives the content. @NiteWrites Click To Tweet

#2 – Creativity
I would argue B2B content requires even more creativity than B2C. The difference is having to work within strict limitations. Big B2B brands have whole departments concerned with brand reputation, brand voice, standards and practices, approved image libraries and fonts… Content creators have to produce something eye-catching and meaningful without breaking any of these limitations. And they have to know when it makes sense to push the boundaries.

#3 – Communication
The success of B2B content depends on explaining complex concepts in simple terms. You may know all the ins and outs of your solution, but odds are your audience won’t. Clear, jargon-free, conversational writing that offers value is the only way to succeed.

#4 – Organization
This skill is important for any B2B marketer, but especially if you work at an agency. We’re working on a dozen different clients at any one time, each with multiple assets in various stages of development. Without organizational skills, it would be impossible to get everything done on time (even with a dedicated project manager on staff).

#5 – Motivation
I read recently about a man who had been on the payroll of a major corporation for over a year without ever doing any work. Seriously. Somewhere between restructuring and management turnover, he simply got separated from responsibility without losing his salary.

via GIPHY

That won’t ever happen for a B2B content marketer. There’s nowhere to hide: We’re responsible for concrete, quantifiable, and quality deliverables. There’s no such thing as slacking off, and there’s no such thing as writer’s block. The ability to push past obstacles, buckle down and get the work done is vital.

#6 – Confidence
Part of the job description is defending and explaining your work to stakeholders. For an agency, that includes account managers and clients. For a marketing department, that might include the executive suite, too. B2B content marketers need the (justified) confidence to advocate for content and approach they know will be effective.

#7 – Humility
The flip-side of confidence is the ability to put the content ahead of one’s individual ego. B2B content is bound to go through layers of review, with each stakeholder adding their own critique and suggestions. Humility means that you can take in constructive criticism and apply it with an eye toward producing the best content possible. While confidence is key, knowing your way doesn’t have to be the only way is equally important.

#8 – Collaboration
Finally, B2B content marketing is a team sport. It’s not about making a name for yourself — you have blog posts for that. It’s about partnering across areas of specialty to create something stunning. I found that my content got even better when I involved the design team from the start, for example. Working closely with design, SEO, influencer and social specialists only makes the work better. Here’s a shot of the gang I get to work with every day:

B2B Content Marketing Is a Game of Skill

I’ll admit it: Before I got into the field, I thought content marketing was just getting paid to write all day. Now I know there’s a lot more to the job than just filling buckets with prose. Content marketers are writers, strategizers, empathizers, collaborators, and so much more.

By Joshua Nite

Sourced from TopRank Marketing

Sourced from Banner Flow

In our recent State of In-housing report, 96% of top-level marketers believed that tech was driving the in-house movement.

Yet what is it about advertising technology that has enabled the in-house revolution in marketing?

Well, we have it figured out.

Here are our top 3 reasons:

1. Efficiency is fuelling change

Greater efficiency is a top 5 reason for brands moving their marketing in-house.

In fact, efficiency is the ‘it’ word of ad tech. All providers promise streamlined workflows, efficient processes, and enhanced productivity – something that not all agencies can deliver.

With improved workflows, brands are questioning why they should pay an external agency to do the same work they can do in-house, often a lower cost. For top-level decision makers, the adoption of ad tech is a natural choice for marketers looking to move their processes in-house.

This is not a feeling exclusive to Europe either. In a 2018 survey by the Association of National Advertisers (ANA) 12% of US respondents claimed greater speed as a key reason for moving operation in-house.

For Ville Heijari, CMO at Rovio (an early-adopter to the in-house movement) ad tech has been an essential addition: ‘We use workflow automation tools, campaign automation, and various tools that enable us to increase the speed of delivering more versions, variation and experiments with digital campaigns.’

How do you select ad tech for efficiency?

With so many solutions out there to choose from, it’s important you select the right product. A product that will not only solve existing inefficiencies but present opportunities for future growth.

Take Shutterstock for example. Their existing online production was too slow, taking weeks instead of days. Now, they not only produce advertising quickly, but they have also created some truly exceptional ads. Thanks to added analytics and optimisation features from the Bannerflow CMP.

Whatever aspect of your digital marketing you choose to make more efficient, it’s important you pick a product that will create efficiency throughout your campaign processes. Otherwise, why bother?

scaling-bannerflow-efficiency

Scaling into different versions is easy with Bannerflow’s intuitive tool.

2. Creativity is driven by effective ad tech

For 51% of respondents, lack of time is ranked as the main blocker to creativity.

Therefore, it must follow that with increased efficiency there is greater creativity?

Nowhere is ad tech’s influence more obvious than with the introduction of Dynamic Creative Optimisation (DCO) into the online advertising space. This technology, when combined with a CMP, is the perfect combination of efficiency and creativity. Allowing you to produce the right ads, at the right time, for the right person.

Be warned though, for 22% of brands from the in-housing report believed technology to be a barrier to creativity. For Lara Izlan, Director of Programmatic Trading and Innovation at AutoTrader, the pressure to adopt ad tech too fast can lead to: ‘an ad tech infrastructure that is overly complex’.

How to choose the right ad tech for creativity?

With the right product, beautiful and eye-catching designs don’t have to take weeks off your designer’s life.

In fact, if you choose a platform with a workable interface, a comprehensive onboarding programme, and an engaged customer success team your ad tech will aid, not hinder your design team.

Indeed, for Icelandic telecommunications company NOVA, increased in-house efficiency has led to some truly innovative online advertising. With the widgets provided in the Bannerflow platform making their designers want to be creative.

3. Transparency comes as standard

9 out of 10 marketers are concerned with the transparency level of media agencies.

Problems surrounding transparency have been plaguing agencies for a number of years, on a number of issues – particularly in regards to media buying. Programmatic media buying has frequently been labelled as the ‘black box’ of digital marketing. Agencies have been taking advantage of clients ignorance to take full control of clients budgets – with little or no accountability.

Ad tech has emerged as a solution to this problem. Allowing brands such as Electrolux, Philips, and Lucozade to take full control of their media buying strategy, in-house.

The right technology can provide accountability over budgets, analytics, and optimisation. As well as help tackle issues surrounding fraud, viewability, header bidding, and yield optimisation.

Although Raluca Efford, Head of Digital and Social Media Marketing at Direct Line, has her own opinion: ‘When trading desks were first set up in 2008/09 they were there to enhance transparency for clients. Since then, they have become more and more complex and have become the ‘black box’ technology that they wanted to mitigate against.’

What does transparency mean for ad tech?

In terms of media buying, it is important to choose a tool that doesn’t over complicate the process. Having your analytics in one place, and the ability to optimise in real-time will vastly improve your campaign performance.

What is more, with the Bannerflow media buyer, you have full accountability over where your money is being spent – even on third-party integrations.

bannerflow-analyse-optimise

The Bannerflow analyse and optimise feature.

Conclusion

Ad tech presents a great opportunity for brands looking to take control and bring marketing in-house.

Efficiency, creativity, and transparency are all clear benefits of an age where technology holds sway. Yet, in this oversaturated market it is important to choose a solution that will clearly deliver on these objections.

Bannerflow’s easy to use creative management platform (CMP) allows you to build, scale, publish, analyse and optimise in one. To discover more about our product get in touch with us.

Or, if you want discover more findings from our State of In-housing report you can read the full report here.

 

Sourced from Banner Flow