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If your Photoshop skills aren’t sharp, try Cleanup.pictures

Ever needed to quickly edit something or someone out of an image?

Maybe it’s the stranger who wandered into your family photo, or the stand holding up your final artwork for school? Whatever the job, if you don’t have the time or Photoshop skills needed to edit the thing yourself, why not try Cleanup.pictures — a handy web tool that does exactly what it promises in the URL.

Just upload your picture, paint over the thing you want removed with the brush tool, and hey presto: new image. The results aren’t up to the standards of professionals, especially if the picture is particularly busy or complex, but they’re surprisingly good. The tool is also just quite fun to play around with. You can check out some examples in the gallery below:

Cleanup.pictures seems to be from the same team that made a fun augmented reality demo that lets you “copy and paste” the real world, and is open-source (you can find the underlying code here). Obviously, tools of this sort have long been available, dating back at least to the launch of Photoshop’s Clone Stamp tool, but the quality of these automated programs has increased considerably in recent years thanks to AI.

Machine learning systems are now not only better at the problem of segmentation (marking the divisions between an object and the background) but also inpainting, or filling in the new content. Just last week, Google launched its new Pixel 6 tools with an identical “Magic Eraser” feature, but Cleanup.pictures shows how this feature has become a commodity.

I think my favourite use of this tool, though, is this fantastic series of pictures removing the people from Edward Hopper paintings:

Sourced from The Verge

Adobe Photoshop is an incredibly complicated piece of software that is multifaceted and multipurpose. However, one of its lesser-known workspaces is going to be removed completely.

Adobe Photoshop might never have been synonymous with 3D work, but it has had the functionality for a good few years now. With the introduction of Adobe Dimensions (previously Project Felix), the 3D workspace did see more use, however. Adobe has now made the announcement that they are removing the core 3D engine within Photoshop, which necessitates the removal of all interactions in the 3D workspace, 3D printing, normal and bump maps, lighting effects, spherical panoramas, and the import and export of all 3D formats, among a few others elements.

There are a few features being removed that did see some use for photographers. For example, the spherical panoramas and the lighting effects in particular. The lighting effects didn’t — in my experience at least — seem to be creating results that would be impossible without reliance on the GPU or the 3D workspace, so perhaps that will be recreated in time.

In this video by photoshopCAFE, you will be given the reasons behind the removal, as well as some ways in which you can still access these features using older versions.

Sourced from Fstoppers

 

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In today’s digital landscape, it’s critical to understand why design matters beyond the realm of the creative department. After all, marketing, branding, sales, business collaborations, and partnerships all hinge on the strength of a company’s branding and its consistency.

It’s no longer enough to have a couple of graphic designers to shoulder the burden of this responsibility. In the social media age, a truly successful brand needs seamless harmony across different platforms, whether it’s in traditional advertising, communications, or customer service. It’s not just about engaging aesthetics, but ensuring that anyone who needs to work with the brand image can do so quickly and effectively. Not only does it save time and money, but everyone can stay on the same page with a greater sense of productivity.

We spoke with Adobe’s Principal Solutions Consultant, Bart Van de Wiele, who helps companies navigate rapidly-changing digital media through Adobe’s formidable suite of creative solutions. With a long background in graphic design, years of experience in software training, and a deep knowledge of the Adobe ecosystem, Van de Wiele is well-equipped to explain why basic design tools are a must-have resource for everybody.

Design is for everyone 

You’d be surprised at how often non-designers could use design to make their jobs more effective.

“Imagine you’re a business manager, and you have an idea of how you think you can improve a certain business process internally,” says Van de Wiele. “And imagine that you’re gathering a meeting and you need 15-20 minutes to quickly convey your point — and then all of a sudden, you think of a better way to visualize your idea. You have access to an infinite amount of images that can help you support an idea or a metaphor — anything that you might have in your head.”

In reality, a business manager or marketer might not have access to a brand’s most up-to-date logo or color palette, and a graphic designer won’t always be available to help. Even something like proper typography could make a difference in bringing confidence and polish to a new proposal.

Citing a survey by Forrester, Van de Wiele believes that creativity should be a critical part of any business philosophy. “More than 82% of the people, the decision-makers, the executives that they interviewed, believe that a company can gain larger business benefits, like revenue growth or market share, if the employees have a more creative mindset,” he tells TNW.

Creativity isn’t just about developing a business’s logo or graphics — but about finding better and more effective ways to help non-designers succeed.

Getting started 

Creativity can be a daunting task, especially for those who lack experience. For Van de Wiele, Adobe offers a convenient way for non-designers to get their feet wet — newcomers can start with a free Adobe ID to access services like Adobe Spark for building social media graphics or start collaborating with existing designers.

“The actual designer can create a dedicated library for you,” he explains. “Imagine you’re in marketing. What I can do is create a library of product shoots, brand colors, brand styles, maybe the logos, the icons, or anything else you might need.” And no need to worry about non-designers tampering with precious files — you can set read-only access to an up-to-date database without risk of altering or removing the files.

“It’s a bit like following a Spotify playlist,” Van de Wiele explains. “If you like it, you have to subscribe to it. If the owner of the playlist adds a few extra songs, you’ll see that reflected on the updated playlist.”

You can also apply your new Adobe library to Office 365 — a handy feature for people working in PowerPoint and Word who want an exact match for paragraph styles, company colors, and text properties.

The next step up is Adobe Spark, a free solution with premium features. Van de Wiele describes it as an all-round tool to create anything you might need — webpages, video, social media graphics — with minimal fuss. Besides providing preset graphics dimensions for online platforms and built-in collaboration tools for marketers and entrepreneurs, Spark is, according to Van de Wiele, “easier than Powerpoint.” All you need to know is how to move text around, and place and crop images.

Not only does this streamline workflow by improving accessibility, but it also empowers all non-designers in the company to do simple design-related work on their own.

Smarter searching

Finding the right image is a critical part of good design, but finding it painlessly is another story. As visual imagery is such a powerful part of media today, Adobe Stock has developed more intuitive tools to improve its search functions.

“It doesn’t matter how big your stock imagery database is,” Van de Wiele points out. “If I type in a word — guitar, surfer, dog under an umbrella, whatever — if that returns me 5 million hits, how is that going to help me?”

Adobe Stock allows you to click on elements of a photo — like a dog or umbrella — and reposition them as you need. Being able to move the dog to the right of the frame and search for photos with a similar composition is a simple but revolutionary step towards better efficiency.

“You’re sketching up your idea, basically,” he says. “That is really going to shorten the production time that you have, or that you need in order to accomplish something like that. And that’s just available to everyone.”

All roads lead to Photoshop

Van de Wiele also encourages everyone to try Photoshop, but to start with the basics.

“First learn how to crop, resize an image, those basic things,” he suggests. He also recommends getting to know Camera Raw, “a filter in Photoshop which gives you access to basically any image optimization feature to give your pictures a professional look.”

With 18 years of experience under his belt, Van de Wiele observes that while technologies have changed our methods of design, “what has not changed is how a designer is briefed on an assignment, how work is sent for review, and how design assets are shared and stored.”

Adobe’s integrated ecosystem drags outdated briefing processes and resource management into the 21st century. “For design, specifically, 40% of the creative leads that we’ve spoken to in the past have told us that outdated workflows are slowing down their core processes,” he says. Providing greater accessibility and usability for non-designers creates immediate material benefits for employees.

Bringing non-designers in sync with design work streamlines our ability to tell better visual stories. “Basically, you have to look at graphic design as something that’s not a product on its own, but something that emphasizes your message,” Van de Wiele says. “It’s a means to help you communicate and get your message across. And that’s the thing, it basically all comes down to communication.”

Feature Image Credit: Moose

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Sourced from TNW

By Troy Thompson

As mobile devices like Apple’s iPad Pro continue their surge in popularity, we’ve witnessed an influx of high-quality, desktop-grade creative applications — redesigned exclusively for optimization on iPad — arrive on the App Store.

Titles like Pixelmator and Affinity, for example, are just two of the many powerful photo editing apps you’ll discover on the App Store. Though not quite on par with Adobe’s ubiquitous Photoshop app for PC and macOS, these titles provide a solid photo-editing foundation for professionals and hobbyists, alike.

Those holding out for an even more robust and feature-packed photo editing experience on iPad will be delighted to know that Adobe — makers of the popular digital design software titles for Mac and PC — announced this week that it’s planning to launch a “full version” of its Photoshop app on iPad as early as next year.

The move to bring a full-featured Photoshop title to iPad is part of the company’s broader new strategy — by which it hopes to make its products compatible across multiple devices, thus bolstering subscription sales and revenue, Bloomberg’s Mark Gurman reports.

Since 2012, the San Jose, California-based Adobe Systems, Inc., has transitioned nearly its entire library of desktop creative applications over to its new cloud-based subscription service, under the terms of which multi-device users are able to access their Adobe professional software from anywhere on their PC, Mac, or compatible mobile device. 

Photoshop for iPad, however, will be Adobe’s first full-fledged App Store offering for professional photo editors. The company currently offers its Photoshop Mix app for iOS, but there’s really no comparison between it and the full Photoshop experience.

“My aspiration is to get these on the market as soon as possible,” Adobe’s Chief product officer for Creative Cloud, Scott Belsky, said in an interview with Bloomberg. “There’s a lot required to take a product as sophisticated and powerful as Photoshop and make that work on a modern device like the iPad. We need to bring our products into this cloud-first collaborative era.”

Release Date

While he confirmed Adobe’s ongoing development of Photoshop for iPad, Belsky stopped short of providing additional launch details.

Sources speaking to Bloomberg on condition of anonymity, however, specifically indicated the app is slated for an early 2019 release — assuming all the company’s development goals are met along the way.

Bloomberg’s sources also confirmed that Adobe is planning to unveil its Photoshop for iPad app at its annual MAX creative conference this October.

By Troy Thompson

Sourced from iDROPNEWS