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Coca-Cola’s latest experiment in opening short design briefs to the entire world illustrates its plans to no longer be seen as “a traditional advertiser” by appointing consumers – not agencies – as its co-creators.

The drinks giant’s head of digital, David Godsman, admitted at the Adobe Summit opening keynote that the digitally connected world is “somewhat unknown” to the brand. Nevertheless, 12 months ago it embarked on a five-year digital transformation programme, underscored by four key areas: operations, business, culture and experiences.

Surprisingly, Coca-Cola has filed its marketing and advertising operations into the latter category. Not only is Godsman asking his “traditional brand marketers to become experience makers”, but he’s earmarked the fans of Coca-Cola as vital to its content creation strategy.

“Digital allows us to create unifying experiences which – regardless of language or place in the world – helps to bring them together,” he said. “Digital enables them to participate actively with us and co-create the experiences we bring to market

“We don’t see a world where we will continue as a traditional advertiser in that sense.”

James Sommerville, Coca-Cola’s vice president of global design, introduced one of the first forays into this strategy of consumers-as-creators. Coke x Adobe x You, which quietly launched last October on social media, comprised a succinct brief open to the entire internet, which read: ‘Create a work of art celebrating Coca-Cola, sport, movement, strength, and unity using Adobe Creative Cloud tools’.

“We thought: ‘What would happen if you just gave the world’s designers three or four simple tools and a short brief – so short that you could tweet it?’,” explained Sommerville.

So far, the project has thrown up around 1,500 submissions, from trippy, fun animations to meticulous hand-drawn illustrations. All the designers were commissioned to feature the red Coca-Cola circle, while Adobe and Coca-Cola kept the Tokyo Olympics 2020 under wraps.

“If you scan these pages you’ll see the enthusiasm to work on our products and our brand,” said Sommerville, adding that the project “really is the start of our journey”.

The brand is arguably in need of a revived creative strategy. Diet Coke’s latest offerings have failed to capture the mass imagination that 1995’s ‘Diet Coke Break’ managed to, for instance, while ‘Because I Can’ was pretty much panned creatively.

It’s unlikely that Coca-Cola will eschew working with creative agencies for consumer creations altogether. Sommerville stressed that “we love our agencies partners, we need our agency partners”, but he also loves to “discover the hidden gems”. By that he means freelance artists such as Noma Bar, the graphic designers going viral, or “some guy working in Starbucks right now on a laptop”.

But when conglomerate does come looking for agencies in the future, it may start knocking on other doors. Sommerville’s design lab is currently experimenting with prototypes such as a fountain that dispenses mobile data in lieu of soft drinks – the kind of project that will certainly require the expertise of creative technologists, but perhaps not those of traditional creatives.

“I really want to invite the creative community to reimagine the whole experience,” said the Atlanta-based, Huddersfield-born designer. “Everyone in this room, everyone on this planet, has the right to work with Coca-Cola.”

How does he plan on keeping those divergent, global ideas tied to a common brand idea? By looking back on the vast history of Coca-Cola.

“We have a little phrase called Kiss the Past Hello,” he explained. “A lot of people talk about failing fast – for us this is the Coca-Cola way of saying a very similar thing. Our past is so important to us. It educates us. The good, the bad, what worked, what didn’t.

“Those stories are the same, but the context has changed. We are about technology, we are about transformation and we are about talent. But ultimately for us the experience starts at the product – it’s the texture, it’s the touch of the glass, it’s the temperature.”

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After disrupting many traditional sectors through its online presence, Amazon is now stepping into physical spaces, with tangible results. The Drum looks at how the brand is rewriting the rule book, most notably with retailer Whole Foods and its own Amazon Go store concept.

When Amazon launched in 1994 it declared itself to be ‘Earth’s Biggest Bookstore’. Almost 25 years later, the strapline feels laughably out of step with the money-making juggernaut it has become.

However Amazon has, throughout its lifecycle, remained true to its roots as a purveyor of paperbacks, going on to disrupt the category with the Kindle e-reader and self-publishing services.

And amid something of a bibliophile renaissance, Amazon is going back to basics.

Last year it announced plans to open a bricks-and-mortar bookstore in Manhattan. Meanwhile, its own physical imprint has in the past few months launched a division dedicated to short fiction reads.

Amazon is also taking a back to the future approach to retail. Its now-famed checkout-free Amazon Go opened recently to shoppers in Seattle, and the company has a network of Whole Foods stores throughout Canada, the US and UK.

Omnichannel experiences

“Amazon is coming at these industries from a position of no baggage,” muses Teaque Lenahan, regional director of business design and strategy at Fjord Seattle.

“Digitally native companies such as Amazon already know how to interact with consumers in that context, so in many ways it is an easier play for them to shape this digitally enabled, physical experience, than it is for traditional bricks-and-mortar players.”

Publishers in particular are likely to find themselves caught between the draw of a mutually beneficial relationship with Amazon and the memory of the disastrous impact that bringing sales online had on stores like the now defunct Borders.

Cory Cruser, experience innovation partner at creative consultancy Lippincott, argues that Amazon is not so much moving into the industries it helped kill, but rather shaping future behavior.

“With behavior changes come new ways to create value for customers, and reinterpreting traditional models is one way to do that, improving them in line with the behavior shift.”

Too much influence?

Aydin Moghaddam, head of PPC at digital agency Roast, laments the lack of competition Amazon asserting its dominance in these areas would bring about.

“Amazon has too much influence, and there cannot be perfect competition when one company has that,” he says.

Fjord’s Lenahan, meanwhile, is more pragmatic. “At the moment, Amazon’s foray into the physical market is either primarily for customer learning, or not yet scalable,” he says.

What’s next?

For Simon Law, chief strategy officer at WPP agency Possible, there is no irony in its forays into physical retail.

“It’s brilliant. The company has more than $22bn in cash and is using it to explore what the future looks like and how to keep retail innovating. It is investing in the new, the different and the explorative. It is doing what all business that are in decline failed to do.”

As for what’s next, Moghaddam predicts Amazon will acquire a fashion retailer, while Lenahan notes that as Amazon could trade on transparency to make money in the media arena.

For Cruser, it’s finance. “The industry ripe for massive disruption is banking, simply because the systems in this industry have not kept pace with the changing nature of our relationship with money,” he says.

Whatever happens, the company that started out as the world’s biggest bookseller is rewriting the rule book when it comes to disruption.

You can read the rest of this article in the April issue of The Drum magazine, which for the first time ever is devoted to a single company – Amazon. In it we explore why the company is becoming an increasingly attractive proposition to advertisers, and look at the increasing threat it poses to legacy brands operating in the spaces it might target next.

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Quick! What’s the difference between a positioning statement and set of brand values?

Or a value proposition and a brand’s DNA?

What about a brand promise and a brand essence?

If you answered ‘er’ to any of the above, then you are not alone.

Week long workshops have been spent parsing out the distinctions between ‘DNA’ and ‘purpose’. Cut through the froth, however, and we are talking about positioning.

But whatever we call it, positioning is central to what marketers do. Yet, here’s a scary New Year’s thought: is it time to reposition positioning?

When Ries and Trout first proclaimed the arrival of positioning in the late 1960s and early 70s, simplicity was at the heart of their thinking. ‘Positioning compensates for our over-communicated society by using an oversimplified message to cut through the clutter and get into the mind.’

Positioning was a strategic exercise, informing everything from distribution, to product innovation, and marketing communications. By analyzing competition, consumer, and company in question, brands could clearly define themselves against rivals with a strong positioning. Ultimately it was about ‘where’ and ‘how’ a brand should ‘play’ against competition.

As a result, the primary goal of the advertising agency morphed from (tactical) creativity, for its own sake, into the (strategic) management of brands.

Yet, as the synonymic inflation around the word ‘positioning’ suggests, this has become an increasingly complex exercise, cast adrift from the original intent.

We now spend a great deal of time ruminating over the finer points of brand personalities, or carefully delving into semantic nuances. We build pyramids, diamonds, and peel back layers of brand onions (weeping, often, in the process), while flicking through thesauruses for synonyms of ‘inspirational’.

More worryingly, positioning is increasingly detached from its original strategic intent. It has become too concerned with marketing communications, and is often treated as a story which should be told (directly) to the consumer. This is a long way from what it should be. Moore and Helstein in a 2007 article on positioning tersely noted ‘a positioning statement is not an advertising strategy, a slogan, or a tagline. It is an internal document, and is often very dull and straightforward.’

The lack of strategic thought is also evident when it comes to understanding of the competition. Competitor analysis is all too often overlooked, and palmed off on someone more junior, with the results filed away and never used. This leads to the weird sense of déjà vu between a lot of brand executions, born, one suspects, from positionings that didn’t pay attention to, or distinguish themselves from, the competition.

All this distracts from an exercise that was originally intended to focus strategy. Positionings have become a pick-and-mix of Big Words that agencies often struggle to execute against.

And positioning faces an even bigger challenge. Jenni Romaniuk of the Ehrenberg-Bass Institute has pointed out that the way we think about positioning is back to front.

Unlike marketers, the brand is the last thing consumers think about.

For consumers, brands are not the fixed platonic ideals that brand onions suggest they are. Instead they are a mess of mental cues, recalled to solve certain problems throughout the day.

Romaniuk refers to these situations that induce brand recall as ‘category entry points’ (CEPs).

For example, you might feel hungry at lunchtime (CEP) and several brands will pop into your head to solve this problem.

You might need a mid-afternoon pick me up (CEP) and Starbucks, Coca-Cola, or the godawful stuff in the canteen might mentally appear.

CEPs can be linked to things like hunger, the time of day, a sporting event, or a type of weather. This makes sense because brand considerations are context specific, and different contexts – or CEPs – evoke different brand options. (If you are considering lunch you might not be considering Burger King. But, if it’s 3am, or the morning after the night before, it might be at the top of your mind.)

This is a big challenge to traditional positioning and the 3Cs that inform it.

After all the consumer (or at least consumer mindset) varies depending on the situation. The competition varies too. If you’re Coca-Cola you might be competing with a coffee mid-afternoon, and a beer at 6pm.

And the brand itself is perceived differently in each situation. It’s not, in other words a ‘fixed’ idea. (That’s why it makes little sense to ask consumers what situations come to mind for specific brands – the answer is it depends on the situation. We should instead be asking what brands come to mind for certain situations.)

In short, different CEPs should logically produce different positionings.

So how do we adapt?

For a start, it should prompt marketers to consider what CEPs they are currently linked to, and if they should expand this number. The most successful brands are linked to wide a range of different situations, and smart brands actively seek to expand them. A simple example of how this works is from McDonalds, which went from simply answering a ‘fast food’ situation, to also answering a quick and easy way to get breakfast and a decent coffee.

We should therefore not be afraid of embracing positioning(s) plural. This does not mean that every brand should document a bewildering array of every potential CEP, and position against each. Some CEPs are more common (and profitable) than others. CEPs also seem to have practical limits. Fizzy drinks or fast food chains might have quite a few, but realistically how many does toilet roll really have?

All this suggests that positioning should cease to be the distant, lofty, and totemic PowerPoint it often feels like today. It was, after all, originally intended as a battle plan, rather than a religious text. Positioning should once again act as a practical and powerful tool to help focus thinking, and compete with the competition across (a range of) different consumer cues.

That positioning often feels more like an exercise in semantic acrobatics or character creation suggests it’s long-overdue a repositioning.

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At SXSW, YouTube chief executive Susan Wojcicki revealed that the site will begin using Wikipedia to try and curb the spread of conspiracy theory videos.

Conspiracy theory videos on the site will now include text from Wikipedia pages that users can click on to learn more about the topic in question. For instance, someone watching a video about chemtrails would see a “companion unit” featuring Wikipedia’s “Chemtrail conspiracy theory” page.

According to Wojcicki, the feature is set to roll out in the coming weeks. While she did not explicitly say how exactly YouTube plans to determine what is considered a conspiracy theory video, she did say that the site will be “using a list of well-known conspiracies from Wikipedia” to help it decide which videos should receive the additional information.

“When there are videos that are focused around something that’s a conspiracy, we will show as a companion unit next to the video information from Wikipedia,” said Wojcicki. “People can still watch the videos, but they actually have access to additional information.”

The move comes weeks after YouTube was criticized for letting a conspiracy theory video about last month’s mass shooting in Parkland, Florida take the top spot in its “Trending” section. The video accused David Hogg, a survivor of the shooting who has since spoken out for gun control, of being a “crisis actor.” YouTube eventually pulled the video for violating its policies.

Over the past year, YouTube has struggled to keep its platform free of extremist and offensive content. About a year ago, brands including Verizon and PepsiCo pulled advertising from the platform due to concerns that their ads were appearing next to videos that promote terrorist groups.

In December, the Google-owned video site rolled out a four-step action plan in hopes of curbing the brand safety concerns that have plagued it in recent months.

Feature Image: Conspiracy theory videos on the site will now include text from Wikipedia pages that users can click on to learn more.

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Sourced from THE DRUM

Online reputation management is very necessary all of a sudden.

By MediaStreet Staff Writers

Businesses say they plan to allocate more resources to their online reputations in response to the growing popularity of social media and online reviews.

According to a new survey from Clutch, 40% of businesses will increase their investment in online reputation management (ORM) this year.

All this is due to the growing power of social media and third-party reviews sites, which impact businesses’ control over their online reputation.

Clutch surveyed 224 digital marketers and found that more than half of businesses (54%) consider ORM “very necessary” for success. As a result, 34% said they allocated more resources to ORM in 2018, and an additional 43% said they plan to hire a professional public relations or ORM agency in 2018.

Businesses already invest a significant amount of time observing their online reputation, Clutch found. More than 40% of digital marketers (42%) monitor their companies’ brand online daily, while 21% monitor their online reputation hourly.

According to public relations experts, businesses frequently monitor how their brand is portrayed online because they know even one negative media mention can quickly damage the public’s perception of their company.

“When people search for brands online, they tend to search for stamps of credibility,” explained Simon Wadsworth, managing partner at Igniyte, an online reputation management agency in the UK. “If potential customers find anything negative, that could end up being a significant amount of leads the business won’t get from people who are put off from using the service.”

Social media also has shifted the ORM landscape because it gives consumers free-reign to share their opinions and experiences quickly and frequently: 46% of businesses look to social media most often to monitor their online reputation.

By using professional agencies that have expertise in online reputation management, businesses can minimise losing new customers who may be dissuaded from purchasing their product or service.

To read the complete report, click here.

 

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By Shama Hyder

The concepts behind intelligent content are an important glimpse into the future of content marketing.

As you can tell from the number of chatbots that are popping up across the web, brands of all types have begun investing in artificial intelligence, mainly for their customer service departments.

But ask these same forward-thinking brands whether they’re using intelligent content, and their answer will probably be either “No,” or “What’s intelligent content?”

Here’s a quick explanation of this content development, and how to determine whether it’s right for your brand.

What is intelligent content?

Intelligent content is content that can be adapted, changed, and/or released on different channels, to different audiences, without needing a human to touch it. Intelligent content is to content what adaptive design is to design – it adapts to the device, context, and situation in which it’s being consumed.

(Intelligent content is a complex topic, so for a full, in-depth explanation, you may want to pick up Ann Rockley’s book Managing Enterprise Content: a Unified Content Strategy. Rockley is a top expert on intelligent content, having pioneered the idea more than 10 years ago.)

In order for this to be possible, your content needs to be structured in such a way that it can be mixed and matched, as it were. It has to be broken into fragments, easily customizable, and – perhaps most importantly – properly tagged, so that both your marketing team and your customers can find the pieces they need easily.

In other words, intelligent content is content that takes a lot of the guesswork, rewriting, and repetition out of content creation. It replaces it with content that can be easily automated, recombined, personalized, and distributed.

How can I tell if it’s right for my brand?

Intelligent content isn’t something every brand needs.

For example, if you’re a small business that sells one product to one audience, there’s really no need for you to put in the effort to take your content from standard to intelligent. You likely have a bank of content that already works for you, and that needs little adaptation.

However, if you’re a business that sells lots of products, to lots of different audiences, then intelligent content can allow you to drastically cut down on the amount of time you spend creating new content and adapting what you already have.

Consider this example. Your company creates 5 different software packages, each of which is used in 3 different industries. Within each of those industries, you’ve got 7 different buyer personas for whom you’re creating content.

While you’re likely reusing and adapting content already, to some degree, the process of creating new content for every persona, in each industry, for every product, is extremely time-intensive.

Switching to an intelligent content approach could work extremely well for this company. That would mean that instead of spending time writing new content from scratch, the marketing team would begin breaking down their existing content into fragments, and tagging it with metadata to make it easily findable.

For example, they would have one sentence about the company itself – they could tag that “about company.” They might have an intro paragraph that they use consistently – that would be removed and tagged “intro.”

Then they could begin getting into their more detailed, individual content needs. For each software package, three features could be selected and summarized, with each feature tagged “feature 1,” “feature 2,” etc. One testimonial per industry, per software package could be chosen and tagged.

This process would continue until they had the building blocks to create the content they needed quickly and efficiently.

That’s just the beginning, though. Depending on your resources, you can invest in artificial intelligence programs that can automate your content and even, in some cases, produce some for you.

One program, Wordsmith, can create written reports from reading your Google Analytics and AdWords data. Wordsmith pulls your data and then analyzes it for insights, creating a robust report that reads as though it were written by a human. Programs like this can save your team huge amounts of time, and even, in some cases, produce better data analysis.

While intelligent content may not be for every brand, the concepts behind it are an important glimpse into the future of content marketing. For more, read my post “3 Crucial Truths You Don’t Know About the Connected Consumer.”

The opinions expressed here by Inc.com columnists are their own, not those of Inc.com.
Feature Image Credit: Getty Images

By Shama Hyder

Founder and CEO, Marketing Zen Group

Sourced from Inc.

Women-owned businesses are most likely to use social media. Men! What y’all doing?

By MediaStreet Staff Writers

A woman-owned small business is more likely to use social media, according to a new survey from Clutch, a leading B2B research and reviews firm.

Among women-owned businesses, 74% use social media, compared to 66% of men-owned businesses.

The findings came as no surprise to experts, who said women overall are more likely to use social media. Given that trend, female small business owners more easily can bring their business onto social media.

“Women are generally better conversationalists than men,” said Jeff Gibbard, chief social strategist at digital agency I’m From the Future. “They tend to be more expressive and more emotive. It’s no surprise to me why more women business owners use social media.”

Women often communicate better than men, which translates to the online world where they are more likely to use social media effectively.

Millennial-Owned Small Businesses Lead Social Media Use

There is also a generational divide among small businesses’ social media use. The survey finds that 79% of millennial-owned small businesses use social media compared to 65% of small businesses owned by older generations.

Millennials, like women in general, frequently use social media for their personal lives. Their social media skills easily carry over into their businesses – unlike older generations, experts say.

“The older people didn’t grow up with social media, so many don’t understand how to use it for their business,” said Shawn Alain, president of social media agency Viral in Nature. “They went through a significant part of their life without even the internet, and they remember what it was like not to have a smartphone or email.”

Millennials are also more likely to use Instagram and Snapchat than older generations, but Generation Xers and Baby Boomers are more likely to use LinkedIn.

Most Small Businesses Use Facebook

Facebook remains the most popular social media channel for small businesses, no matter the gender or generation of the owner – 86% say they use it, which is nearly twice the number of small businesses that use the second-place channel, Instagram (48%).

Among small business users of social media, 12% say they use Facebook exclusively for their social media efforts.

Overall, 71% of small businesses use social media, and more than half (52%) share content at least once per day. Images and infographics (54%) are the most popular content types that businesses post to social media.

Read the full report here. 

 

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Less than 1 in 3 people call Facebook a responsible company, according to a new survey.

By MediaStreet Staff Writers

Barraged by accusations of spreading divisive fake news and amid new allegations that it handed over personal information on up to 50 million users without their consent, Facebook is losing the faith of the people, according to a new survey.

Almost 4 out of 10 people surveyed said: “Facebook is not a responsible company because it puts making profits most of the time ahead of trying to do the right thing.” Less than 1 in 3 said that Facebook is a “responsible company because it tries to do the right thing most of the time even if that gets in the way of it making profits.” The rest were unsure.

By a 7-1 ratio people surveyed said that Facebook has had a negative influence on political discourse. Sixty-one percent said that “Facebook has damaged American politics and made it more negative by enabling manipulation and falsehoods that polarize people.”

The survey was conducted as new revelations surfaced that the company connected to the 2016 Trump campaign, Cambridge Analytica, inappropriately harvested personal information on millions of Facebook users.

The sharp rise in negative feelings is a significant departure from Facebook’s standing prior to the 2016 election, when the rise of so-called Fake News and polarizing content led to calls for the company to take greater responsibility for the content on the popular social media site – or face government regulation.

By a 2-1 margin, people surveyed said it’s Facebook’s responsibility to remove or warn about posts that contain false or misleading information. And 59 percent reported that the company is not doing enough to address the issues of false and inflammatory information that appear on its site.

“Facebook is at a crossroads because of its inability – nearly a year-and-a-half after the election – to get a handle on its divisive effects on society,” said Tom Galvin, Executive Director of Digital Citizens, who commissioned the survey. “From spreading fake and manipulative information to becoming a ‘Dark Web-like’ place for illicit commerce, Facebook seems to losing the trust of the American public. Regulation will not be far behind for social media companies if things don’t change.”

This declining trust reflects a growing concern about the impact Facebook and other social media sites have on young teens.  In the survey, more than two in five people surveyed said that the minimum age to have a Facebook account should be at least 18 years old.

“Digital platforms have to rise to the occasion and assure internet users that their personal information will be safe, that the content will be legal, safe and not contrived to manipulate. In short, they have to demonstrate they will be the positive influence on our society that they espouse to be,” said Galvin.

 

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A travel company has managed to stir up a lot of viral traffic with their hashtag. Watch and learn, people.

By MediaStreet Staff Writers

What do a dream wedding in New York, an adventure through the mountains of Sri Lanka and a family’s search for their roots in Scotland all have in common? All saw a hospitality professional going out of their way to make or save someone’s trip. And a holiday booking company use this mushy sequence of events with a hashtag to fire up social media views and get a great repsonse from them.

Booking.com call themselves the global leader in connecting travellers with the widest choice of incredible places to stay. Established in 1996 in Amsterdam, Booking.com B.V. has grown from a small Dutch start-up to one of the largest travel e-commerce companies in the world. Part of The Priceline Group (NASDAQ: BKNG), Booking.com now employs more than 17,000 employees in 198 offices in 70 countries worldwide.

So, what are they doing with their social media marketing? They are riding hastags like a showjumper would a prize horse.

They have had some great success with their recent hashtag #BookingHero. They asked people to share their travel stories using the hashtag. The best story won travel prizes and big kudos online.

Following thousands of submissions via social media, Booking.com selected the three most touching and inspiring accounts of hospitality professionals going above and beyond to create unique and unforgettable travel experiences for their guests.

The customers were then flown back to say thank you to the person who saved their trips. Here are the stories.

 

 

The point isn’t the stories though. The point is that real people’s journeys made the hashtag come alive and generate traffic for booking.com. In fact, the call out for submissions via social media has been so successsful that Booking.com is now using the hashtag to extend the social media campaign with long-form video content that extends the #BookingHero message, with TV to follow.

According to recent research conducted by Booking.com across 25 markets in 2017, a personal connection is essential for many travellers with 29% saying that an accommodation feeling like home is key and 24% sharing that a welcoming host is a make or break factor during the first 24 hours of their trip.

Said Pepijn Rijvers, Chief Marketing Officer, Booking.com. “These stories beautifully demonstrate that an amazing trip is about more than simply finding the right destination or the perfect accommodation– it’s also about the people you meet along the way which truly make for an unforgettable journey. And that’s what travel is all about.”

And for the company, it is about finding the right hashtag and getting it to go viral.

 

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Anti-Brexit group Best for Britain (BfB) is planning to launch an advertising ‘blitz’ to keep the UK open to EU membership.

The Financial Times has reported the group aims to highlight the benefits of staying in the EU and plans to target much of its advertising at voters in the Midlands and the North of the UK.

Its chief executive officer Eloise Todd told the FT that in terms of media spend, she is planning for “some billboards”, as well as “a lot of digital spending”. The latter evokes the strategy of 2016’s Leave campaign, with Todd adding that her group was “taking a leaf directly” from the original Brexiters.

BfB claims to have raised more than £170k from more than 500 online supporters, and has further received £500,000 from George Soros’s Open Society Foundation. Overall, it has declared £1.2m in donations.

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Sourced from THEDRUM