If you’re a longtime Hot Pod reader, you probably know that I hold Edison Research’s annual Infinite Dial study in high regard. The survey-based study of digital media usage has been the longest-running measure of podcast audiences going back to the medium’s earliest days, and as a result, the story they’re able to tell is the one I consider the most reliable.
That said, I didn’t spend as much time covering last year’s edition of the study for what should be obvious reasons by now: It was released at around the same moment that the United States began its descent into the COVID-19 pandemic. Leafing through the report at the time, it didn’t make much sense to me to allocate much attention to the year that had come before when what lay ahead felt so deeply unpredictable.
I don’t need to tell you that a lot has happened over the last twelve months. From a purely podcast standpoint, the wave of lockdowns that began last spring — then ebbed, then flowed, then splayed out into a messy patchwork system — resulted in some initial declines in listenership as the morning commute went away, along with a significant restructuring of work processes and mild consternation over whether there’ll still be a podcast business on the other side of the pandemic.
Eventually, though, podcast consumption rebounded as its structural advantages within the context of pandemic conditions came into sharper view. The medium lent well to remote-production workflows, which in turn attracted more participation from creators and celebrity talent and media companies, which in turn led to the creation of more podcasts and greater recruitment of their respective followings into the medium. Listening behaviors as a whole ended up adapting, moving away from the morning commute and towards more afternoon consumption. The case began to be made that podcasting, more so than many other new media infrastructures, was uniquely suited to meeting the moment. But the question was: To what extent?
The 2021 edition of the Infinite Dial study, published last week, gave an answer: to a considerable extent.
Let’s break the report’s podcast-specific findings out. To begin with, the study recorded gains in the major audience sizing metrics:
➽ 41% of the total U.S. population over the age of twelve, or an estimated 116 million Americans, can now be considered monthly podcast listeners, up from 37% the year before.
➽ 28% of the total U.S. population, or an estimated 80 million Americans, can now be considered habitual weekly podcast listeners, up from 24% the year before.
➽ Meanwhile, podcast familiarity — that is, the extent to which Americans are aware of the medium — continued to grow, present among 78% of the total U.S. population, or an estimated 222 million Americans, up from 75% the year before.
The American podcast audience was also found to have grown more diverse from a gender and ethnicity standpoint, with the study arguing that it has drifted towards a composition that more closely reflects the American population. (One specific finding that leapt out: There were exceptional gains among Hispanic listeners over the past year in particular.)
The report also found that the American podcast audience has deepened their engagement with the medium more generally. This is represented in the finding that weekly U.S. podcast listeners now average eight podcasts per week — typically interpreted as “podcast episodes” — up from six podcasts per week.
A quick note on some methodological progression here: This year’s report also includes a new “average podcast shows in the last week” measure, made distinct from a “podcasts per week” metric. The specific finding on that front: Weekly U.S. podcast listeners averaged 5.1 podcast shows in the last week.
Let’s pause on this beat for a second, because there’s a vast universe of analytical angles baked into this one data point. On a gut level, that feels like a small average number of shows per active podcast consumer especially when held up against an ever-expanding podcast ecosystem, with new shows launching just about every week (or day, or hour). At any rate, it’s worth introducing some level of complexity to that feeling: Not all shows possess a regular weekly publishing cadence, not all shows should be built to compete for everybody’s regular listening slots, and not all niches are adequately covered in the current spread of what’s available. In my mind, there’s room to grow in all directions, and besides, I’d be curious for this ratio of average consumption per user to average production of whole medium to be weighed against other media, whether it’s books, video games, or even the ever-increasing preponderance of products distributed over streaming video services.
Anyway, as always, I highly recommend you go through the report in full, if only to get a better sense of the change over time. But before we move on, I wanted to flag a few other things from other parts of the report.
It should be clear by now that the podcast ecosystem is being fundamentally stitched into other media systems, whether we’re talking about the medium’s competition for listening time against other audio formats (like audiobooks) or how it’s being increasingly absorbed by competition between the large audio streaming platforms.
To that end, here are some of the relevant findings that I’m tucking away in the back of my head:
➽ The report argues that “Spotify has solidified its spot as the largest single-source for online audio, and has played a role in the growth of podcasting (especially with younger listeners).” The platform leads in all the important measures, with Pandora consistently coming in second place.
➽ Audiobook listening seems to be flattening back out. After a spike in the 2019 study (50% of the total U.S. population, up from 44% the year before), that measure now hovers at 45% and 46% of the total U.S. population over the past two studies.
➽ Some interesting findings within the context of in-car media consumption. Of course, the broader point to consider is the fact that folks are driving less during the pandemic, but it’s still interesting to see that AM/FM radio has dropped to 75% of population from 81% of population in the “audio sources currently ever used in the car” measure and that half of the total U.S. population engages in online audio listening in the car through a cell phone, up from 45% of the population the year before.
Finally, shout-out to the new survey questions on Twitch live streaming in there. I know I’ve been watching a hell of a lot more random streams since the pandemic began.
Selected Notes
➽ In case you missed it, I spent two weeks reporting out a feature for Vulture that looked into what happened with Reply All, Gimlet Media, and the union push that took place in the lead up to the podcast company’s acquisition by Spotify in early 2019. That piece dropped last Wednesday.
➽ And as it turns out, I wasn’t the only one poking around. The New York Times and The American Prospect also published pieces on the same day, with the former containing specifics on just how much money various key figures in the Gimlet story made off the sale to Spotify.
➽ Coincidentally, later in the week, the Gimlet Union would secure its first contract with Spotify after two years of bargaining, announcing the deal over its Twitter account early Friday morning. The Ringer Union also secured its own first contract a day later. Parcast, the third content division within Spotify that’s formed a union, is still in the bargaining process.
➽ Entercom, the broadcast radio company that acquired Cadence13 and Pineapple Street, is moving to acquire podcast advertising marketplace startup Podcorn, the Wall Street Journal reports. The deal will value Podcorn at $22.5 million.
➽ CAA is promoting Josh Lindgren as the head of its podcast department. My impression is that this is merely formalizing what Lindgren has already been doing since he joined the talent agency in the summer of 2018. Lindgren’s clients include NPR’s Ari Shapiro, iHeartMedia’s Stuff You Should Know, Jane Marie and Dann Galluci’s Little Everywhere, Maximum Fun, and the Futuro Media Group, among others. Here’s the Variety write-up.
➽ Apple Podcasts is apparently shifting away from “Subscribe” to “Follow,” Podnews found last week. The thinking being — or at least it’s thought to be — that the word “Subscribe” is generally associated with media products that aren’t free.
➽ Keep your eyes peeled on this. From Insider: “Amazon’s ad boss, Alan Moss, told advertisers that the e-commerce giant plans to roll out ads in podcasts.” How and through what means, exactly, remains unclear, but I imagine there’s quite a bit of runway between the Amazon Music platform and the possibility of podcast ad tech-related acquisitions in the months ahead.
➽ Shout-out to the crew over Nieman Lab, who’ve been syndicating RQ1, a new monthly newsletter going over the latest academic research around journalism. A recent issue covered Gabriela Perdomo and Philippe Rodrigues-Rouleau’s paper, “Transparency as Metajournalistic Performance: The New York Times’ Caliphate Podcast and New Ways to Claim Journalistic Authority,” which takes a scalpel to the performance of transparency in Caliphate specifically, but in narrative audio more generally. Really worth the time.
➽ I think this may very well qualify as a first. From the New York Times: “‘Nobody Wants to Be There, Dude’: How a Juror’s Podcast Led to an Appeal.” To fill in the blanks a little bit, the juror is a standup comedian and the podcast has a following of like… a hundred people.
➽ From TechCrunch: “Apple discontinues original HomePod, will focus on mini.”
Feature Image Credit: Eddy Tang/Getty Images/EyeEm
Sourced from VULTURE
