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By Christian Juhl

People, not machines, remain the key to understanding the changing market.

One of the truly great things about advertising is that it is ever-changing.

It is an industry that requires continuous stewardship to meet evolving consumer behaviours and technological innovations – finding new, better and different ways to communicate, captivate and convert.

These worldwide lockdowns, and the dramatic impacts they have had, have forced advertising to dig deeper to identify relevant and appropriate ways to engage with consumers.

When there are more questions than answers, and universal uncertainty about what lies ahead, how do we provide the right guidance to our clients?

“Adaptability” and “pivoting” have quickly moved beyond buzzwords and become a foundation with which to approach our business.

Behind these business shifts, our people have had to adjust too.

These adjustments have made them acutely aware of the changing behaviours of consumers, the evolution of their needs and how they experience brands today versus even eight or nine short weeks ago.

The world is forever different and it’s on us to help our clients decipher what all of this means for brands; which shifts are temporary and which will be long-term.

This pandemic has also afforded our industry the chance to look in the mirror, fast-track our roles in the ecosystem and determine how we can best spend our energy to make advertising work better for people.

As Mark Read, chief executive of Group M’s parent company, WPP, recently said: “We’re seeing 10 years’ worth of innovation crammed into a few months.”

The big question is: what are we – media agencies – doing to continue to innovate for our clients, especially when no-one knows what’s next?

The decisions we made 12 weeks ago, before the coronavirus crisis gripped the world, don’t carry the same consequences they do now; the stakes are higher.

Few service businesses have the scaled expertise across categories to identify best practices in addressing changes to consumer sentiments, preferences and behaviours like media agencies.

We are in the unique position of having a fairly holistic view of the insights about shifts and trends in consumption, content and sentiment that are otherwise disparate and disconnected – giving us a thorough understanding of what has really changed.

When consumer habits and behaviours changed literally overnight, it was this unique vantage point that allowed us to quickly identify the optimal approach.

And, as marketing budgets were suddenly cut around the world, we maximised the intelligence our data and insights provided to make the remaining dollars work harder to achieve our clients’ business goals.

It has allowed us to optimise workflows across marketing functions and find new ways to work with media owners to maximise the value of a buy.

One of the truly great things about advertising is that it is ever-changing.

It is an industry that requires continuous stewardship to meet evolving consumer behaviours and technological innovations – finding new, better and different ways to communicate, captivate and convert.

These worldwide lockdowns, and the dramatic impacts they have had, have forced advertising to dig deeper to identify relevant and appropriate ways to engage with consumers.

When there are more questions than answers, and universal uncertainty about what lies ahead, how do we provide the right guidance to our clients?

“Adaptability” and “pivoting” have quickly moved beyond buzzwords and become a foundation with which to approach our business.

Behind these business shifts, our people have had to adjust too.

These adjustments have made them acutely aware of the changing behaviours of consumers, the evolution of their needs and how they experience brands today versus even eight or nine short weeks ago.

The world is forever different and it’s on us to help our clients decipher what all of this means for brands; which shifts are temporary and which will be long-term.

This pandemic has also afforded our industry the chance to look in the mirror, fast-track our roles in the ecosystem and determine how we can best spend our energy to make advertising work better for people.

As Mark Read, chief executive of Group M’s parent company, WPP, recently said: “We’re seeing 10 years’ worth of innovation crammed into a few months.”

The big question is: what are we – media agencies – doing to continue to innovate for our clients, especially when no-one knows what’s next?

The decisions we made 12 weeks ago, before the coronavirus crisis gripped the world, don’t carry the same consequences they do now; the stakes are higher.

Few service businesses have the scaled expertise across categories to identify best practices in addressing changes to consumer sentiments, preferences and behaviours like media agencies.

We are in the unique position of having a fairly holistic view of the insights about shifts and trends in consumption, content and sentiment that are otherwise disparate and disconnected – giving us a thorough understanding of what has really changed.

When consumer habits and behaviours changed literally overnight, it was this unique vantage point that allowed us to quickly identify the optimal approach.

And, as marketing budgets were suddenly cut around the world, we maximised the intelligence our data and insights provided to make the remaining dollars work harder to achieve our clients’ business goals.

It has allowed us to optimise workflows across marketing functions and find new ways to work with media owners to maximise the value of a buy.

We have helped clients identify how to transition their traditional businesses online to meet the needs of the stay-at-home economy by adapting best practices from direct-to-consumer and ecommerce-centric companies.

We have identified opportunities to optimise spending on short notice and shift resources across media channels – spending on out-of-home when suddenly no-one can leave their home offers a significantly lower ROI.

Optimising search, social and connected activities should be a top priority; everything that is addressable should be.

And, in places like China, where lockdowns have eased, we’ve done things like track road-traffic activity to identify when and where weekend travel has or has not returned to normal.

Many of these activities and habits established by consumers during this period will persist far into the future.

The collective ingenuity of this industry’s creative minds has been helping clients adapt and pivot to that too.

And by helping to improve clients’ offerings and connectivity to consumers, we help make advertising work better for people.

If there’s one thing I’m certain of “in these uncertain times”, it’s that the vibrant and talented people who fill our industry are the reason it will continue to flourish.

While detractors of agencies have often argued that marketing driven by machines is typically superior, it’s the campaigns led by people, adapted for people and pivoted around people’s emerging needs and interests that will ultimately rule the day.

By Christian Juhl

Christian Juhl is global chief executive of Group M

Sourced from campaign

Sourced from Seeking Alpha

Summary
  • Asos is an attractive opportunity in eCommerce due to its strong focus on the young adult segment and dominant presence in the UK, where competitor Zalando has a weaker footprint.
  • Gross and operating margin have been slightly better than Zalando, driven by its targeted go-to-market approach and a simpler business model.
  • Price could have been more attractive than 0.8x P/S, given the weak execution in recent times, negative cash flow situation, and COVID-19 impact.

Overview

The London-based Asos (OTCMKTS: ASOMY) (LON: ASC) is one of the eCommerce names we have been taking a closer look at for some time. The company has over 22 million active customers, with 70% of the €2.7 billion of revenue concentrated in the EU and UK, while the US made up 13% of the revenue. The company has differentiated itself by targeting the young adult segment, allowing the company to leverage a targeted go-to-market approach. Top-line growth and operating profitability have been steady over the last five years, though the business saw some operational challenges in 2019. While we believe that the long-term prospect as a +20% grower remains intact, we will maintain our neutral rating on the stock, for now, considering the potential near-term slowdown in operating and investing activities due to the COVID-19 situation.

Catalyst

In our view, Asos’ competitive positioning as an eCommerce business targeting young adults, or what the company claims to be a “20 something” niche, is an interesting long-term proposition. In addition to the sizable TAM behind the business, young adults, in general, have a greater tendency to be the early adopters of new trends, including those in fashion and online media. Consequently, this will allow the company to adopt a more targeted and differentiated marketing approach.

(Source: Asos’ instagram page)

While many mainstream eCommerce brands have been leveraging performance marketing through Google (GOOGL) or Facebook (FB), young adults have been shifting away to Instagram over the last few years. Asos has been taking advantage of this opportunity by making Instagram as its major marketing channel. Asos’ 10.4 million Instagram followers as of today, already represent almost 50% of its 22 million active customer base.

(Source: Zalando’s instagram page)

Asos’ total number of followers is also over 10x that of Zalando (OTCMKTS: ZLNDY), whose focus is more on the mainstream fashion.

(Source: tikr.com)

In our view, Asos’ targeted approach allows the company to deliver a more predictable and reliable ROI from a less-competitive alternative marketing channel, such as Instagram. Given Zalando’s mainstream focus and more diversified business model, its gross margin has also been trailing Asos by 700 – 800 bps on average, except for 2019. Asos’ targeted marketing, moreover, has played a role in keeping its operating margin steady at +4%. Zalando’s operating margin, on the other hand, is more volatile and has been between 2.2% – 5.4% in the last five years.

Risk

Considering its international ambition, Asos will remain a cash-burning company for some time. Net changes in cash have been in red, even in 2019, where the amount was already offset by the €75 million debt withdrawal to strengthen its balance sheet. In the last two years, it spent a combined sum of ~€200 million in CAPEX while only generating €184 million of OCF (Operating Cash Flow).

(Source: company’s HY 2020 slides)

These investments in warehouse assets and fulfillment centers are necessary, given that they will enable the company to provide a better delivery service while achieving better unit economics through better capacity utilization. Due to these investments, for instance, the US business, which also sees intense competitions, can now provide a next-day-delivery service. In Q1, however, the company announced the suspension of its CAPEX investment further, given the COVID-19 situation.

Valuation

Asos’ long-term prospect remains attractive due to its focus on the young adult segment and its strong brand reputation in the UK, where Zalando’s footprint is relatively weak. Asos is a third of Zalando in terms of revenue, though both companies have a similar level of operating profitability, with Asos leading in terms of gross margin. At a 0.8x P/S and a +20% growth prospect, we think that the price should have been a little bit more attractive given the management’s recent weak execution, negative cash flow situation, and also the potential downside ahead due to COVID-19. Zalando, the mainstream fashion market leader in Europe, trades at 2.2x with the same level of growth, stronger cash flows, and stronger execution, despite being three times as large as Asos. We will maintain our neutral rating on the stock, with a potential upgrade once the P/S drops to ~0.5x to create a more attractive entry point.

Disclosure: I/we have no positions in any stocks mentioned, and no plans to initiate any positions within the next 72 hours. I wrote this article myself, and it expresses my own opinions. I am not receiving compensation for it (other than from Seeking Alpha). I have no business relationship with any company whose stock is mentioned in this article.

Editor’s Note: This article discusses one or more securities that do not trade on a major U.S. exchange. Please be aware of the risks associated with these stocks.

Sourced from Seeking Alpha

 

By Mike Hambright

Branding: We either love it or we hate it.

As real estate investors, our brand and our message can be a deciding factor in whether a seller reaches out to us to potentially purchase their home. Before you ever speak to them, your brand speaks to them.

It’s important to think about how a seller sees your business. Think about your logo, your message, your website and any other marketing you’re putting out there. You have to stand out from the crowd.

Think about what you want your potential seller to know about you:

• Do you enjoy helping others who are in tough situations?

• Do you give any of your profits to charity?

• Are you locally based?

• Do you have a family?

• Do any of your family members work with you in the business?

• How long have you been in business?

• How easy is it to work with you?

• Are you able to assist with cleaning out the property?

• Is it OK if the property needs a lot of work?

Your branding should focus on the positive aspects of your business, with the seller in mind — not the money. They want to know that they can trust you.

On social media, anytime you post or share something on your business page, consider how it will be perceived by future sellers. This is a key reason many real estate investors have two brands or companies. One is for buying distressed properties, and the other is for selling those properties. When you think about it, your audience for both brands is drastically different, so it only makes sense to separate them.

For any marketing you do, ask yourself if your parents or grandparents would look at your mailer or other marketing piece and give you a call. Get their honest feedback. They’re usually part of your target market, and if there are areas of your marketing that turn them off, it’s important for you to know and to potentially make changes.

In addition to thinking of how your parents or grandparents would react, also consider reactions from those who have:

• Lived in their home for decades.

• Raised their kids in that home.

• Inherited the home from a family member.

• Struggled with health and finances and just can’t handle the upkeep of their home.

You can impact their lives for the better if you focus on the seller and solving their problems. When you build your branding around this (and it is true), a motivated seller will be more likely to reach out compared to a brand that’s not personal.

No matter what market you’re in, you need to stand out in a positive way. Having your brand and marketing showcase how you can help a seller out provides a positive first impression. If they reach out to you, continue providing value that is helpful to the seller. You might not get every deal, but helping as many people as you can will only yield positive results down the road.

Ask yourself now: Are your brand and your marketing showcasing your best features?

Feature Image Credit: Getty

By Mike Hambright

Mike Hambright is a real estate investor, mentor and coach, and is the Founder of FlipNerd.com and the Investor Fuel Mastermind.

Sourced from Forbes

Sourced from Crain’s Chicago Business

Influencers can often produce content faster and more cheaply than a TV ad campaign team, helping brands adapt faster as consumer circumstances change. Italian pasta company Barilla, whose U.S. headquarters is based in Northbrook, is a case in point.

(Bloomberg)—Advertising has mostly collapsed, but brands are still spending — just not on billboards, newspaper ads or TV spots. This has opened a new frontier for social media influencers, the newcomers to the ad game, that could help them bounce back when the crisis eases.

The great pullback in advertising budgets hasn’t been evenly distributed. Spending on platforms such as Facebook Inc.’s Instagram and ByteDance Inc.’s TikTok is down, even for influencers, just not as much as traditional media.

It’s partly about following the consumer. There’s not a lot of motivation to freshen up a billboard when streets are so empty. Cinema screens are dark, and there are hardly any commuters to read the free newspapers handed out at rail stations. However, social media usage has surged.

Though there’s still less impetus for, say, travel destinations to ink deals with social media stars when the airline industry has all but ground to a halt, some brands that would never have considered an arrangement with an influencer are giving them another look.

Before Covid-19, companies might have considered influencers, and their large fan bases, a “support mechanism” rather than something that’s central to brand planning, said Frances Sinclair, a strategy partner at Dentsu Group Inc. agency Carat. The sudden economic shock and lifestyle upheaval wreaked by the virus is changing that.

“We’re seeing brands shift their investment from more-traditional media channels, which might not make sense to them at the moment, to being in an influencer environment where the engagement is very real-time and ready,” she said.

It’s also important to change the content of a campaign to reflect the reality of life under lockdown. For example, standard ad campaigns featuring carefree, optimistic people mixing freely outdoors are on the back burner in a post-virus world marked by job insecurity, health fears and uncertain prospects.

Influencers can often produce content faster and more cheaply than a TV ad campaign team, helping brands adapt faster as consumer circumstances change.

Italian pasta company Barilla, whose U.S. headquarters is based in Northbrook, is a case in point. A year ago, the brand was wooing consumers with a glossy television spot which showed tennis champion Roger Federer cooking its spaghetti at a mansion reception with top chef Davide Oldani.

To craft a more appropriate message for their locked-down audience, Barilla’s marketers looked to social media star Chiara Ferragni, whose portraits modelling red-carpet dresses and pool-side leisurewear have drawn 20 million Instagram followers.

Recently, she’s been showing off her homemade Barilla spaghetti dinners instead.

“One of the reasons brands use influencer marketing in this moment is that it’s fast to activate and solved the issue of production that was on halt,” said Alessio Gianni, the company’s digital and content marketing director. “Content is more spontaneous, close to the people. Chiara, being Italian and locked at home as everyone else, cooked herself a carbonara. It was the best person to involve.”

Europe’s biggest pay-TV provider, Sky, has enlisted Dentsu Aegis influencer agency Gleam Futures to promote shows and movies to homebound families. Parenting Instagrammer Louise Pentland posted pictures to her 2.4 million followers showing her children contentedly watching “Trolls World Tour,” made by Sky’s parent Comcast Corp.

Sky is using digital channels like Instagram and getting near real-time feedback in a way it hasn’t before, said Dentsu’s Sinclair.

“Whereas once it might have been very much about the brand and the content, now it’s very much about the experience you have within your isolation,” she said.

Influencers were a rare bright spot in M&C Saatchi’s April market update, which cited “steady” business in the newer channel despite “a sharp drop in demand across the group.”

S4 Capital Plc’s CEO, Martin Sorrell, said some European clients started to change their thinking on influencer marketing that month, accelerating a digital transformation of advertising that was already underway. S4’s IMA agency has picked up work on an influencer campaign to promote HP Inc. laptops.

“We certainly saw that on the influencer side—so whereas I think it was pretty dead in the back-end of March, it got pretty lively as we got into April,” he said.

Influencer marketing can still be a minefield given how easily a brand campaign can appear cynical and turn off followers. With billions of people tiring of lockdowns and worried about coronavirus, companies can’t look like they’re seeking to profit from a miserable situation.

“A lot of the feedback the influencers receive from their audiences is: ‘How can you go on like everything is normal, saying to buy this candle, or this make-up?” said Robert Levenhagen, CEO of marketing software company InfluencerDB.

That’s limiting any boost the medium can receive from the current situation. M&C Saatchi’s Thompson said lots of social media stars are shunning commercial ventures in favor of charity and community work.

It’s taken years to convince many companies that there’s as clear a return on investment in influencers compared to TV or other forms of digital advertising. It’s been easy for influencers to buy “fake followers” and generate artificial engagement activity, making it hard to assess their true audience reach and impact.

There’s always the risk they’ll do something dumb that gets a company all the wrong kind of publicity. That’s made some traditional brands reluctant to jump in, according to Hayley Brady, a partner at Herbert Smith Freehills who advises companies on digital advertising.

In 2015 Kim Kardashian promoted a morning sickness treatment but failed to mention its side-effects, earning a reprimand from the FDA. Then there’s the bad behavior: YouTube star Logan Paul lost advertisers in a controversy sparked by posting a crude video which showed a dead body in a Japanese forest known for suicides.

Still, the ability of influencers to pivot quickly to match popular sentiment is what’s boosted their appeal for some brands in the current environment. This bodes well for their outlook when the worst of the pandemic is in the past.

“Influencer marketing spend will come back quicker,” said Dafydd Woodward, global head of INCA, the influencer division of WPP Plc’s GroupM. “It’s agile, because we can create content very very quickly that reflects the mood of the nation, and the messages that are being put out by governments.”

Sourced from Crain’s Chicago Business

By

Amazon this week filed lawsuits in three states, aiming to squash what it describes as fraudulent affiliate marketing schemes driven by email campaigns purporting to come from the Seattle e-commerce giant.

The suits allege that companies in Georgia, Michigan and Texas wrongly used Amazon’s branding in spam campaigns designed to send traffic to fake Amazon-branded surveys run by online marketers. Those marketers then made money off advertising impressions, according to the suits.

It’s part of a broader effort by the company to crack down on fraud. In May, the company filed suit against companies in Washington state and India, alleging that they tricked new users of Echo speakers and other Alexa devices into paying for purported technical support. Other actions by the company have targeted everything from get-rich-quick scams to fake customer reviews to sales of knock-off products.

The latest suits were filed against Michigan-based companies Sendwell and Lakeshore Development Group; Georgia-based PhatLogic; Texas-based Omala Internet Solutions; and Germany-based SpreadyourAds.

“Amazon has no tolerance for schemes fraudulently using our brand, and we are appalled at these bad actors’ attempts to deceive our customers,” an Amazon spokesperson said in a statement. “We are advocating for customers by holding these bad actors accountable to the fullest extent of the law.”

Amazon says it has shut down the campaigns and has secured an agreement from the Michigan defendants to stop using the company’s brand.

The company filed a similar lawsuit last year against an Illinois-based affiliate marketing company, First Impression Interactive, and won prohibitions against use of the Amazon brand by that company.

Separately, Amazon says it has stopped a series of fake Amazon-branded email campaigns from companies and people in Colorado and California, with the people involved agreeing to stop using the company’s trademarks or brands

The affiliate marketing schemes are different than recent phishing scams that caught police attention last month, using purported Amazon branding to trick recipients into divulging personal information.

Amazon says customers should report unsolicited emails and texts here, and the company has more information about decoding suspicious emails, phone calls, and webpages here. The company has previously filed similar lawsuits to prevent scammers from fooling Amazon customers.

Feature Image: Amazon alleges that several companies fraudulently used its brand in affiliate marketing schemes to get consumers to fill out fake surveys. These images were included in lawsuits filed by the company.

By

Taylor Soper is GeekWire’s managing editor, responsible for coordinating the newsroom, planning coverage, and editing stories. A native of Portland, Ore., and graduate of the University of Washington, he was previously a GeekWire staff reporter, covering beats including startups and sports technology. Follow him @taylor_soper and email [email protected].

Sourced from GeekWire

By

Google will now highlight what you have been seeking

People use search engines in a variety of ways, and if you’re just looking for general information about a subject, it’s a simple matter of clicking search results. But if you’re looking for references to a particular snippet of text, finding where it has been mentioned on a page can be problematic.

Google has always been able to surface pages which contain the text you search for, but now an important change is being made that will make it easier to locate the text. It means you’ll no longer have to press Ctrl and F to perform a secondary search for a phrase once you have visited a page.

When you experience the change, you will wonder why on Earth Google didn’t do this earlier. So what’s the change? It’s actually something that the company has been doing with AMP pages (Accelerated Mobile Pages) for around a year and a half. When you click on a snippet of text in search results, you’ll be transported to that exact piece of text on a page.

More than this, Google will also highlight the text in question helping to dramatically speed things up. It’s great if you’re looking to find the full text of what was said next in a speech, but don’t want to have to read through a lengthy transcript to track it down – Google does the hard work for you, and take you straight there. While this is great for searchers, it might not be so great for websites as it means that visitors could jump past ads straight to content.

Seek and ye shall find

The great news about the feature from the point of view of anyone with a website is that no action needs to be taken by the site owner. There are no changes to code needed, as Google takes care of the whole process entirely automatically. Just as it has done with AMP pages, it is now doing with HTML pages too.

It is possible, however, for site administrators to opt out of the “featured snippets” feature, as Google explains in a support document. The company explained on Twitter how the feature makes use of the Scroll to text function to take searchers directly to text snippets:

While, in theory, the feature should work in all browsers, there may be issues from time to time. Chrome is likely to yield the best results but, as ever, it’s worth ensuring you have all of the latest updates installed for your browser of choice.

Feature Image Credit: Future

By

Sourced from techradar 

Sourced from Linelcons

The world of designing has grown by leaps and bounds in recent years. This has resulted in a massive increase in digital freebies that you can find online. These free design resources can be used by designers and developers to create aesthetically pleasing and attractive interfaces. Moreover, beginners can even study these free design resources to understand how they are built.

Every month, there are countless freebies released on the internet. In this post, we share with you the top noteworthy websites to explore and download free design resources. Let us begin!


SketchApp Resources

Sketch App Sources is a great free design resource to explore for free design options. You can download your favorite sources for free and choose from a whopping 4370 sketch resources. This website is a powerhouse of UI Kits, wireframes, icons, wearables, mockups, forms, and a host of other data. This website offers an unparalleled collection of fantastic tools that you can use for all kinds of design needs.


Muzli Extension

Muzli Inspiration is the secret source for designers that can be used to create amazing web projects. It offers the best design inspiration that you have been looking for, and it has been expertly curated just for you. It comes as an extension for Safari as well as Chrome to deliver inspiration and relevant design stories.


UIdeck

UI Deck is one of the best websites to explore to download free website templates, ui kits and landing pages. It offers landing page templates, UI Kits, and bootstrap themes in order to bring all kinds of web projects closer to being launched. All the HTML templates offered by this website are handcrafted with love and help in easing the design process substantially.


Freepik

Freepik offers free vectors, icons, PSD as well as stock photos for free. It has a vast collection of graphic resources for all kinds of designing and developing needs. If you like the free versions offered by this popular website, you can also choose to invest in the paid version as it offers an elite collection of design resources.


GraphicBurger

GraphicBurger is one of the most popular options on the list. It offers tasty design resources for all your designing and developing needs. Each pixel has been cared for like a newborn baby on this website, which is an added point of attraction for web designers and developers. It is absolutely free to be used for both commercial and personal purposes.


Invision Design Resources

InVision is another website you could go for when looking for free design resources. It offers a full library of icon packs, high-quality UI kits, and mockups for absolutely free. These design resources are a great inspiration, and you can choose from a wide range of photos, videos, and designs. Also, the resources offered by this website come through third-party providers.


Prototypr

Prototypr is a hand curated design platform with thousands of design resources such as – tools, stories, and news. Its kinda app store for design tools and resources.


FreebiesBug

Freebies Bug offers the latest design resources for free. These resources have been handpicked by experts for web developers and designers. Moreover, the list present on this website is updated often to ensure that you can avail of the best freebies at any time you want. You can choose from a vast range of icons, mockups, website templates, and UI kits with ease.


GraphicsFuel

GraphicsFuel offers resources from a staggering collection of more than 25 million graphics. It allows you to choose from a vast range of categories such as Background, Fonts, Icons, Graphics, Textures, Sketch App files, and much more. You can even subscribe to the website to get a free design bundle of 20 files.


DesignResourc.es

Designresourc.es is great source of free design resources such as – Icons, Tools, Design System and almost anything related to design. Really a noteworthy site for curated list of design resources in one place.


Free Illustrations

We have created an amazing blog post dedicated to free SVG illustrations, where you can get all the available sites that offer free professional-quality SVG illustrations. This is regularly updated, curated and so popular. If you are looking for free illustrations for commercial use, don’t forget to check this out.


Design Resources for Developers

This is one of the most underrated lists of design resource specially for developers. This curated list is updated daily basis and listed almost anything you need such as – Icons, Templates, CSS Frameworks, UI Kits, and much more. This list is maintained by Brad Traversy on GitHub.


Interfacer

Interfacer is a fantastic option, with over 300 free design resources. You get access to these high-quality resources for free. These design resources offered by Interfacer have been created by the most talented people on the internet. All these design resources can easily be used for all kinds of commercial web projects.


Colors and Fonts

Colors and Fonts is the perfect way to supercharge your workflow and streamline your web projects. This curated library of typography and color tools is the ultimate gift for web developers as well as digital designers. This website is again 100% free to use and offers a wide range of markups, variable fonts, and font pairings. Moreover, you get several color options such as color palettes, gradients, contrast, gradient patterns, color converter, and much more.


Illustrations Tools

Illustration Tools is a directory of resources and tools for illustrators. It offers a number of free tools and resources for all kinds of web projects. This website has an easy user interface and offers a lot of variety to the customers. Therefore, you can say goodbye to hurdles and create a seamlessly and effortlessly attractive web project.


UI Goodies

UI Goodies offers all the best possible resources and tools for designers in one particular place. With this website in your corner, you need not look elsewhere for free design resources. You can choose from a plethora of resources such as color, accessibility, mockups, illustrations, icons, design inspiration, content generators, and much more. Simply put, this website is a one-stop solution for all your free design resources and tools needs.


UnDesign

Undesign provides users with a collection of design resources and tools for free. This website is gold for developers, designers, and makers. You can find tools and resources in a number of categories such as colors, inspiration, gradients, logos, typography, generators, templates, and much more. Using this website and the tools it offers, you can create fantastic web apps effortlessly.


Design Resources for Software Devs.

These tiny yet carefully picked design resources are mainly listed for software developers to ease their design journey, curated by sunny Singh.


And there you have it! This is a curated list of the best websites you can consider for downloading free design resources on the internet today. So, what are you waiting for? Get cracking right now! or if you know similar site which is regularly updated feel free to comment. We will add to the list.

Sourced from Linelcons

Sourced from Association of Advertisers in Ireland.

Programmatic transparency is back in the spotlight again following ISBA & PwC’s seminal new study revealing what the programmatic supply-chain looks like for 15 UK advertisers. This study took a year to set up and a year to carry out, revealing a market ripe for fundamental reformation to make it fit for purpose.

The findings in this unique, world-first industry report, delivers the evidence to involve all stakeholders –  advertisers, agencies, publishers and the ad tech sector itself, to urgently collaborate openly, honestly and constructively around shaping a trading market that is transparent, fair, safe and predictable where all interests can thrive equally.

Join this webinar to hear details from Steve Chester, Director of Media, ISBA and Sam Tomlinson, Partner PwC.

Wednesday July 1st 10.00am

REGISTER HERE

By Stephen Silver

The updated Google, whenever it arrives, will emphasize “Page Experience,” based on the Core Web Vitals. These include Loading, Interactivity and Visual Stability, as well as mobile-friendliness, safe browsing, HTTPS, and “no intrusive interstitials.”

Every so often, Google will make a subtle or not-so-subtle change in its search algorithm, the sort of thing that not only changes what results come up, but can seriously disrupt the business models of media companies and other web-facing businesses.

Now, it appears, Google is planning another such shift-one that hopes to emphasize user-friendliness. We won’t be seeing the changes roll out, however, until 2021.

According to the post published at the end of May on the Google Webmasters blog, titled “Evaluating page experience for a better web,” the company is planning a “Search Ranking Change” for its core search product, which will incorporate the recently announced Core Web Vitals, which Google describes as “a set of metrics related to speed, responsiveness and visual stability, to help site owners measure user experience on the web.”

The changes, however, will not happen until next year, and six months’ notice will be provided before they roll out, the company said, in part due to the various aspects of the coronavirus pandemic. Google, the post said, is providing the tools now to get website owners and developers started.

The updated Google, whenever it arrives, will emphasize “Page Experience,” based on the Core Web Vitals. These include Loading, Interactivity and Visual Stability, as well as mobile-friendliness, safe browsing, HTTPS, and “no intrusive interstitials.” So perhaps Google’s changes will discourage websites from overly cluttering themselves.

The company also promised that “we will prioritize pages with the best information overall, even if some aspects of page experience are subpar.”

The other big announcement from the post is that Google will no longer require AMP to be included in the “Top Stories” experience. This does not mean, however, that Google will stop supporting AMP, nor will publishers who currently use AMP see any changes.

“Optimizing for these factors makes the web more delightful for users across all web browsers and surfaces, and helps sites evolve towards user expectations on mobile,” the post continued. “We believe this will contribute to business success on the web as users grow more engaged and can transact with less friction.”

By Stephen Silver

Stephen Silver, a technology writer for The National Interest, is a journalist, essayist and film critic, who is also a contributor to Philly Voice, Philadelphia Weekly, the Jewish Telegraphic Agency, Living Life Fearless, Backstage magazine, Broad Street Review and Splice Today. The co-founder of the Philadelphia Film Critics Circle, Stephen lives in suburban Philadelphia with his wife and two sons. Follow him on Twitter at @StephenSilver.

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Publishers and brands now have access to a standard developed by The IAB Tech Lab that automates the ability to receive content deletion notices.

The Data Deletion Request Handling specification is code that is added to the existing IAB California Consumer Privacy Act (CCPA) framework and inserted in a website page. It enables the retailer or business to send a request to have data deleted based on a consumer’s request.

The free specs give publishers and vendors a standard to follow rather than each company having individual codes or procedures, said Alex Cone, senior director of product management at IAB Tech Lab. “This way it’s one system,” he said. “Many times those systems are manual, using email, rather than automatic.”

Companies use the spec to signal when a user asks to delete their personal information. This could come in the form of explanatory text and a button hosted on a publisher page designed to handle those requests — that’s up to each publisher using the spec.

The technical spec also provides those vendors serving as a publisher’s service provider with a standard way to listen for those requests coming from publisher pages.

The IAB Tech Lab is making the code available to anyone. Membership to the IAB not required. This is the first technical standard of its kind for the digital advertising industry and has the potential for application use beyond CCPA.

The standard, which Cone led, could help to avoid one-off, proprietary builds per partnership and policy, or manual processes to reach out to partners for deletes — and save the industry real money and reduce room for error.

The standard has been in development for more than three months. The spec builds on the US Privacy API released in late 2019 that is designed to handle opt-outs of the “sale,” as defined in the CCPA of personal information.

“We’re always trying to create something companies can use flexibly,” Cone said. “Whenever you do this it takes time.”

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Sourced from MediaPost