Author

editor

Browsing

By

LinkedIn has added lookalike audiences to its ad offerings after beta testing the tool over the last year.

Lookalike audiences are nothing new, as Facebook has shown. LinkedIn’s director of product, Abhishek Shrivastava, said it “took us some time” to build the tool.

Marketers could already go to a platform like Facebook to discover new audiences using existing customer data. LinkedIn is now offering that for B2B marketers by making it easier to find company names or job titles.

Audience templates, another new offering, streamline the process of finding audiences. According to Shrivastava, it’s a one-step process that separates audiences job titles and functions into 20-plus templates.

LinkedIn has over 610m users and, according to Shrivastava, it has seen over 30% growth in the number of sessions per user over the last year.

“Because of all this activity happening on the platform by our members on an increasing basis…it allowed us to tap into a lot of the signals that have allowed us to create the lookalike product, which requires a lot of signals to do the modeling of who are users,” said Shrivastava.

LinkedIn also announced it will integrate Bing data for the first time into its ad products. Marketers can now leverage Bing data with LinkedIn’s interest-based targeting tool it launched in January.

“If someone searched for an article on digital marketing trends, that would map them to a category of being interested in marketing,” explained Shrivastava. “That list of categories is what we are exposing within our campaign manager on LinkedIn, to allow our customers to create campaigns to reach people who are interested in that particular topic.”

Shrivastava said connecting Bing and LinkedIn data “gives marketers the best of both worlds”.

By

Sourced from The Drum

Are you using platforms like Facebook and Twitter to grow your small business? Are you hoping to attract more customers by using social media marketing, yet find yourself wondering whether your efforts will be rewarded? Increasing your social media marketing ROI (return on investment) might not be a matter of posting more often, but instead changing what you share on social media.

Small business owners who increase the amount of visual content that they share on social media can significantly improve their audience engagement rate. Potential customers are more likely to engage with visual content versus text-based content. If you need convincing of the power of visual content for your small business, bear the following three essential truths in mind:

Retention Matters

If you want your small business’s target audience to retain more of your marketing materials, it is imperative that you start sharing more visual content with potential customers. The human brain retains visual content easier than text-based content. Start sharing brand visuals like infographics via social media and there’s a good chance you’ll increase your marketing ROI in the process. For instance, if you are launching a new mobile application, you would want to craft attractive graphics that lead your potential users to your mobile applications splash page or directly to your app store listings. Imagine that you are launching a beauty health line and need to engage with more of your potential purchasers. It would be imperative to create marketing materials that would persuade likely customers to not only inquire but also to try out your products or services. Simply put, perception equals reality.

Conversions are Critical

If you want to boost your conversion rate as a small business owner, it’s time to double-down on visual marketing opportunities like video marketing. Video content converts buyers at a faster rate than static content like blog posts and articles. Increase your small business video marketing this year, and the odds of increased sales are in your favor.

Visual Content is Engagement on Steroids

For small business owners wanting to increase audience engagement rates on social media, visual content creation is a must. Not only is visual content retained better by your target audience, but they’re also more likely to engage with your brand online thanks to your visual content. Start creating custom images using a tool like Canva.com and watch your social media engagement rates go through the proverbial roof.

These are just three of many reasons your small business should be creating more visual content for social media marketing. Develop a detailed visual marketing strategy and build a library of visual images you can use daily.

By 

Jeff Shuford is a nationally syndicated columnist whose monthly column appears in more than 44 regional newspapers. Shuford is one of fewer than five millennial African-American syndicated columnists in the United States, and one of the country’s youngest syndicated columnists overall.

Sourced from Black Enterprise

By

The UK government has moved towards launching a formal investigation into the ‘largely opaque and extremely complex’ online advertising industry and the power wielded by Facebook and Google on the digital ad market.

It comes following the publication of the Cairncross review, which highlighted how tech giants like Google and Facebook are the root cause of the crises facing publishers.

Culture secretary Jeremy Wright told the House of Commons yesterday (Tuesday 12 February) the Competition & Markets Authority has been commissioned to study the digital ad ecosystem to establish whether there are grounds to launch a full investigation into practices prevalent in the industry, a process which would legally oblige the tech firms to hand over sensitive financial information.

Wright also said had asked the Charity Commission to investigate whether publishers can be afforded charitable status to aid local and investigative journalism.

A third tier of efforts to reform the sector will see civil servants conduct a parallel investigation into regulation of the online advertising space as a whole, a process which could result in new regulatory powers to enforce fair play.

Shadow culture secretary, Tom Watson, said the government was united in its desire for major technology companies be more accountable to parliament.

“Even in these dark days of Brexit and increasing division in politics, there is one man who is uniting this house: Mark Zuckerberg,” he said.

“He insulted us all when he refused to attend the [Department for Digital, Culture, Media and Sport] select committee. He may think the UK market and our institutions are not a priority for him. But I hope he knows there is now a new resolve that transcends our party differences to deal with the abuses by his company and others.”

Feature Image Credit: Digital ad market under a microscope over Facebook/Google monopoly

By

Sourced from The Drum

Sourced from DutchNews.nl

Dutch MPs have almost unanimously backed a motion calling on the government to pressure Facebook to come clean about political advertising ahead of the provincial elections in March.
Only the right-wing VVD and anti-Islam PVV opposed the motion which urged ministers to call for more transparency in political advertising. This transparency is necessary, MPs say, because ‘social media, including Facebook, offer a platform to political fake adverts’ at both election time and on other occasions.
Facebook said at the end of January that it would bring new political advertising rules and tools introduced in the US and UK last year into countries which are holding significant elections this year.
These measures will not, however, come into effect in the Netherlands before the end of March, after the provincial elections.
MPs say Facebook should come clean about the origins of political advertising three weeks ahead of the provincial vote on March 20.
Facebook has said its new rules will be in effect in Europe ahead of the EU parliamentary elections which take place between May 23 and May 26.
Feature Image Credit: Depositphotos.com

Read more at DutchNews.nl:

Sourced from DutchNews.nl

Free to AAI Members – please register your attendance

€35 + booking fee for non-members


Join us for a once off conversation with Paul Hughes, Patrick Ronaldson, Richard Carr and Patrick Hickey, the original Rothco Founders and Partners

 

 

on Tuesday 2nd April 2019 8.30 a.m. – 10.00 a.m.
at Core, One Windmill Lane, Dublin 2

The discussion “Rothco: The Highs and Lows” will illustrate experience and work from across the years, and will be facilitated by Tom Kinsella Managing Director – Homes, AIB Group


 

  

 

 Hear the story of how great people and great clients helped Rothco to reach the point it is at today.  This is a conversation not to be missed.

As always at #AAIToolkit, there’ll be plenty of opportunity for questions from the audience, so make sure there is a chair with your name on it:

Be inspired and join the interaction, click below to register 

Free to AAI Members – please register your attendance

€35 + booking fee for non-members
Book now  

By

f there is an unsung hero in Google Analytics, it is definitely something called content groups (or content grouping). Never heard of it? It is hiding in plain sight, in your Google Analytics view settings, and can be set up in a couple of clicks. Once content groupings are set up, you will always want to use them.

Ready? Get some coffee, snacks, and let’s go build some content groups.

What are content groupings in Google Analytics and what do they do?

Simply put, content grouping allow you to create… wait for it… groups of content. Many times you will want to see consolidated reports on multiple elements and dimensions without having the possibility to see them grouped together as one entity.

Imagine you run a bilingual site like this blog but don’t necessarily have the URL structure to distinguish between languages. Imagine you run a news site made up of content sections such as politics, finance, sports, culture, etc. Imagine you run an e-commerce site with departments and product categories.

In the case of the multilingual blog, I want to see an overall view of my content’s consumption in terms of language.

In the case of the news site, I want to see which sections were read the most and which were read next.

In the case of the eCommerce website, I want to see whether my users are browsing within the same product category or exploring other products.

Creating content grouping

First things first, go to your Google Analytics admin panel and locate your view, as shown below:

You should be seeing an empty table, but I’ll show you how mine looks in the test view we’ll be playing with:

List of content groupings in Google Analytics

As you can see in the example above, I’m using up all 5 content groups allowed per Google Analytics view. I can create more groupings in another view if needed.

In your case, you should have a big red button called New Content Grouping . Click it. CLICK IT NOW.

The first thing we’ll do is give the new content grouping a name. If we use the eCommerce website example, let’s imagine it’s a clothing store – with 3 major sections: women’s clothing, men’s clothing and children’s clothing. With that in mind, let’s name the new content grouping Product section.

Next, I have to choose from three options in order to give my content grouping a value:

  1. Group by tracking code: relies on what information is sent to the Google Analytics tracking call, using Google Tag Manager for instance. This implies your tracking code / data layer includes the information required, with a productSection dataLayer entry for instance. Probably the safest option, assuming you can handle the related development.
  2. Group using extraction: here we’ll be looking at patterns in URLs and capture the strings in the URLs that match the pattern. Expect to use regular expressions.
  3. Group using rule definitions: with this option we can specify a value that applies when conditions are met, based on URL, page title or screen name. Basic but powerful, assuming you’re ready to handle lots of unique cases.

Actually, let’s tackle them in reverse order!

Group using rule definitions

This is going to be the most common way you use content groupings. Why? Because accessing your site’s URLs is the easiest way to find patterns and use them to create logical groups.

For instance, If we want to give our Product section content grouping a value based on URL rules, we can create a new rule. As shown below, we are creating a value of “Kid’s clothing” for pages where the URL contains /kids or /children. Yes, you can use regular expression as well as AND and OR conditions, which make rule creation a breeze.

Creating content grouping in Google Analytics based on rule definition

Another example is what I use to measure how much content on my site is served as AMP.

The above definition means I can now look into my Behavior > Site Content > All Pages report and use my content grouping as the main dimension:

Using a content grouping as main report dimension

Then once you select your content grouping (AMP in this case), your report shows you that consolidated view you’ve been waiting for:

Neat, right?

Group using extraction

We got the fun part done with the previous grouping method but the extraction method can be interesting too! In the example below, we use a regular expression to capture part of the URL folder structure that immediately follows the /products/ folder. In our case we assume URLs in the form of /products/mens/shirts.html. As with regular expressions, whatever sits inside the parentheses is captured to be used later. If the regexp is set to /products/(.*)/.*.html and using the above test URL, we’re going to captures mens and store it as the value for our content grouping.

Sounds straightforward, yes? Good – now for the best bit.

Group by tracking code

Grouping by tracking code is a lot more elegant, especially if you work with a tag management system such as Google Tag Manager. Essentially, you need to select your content grouping’s number (index) from 1 to 5 and pass a value to it.

Let’s examine the Google Tag Manager methodology. Assume you can generate the following data layer for any given page:

var dataLayer = window.dataLayer || [];
dataLayer.push({
  "productSection": "Men's clothing"
});

In Google Tag Manager, create a variable based on your productSection data layer variable:

Next, in your Google Analytics page view and event tags (or even in your Google Analytics configuration variable), setup your content group to use your new variable:

Using Google Tag Manager variables to populate content groupings in Google Analytics tag

Publish your GTM container and voilà! You have an elegant solution for content grouping that does not rely on URL-based rules and can easily integrate with your content management system.

But wait, don’t we have custom dimensions for that?

Ah, an astute remark! Custom dimensions are indeed available for a similar purpose, with the addition of specific scopes (user, session or hit), whereas content groupings are hit-based. Furthermore, custom dimensions are pretty much expected to be set in the tracking call, whereas content groupings can be set using URL rules, extraction, or tracking code, making them a bit more flexible than custom dimensions.

As mentioned before, the main advantage of content grouping over custom dimensions is pathing. You can see how content grouping can be included in a flow-type report:

If I use my content publication year content grouping, I can see if users navigate from older to newer posts or the other way around:

Using content groupings as high level navigational elements

Of course this method works great with the news site or ecommerce site examples I mentioned earlier.

In closing

If you hadn’t heard about content grouping in Google Analytics before this post, something tells me you’ll be using them very soon.

By

Sourced from https://juliencoquet.com

By Erin Corbett

Quitting Facebook can affect your life, according to a new study.

In some ways, the report, The Welfare Effects of Social Media, recalls life before the internet. That is, without Facebook, the study’s author’s found, you have more free time and spend some of it directly connecting with friends and family.

Additionally, the study learned that being unplugged from Facebook made people less knowledgeable about politics. Some were also less affected by extremes of political discourse.

The study was headed by Hunt Allcott, an associate professor of economics at New York University, and Matthew Gentzkow, a Stanford economist, and was mostly financed by the Alfred P. Sloan Foundation.

Researchers led by Alcott and Gentzkow recruited participants using Facebook ads. They were ages 18 and older and spent at least 15 minutes on the social networking platform everyday. More than 3,000 people were in the study, based on their filling out questionnaires about their daily routines, mental wellbeing, and political leanings.

Participants stopped using Facebook, except for the social media’s Messenger app.

Results of the one-month experiment showed that people scored lower on tests of their political knowledge, while political polarization dropped between 5% and 10% for some users.

“This is not a trivial finding,” David Lazer, a professor at Northeastern University, who teaches political science and computer and information science told the New York Times. “It could have gone either way. You could imagine that the other chatter and information on Facebook was crowding out news consumption.”

Participants also reported having an extra hour each day — and sometimes more for heavier Facebook users — which they spent offline with loved ones, or watching TV.

The study also found that deactivating Facebook had a positive, yet minor impact on mood. While the study did provide evidence to support the addictive nature of social media, it remained unclear whether heavy Facebook use worsened a person’s mental wellbeing, or if people with mental health disorders were heavier users.

“This is one study of many on this topic, and it should be considered that way,” a Facebook spokesperson said in a statement to the Times. The statement, quoting from the study, added that Facebook can be highly beneficial to its users, and “any discussion of social media’s downsides should not obscure the fact that it fulfils deep and widespread needs.”

Feature Image Credit: Jaap Arriens—NurPhoto via Getty Images

By Erin Corbett

Sourced from Fortune

By Seb Joseph

Price, not transparency or partnerships, remains the priority for clients when it comes to their agencies.

Last year, agencies pitching for the $1.7 billion global ad account for GlaxoSmithKline were asked to make upfront guarantees on the cost of media, despite it being widely acknowledged that those guarantees can’t be made for digital media, according to an executive who was on one of the pitch teams. Most, of course, complied.

The pitch had gone on for six months and was managed and audited by ID Comms and Ebiquity. It gradually morphed into negotiations over cost savings once the procurement team took over. Before that happened, GSK’s marketers had scrutinized each agency’s operating model and probed how they would provide full transparency into the money made on the media bought.

But the longer those discussions went on, fewer business KPIs and strategic relationships came up. Finally, agency executives found themselves in a corporate box overlooking a rugby pitch, giving GSK procurement team an overview of the savings they could make, said the agency executive.

Following those talks, Publicis won the account. “GSK reviews our media agency arrangements based on a number of criteria including strategic thinking and differentiation, understanding of our business, systems and reporting, quality of talent, the cost of media and contractual terms,” said a spokesperson from GSK, when asked for comment.

Savings often trumps all else if there is no clear winner on other criteria, and even then the numbers need to be highly competitive. It can create a race to fulfill those guarantees with cheap impressions that may not be safe, viewable or real.

Consultant education
Sources said that lack of education by pitch consultants –and agencies refusing to push back on invalid processes or decisions — makes matters worse.

“Running a tender for an agency or technology partner is not the same as procuring steel or glass,” said Ruben Schreurs, managing partner at digital media consulting firm Digital Decisions. “There is so much in-depth nuance in cost structures, and even more so when you go into operating models and strategic fit, that it is simply insane to apply too much weight to the bottom-line pricing in the decision process.”

It’s the standard trajectory of how many big media accounts are handled now. Transparency issues are the reason many advertisers go to pitch, but cost pressures are often what decides the outcome. According to data from Ebiquity, out of the 100 pitches it conducted last year, 54 percent said the top criterion used was cost improvement, and 34 percent said it was “strategic vision and expertise.”

At Adidas, which had a pitch for its $300 million media budget last year, the brand spent six months planning an operating model that went to agencies in the pitch document. The pitch, which was managed by MediaSense, was won by Mediacom. Sources said it was because the agency offered good price guarantees, although the company says the decision was more layered than that.

Progressive advertisers want fair remuneration, but there is still a disconnect between the marketing and procurement teams.

“The dynamic is changing, but I don’t think we are where are we should be,” said Laetitia Zinetti, managing principal for media management at media analytics specialist Ebiquity. “It can be difficult for an advertiser to differentiate between agencies on their strategic capabilities, so they look at how efficient they’re going to be — not just on the media costs but on the remuneration and technology costs too.”

The problem is advertisers are struggling to know what they don’t know about online media, and the pitch consultants are scrambling to fill in the blanks.

“The field of pitch consultants is growing fast, and levels of expertise are not everywhere,” said the media director at a luxury advertiser on condition of anonymity. “For remuneration, we use full-time equivalent payments and an incentive element. We want our partners to be profitable, but ideally at the same rate as we are. We do, however, see a shift in the market toward outcome or performance-based remuneration.”

Clients may even respect when agencies push back: “I worked on a pitch recently where a major agency declined to pitch in a major market because they felt they couldn’t compete on price,” said the marketing procurement director for a global CPG advertiser. “I was surprised, and it was a bit inconvenient for us, but ultimately I respected their honesty — and they saved their people a lot of work for likely little reward.”

This marketer said price guarantees are still useful criteria to judge an agency’s ability to buy digital but insisted the primary focus should be on the effectiveness of that media. “Pitch consultants continue to struggle in this area,” said the marketing procurement director, who is part of a broader push at the advertiser to take both pitch management and media management in-house.

“The KPIs on which we judge agency performance in online clearly need to include price, but should be much broader and encompass how well that agency fits with our strategic priorities such as reach versus quality, viewability or value chain transparency,” said the marketing procurement director. “I have yet to see a structured approach to this from pitch consultants that doesn’t ignore pricing but enables comparison on these broader ‘softer’ metrics.”

New models
Advertisers continue to use price guarantees to award media agencies because the cost of media is easier to determine than its effectiveness. Absolut, BT and L’Oreal have all tried to adopt newer ways of paying agencies in recent years. Whether it’s driving sales, customer loyalty or selling a car, measuring the effectiveness of these outputs is still subjective, which makes it hard to see the value. Few advertisers and agencies can get to the balance of risk and reward.

When Volkswagen ran its media pitch in 2016, one agency on the account proposed a cost-per-car remuneration model, according to one executive on the pitch. The carmaker declined. It’s hard for an advertiser to commit to outcome-based models like a cost per car when advertising is one of several factors that could impact sales, and subsequently hard to attribute a value to it. Scrapping the more traditional commission-based remuneration models like price guarantees is not a simple process.

“There is often a tension in media agency reviews between strategic marketing objectives and the need to demonstrate efficiencies,” said Nick Manning, svp at consulting business MediaLink. “Bluntly put, marketing wants innovation, and procurement wants lower costs for the same media. Digital has to be handled differently. It’s about effectiveness and value, not price, and performance has to be tracked differently. You can’t benchmark digital in the same way as TV.”

By Seb Joseph

Sourced from DIGIDAY UK

Sourced from Banner Flow

In our recent State of In-housing report, 96% of top-level marketers believed that tech was driving the in-house movement.

Yet what is it about advertising technology that has enabled the in-house revolution in marketing?

Well, we have it figured out.

Here are our top 3 reasons:

1. Efficiency is fuelling change

Greater efficiency is a top 5 reason for brands moving their marketing in-house.

In fact, efficiency is the ‘it’ word of ad tech. All providers promise streamlined workflows, efficient processes, and enhanced productivity – something that not all agencies can deliver.

With improved workflows, brands are questioning why they should pay an external agency to do the same work they can do in-house, often a lower cost. For top-level decision makers, the adoption of ad tech is a natural choice for marketers looking to move their processes in-house.

This is not a feeling exclusive to Europe either. In a 2018 survey by the Association of National Advertisers (ANA) 12% of US respondents claimed greater speed as a key reason for moving operation in-house.

For Ville Heijari, CMO at Rovio (an early-adopter to the in-house movement) ad tech has been an essential addition: ‘We use workflow automation tools, campaign automation, and various tools that enable us to increase the speed of delivering more versions, variation and experiments with digital campaigns.’

How do you select ad tech for efficiency?

With so many solutions out there to choose from, it’s important you select the right product. A product that will not only solve existing inefficiencies but present opportunities for future growth.

Take Shutterstock for example. Their existing online production was too slow, taking weeks instead of days. Now, they not only produce advertising quickly, but they have also created some truly exceptional ads. Thanks to added analytics and optimisation features from the Bannerflow CMP.

Whatever aspect of your digital marketing you choose to make more efficient, it’s important you pick a product that will create efficiency throughout your campaign processes. Otherwise, why bother?

scaling-bannerflow-efficiency

Scaling into different versions is easy with Bannerflow’s intuitive tool.

2. Creativity is driven by effective ad tech

For 51% of respondents, lack of time is ranked as the main blocker to creativity.

Therefore, it must follow that with increased efficiency there is greater creativity?

Nowhere is ad tech’s influence more obvious than with the introduction of Dynamic Creative Optimisation (DCO) into the online advertising space. This technology, when combined with a CMP, is the perfect combination of efficiency and creativity. Allowing you to produce the right ads, at the right time, for the right person.

Be warned though, for 22% of brands from the in-housing report believed technology to be a barrier to creativity. For Lara Izlan, Director of Programmatic Trading and Innovation at AutoTrader, the pressure to adopt ad tech too fast can lead to: ‘an ad tech infrastructure that is overly complex’.

How to choose the right ad tech for creativity?

With the right product, beautiful and eye-catching designs don’t have to take weeks off your designer’s life.

In fact, if you choose a platform with a workable interface, a comprehensive onboarding programme, and an engaged customer success team your ad tech will aid, not hinder your design team.

Indeed, for Icelandic telecommunications company NOVA, increased in-house efficiency has led to some truly innovative online advertising. With the widgets provided in the Bannerflow platform making their designers want to be creative.

3. Transparency comes as standard

9 out of 10 marketers are concerned with the transparency level of media agencies.

Problems surrounding transparency have been plaguing agencies for a number of years, on a number of issues – particularly in regards to media buying. Programmatic media buying has frequently been labelled as the ‘black box’ of digital marketing. Agencies have been taking advantage of clients ignorance to take full control of clients budgets – with little or no accountability.

Ad tech has emerged as a solution to this problem. Allowing brands such as Electrolux, Philips, and Lucozade to take full control of their media buying strategy, in-house.

The right technology can provide accountability over budgets, analytics, and optimisation. As well as help tackle issues surrounding fraud, viewability, header bidding, and yield optimisation.

Although Raluca Efford, Head of Digital and Social Media Marketing at Direct Line, has her own opinion: ‘When trading desks were first set up in 2008/09 they were there to enhance transparency for clients. Since then, they have become more and more complex and have become the ‘black box’ technology that they wanted to mitigate against.’

What does transparency mean for ad tech?

In terms of media buying, it is important to choose a tool that doesn’t over complicate the process. Having your analytics in one place, and the ability to optimise in real-time will vastly improve your campaign performance.

What is more, with the Bannerflow media buyer, you have full accountability over where your money is being spent – even on third-party integrations.

bannerflow-analyse-optimise

The Bannerflow analyse and optimise feature.

Conclusion

Ad tech presents a great opportunity for brands looking to take control and bring marketing in-house.

Efficiency, creativity, and transparency are all clear benefits of an age where technology holds sway. Yet, in this oversaturated market it is important to choose a solution that will clearly deliver on these objections.

Bannerflow’s easy to use creative management platform (CMP) allows you to build, scale, publish, analyse and optimise in one. To discover more about our product get in touch with us.

Or, if you want discover more findings from our State of In-housing report you can read the full report here.

 

Sourced from Banner Flow

By Ben Thompson

Apple is, according to the Wall Street Journal, driving a hard bargain with publishers ahead of the launch of its rumored News subscription service:

Apple Inc.’s plan to create a subscription service for news is running into resistance from major publishers over the tech giant’s proposed financial terms, according to people familiar with the situation, complicating an initiative that is part of the company’s efforts to offset slowing iPhone sales. In its pitch to some news organizations, the Cupertino, Calif., company has said it would keep about half of the subscription revenue from the service, the people said. The service, described by industry executives as a “Netflix for news,” would allow users to read an unlimited amount of content from participating publishers for a monthly fee. It is expected to launch later this year as a paid tier of the Apple News app, the people said.

The rest of the revenue would go into a pool that would be divided among publishers according to the amount of time users spend engaged with their articles, the people said. Representatives from Apple have told publishers that the subscription service could be priced at about $10 a month, similar to Apple’s streaming music service, but the final price could change, some of the people said…

Another concern for some publishers is that they likely wouldn’t get access to subscriber data, including credit-card information and email addresses, the people said. Credit-card information and email addresses are crucial for news organizations that seek to build their own customer databases and market their products to readers.

Probably the most obvious way to understand this story is that it, along with the report that Apple would have a launch event on March 25, appear to be attempts to negotiate through the media. I’m reminded of the January 2010 report in the Wall Street Journal that Apple’s impending tablet would cost $1,000; when Steve Jobs announced the iPad three weeks later, the $499 starting price seemed like a bargain. Perhaps leaking a 50/50 revenue share, along with an impending deadline for negotiations, is a way to make a 60/40 or 70/30 revenue share seem like a reasonable compromise?

The Growth of Apple News

Let’s back up for a moment: Apple News has grown to be a major force in publishing, at least in terms of traffic. According to a New York Times story that Apple cooperated with, the service “is read regularly by roughly 90 million people.” That has translated into traffic for news publishers that, according to Slate, often outpaces Facebook post-last January’s algorithm change.

The problem, as Digiday explained, is that traffic — which is almost completely realized within the Apple News app, not on publisher’s web pages — comes with minuscule amounts of revenue. Yes, Apple News allows for advertising, but that advertising is either sold (poorly) by Apple or sold directly by the publisher with no allowance for either programmatic ads nor data about users.

So why do publishers bother?

Apple News and Aggregation

There are a number of factors that should ring familiar to anyone familiar with the travails of publishers on the Internet.

To start, Apple News readers visit Apple News and, for the most part, read what Apple News presents to them; the front-page may be human-selected, as Apple sought to make clear in that New York Times article, but just as is the case with algorithmic selection (which is what determines what users see for the rest of Apple News, it just happens to be called “Suggested by Siri”), no one publication is favored:


Apple News Today view

On one hand, this is obviously not good for publishers: there is limited wherewithal to build brand affinity, there is no customer data shared (for purposes of follow-up, much less ads), and as noted above, there really isn’t much money to be made.

On the other hand, what are publishers really giving up? Readers going to the Apple News app have already made the decision to not visit a particular publisher’s website directly, and, given that digital content has zero marginal cost, why not support Apple News on the off chance some article hits it big?

It should be noted that publisher pages within Apple News complicate this narrative a bit: on one hand, they are a place to build brand affinity; on the other hand, they are more likely to cannibalize direct visits to the publisher’s website. But how many Apple News users are likely to switch to a browser for a particular publisher should they leave Apple News?

What is happening is Aggregation: Apple News attracts the users, which means publishers are coming onto Apple’s platform on Apple’s terms, which makes Apple News more attractive to users, making publishers ever more reticent to leave even though they aren’t getting much out of the deal.

Apple News and Publisher Subscriptions

For suppliers, the antidote for Aggregation is to go direct to consumers; the key is to embrace the same forces that drive Aggregation. First, the addressable market should be the entire world, not just a limited geographic area. Second, the same sort of automated payment tools available to advertisers on Aggregators can be leveraged for consumers; indeed, the tools for consumers, particularly given the lower dollar amounts and decreased need for paperwork, can be as simple as Apple Pay, and they can scale indefinitely. Third, a freemium approach to content means that social networks can be used for user-generated marketing.

Apple News as currently construed is actually somewhat helpful in this regard: publishers can push subscription-only content (as well as free content) into Apple News, and give users the option to subscribe using the App Store. For example, the Wall Street Journal elected to make the piece that triggered this Article free:

Free Wall Street Journal article in Apple News

However, the next story over, about Google Cloud, requires a subscription:

Subscription story in Apple News

It’s not perfect: clicking on that subscription link means the publisher has to pay Apple 30% the first year and 15% after that, and they don’t get any customer data (unless the customer creates an account in order to use their subscription on other platforms). Still, to my mind it is somewhat less egregious than Apple’s restrictions on in-app purchase; Apple News is driving the customer to a publisher’s content and charging accordingly (as opposed to taking a tax simply because there is no alternative to the App Store), but at the end of the day the publisher is still establishing a direct paying relationship with a subscriber.

The Spotify of News

What Apple is reportedly building now, though, is decidedly different. The so-called “Netflix of News” — although, given that Apple will pay out on a marginal basis as opposed to buying content, a better descriptor would be the Spotify of News — would entail customers paying one monthly fee to Apple which Apple distributes to publishers based on what subscribers read.

Publishers should be very clear about the implications of this model: it is not a direct-to-consumer model. Rather, it is an Aggregation model that happens to monetize via subscriptions instead of ads. That means it has all of the same problems for publishers that are posed by Aggregators:

  • Publishers do not form a direct connection with users; that connection is with Apple News
  • Publishers get no meaningful data (including no email addresses); there is no means to increase engagement or monetization down the road
  • Publishers must compete with every other publisher for attention

That last point is the most important, and should weigh heavily on publishers that have committed to the subscription model. What makes subscriptions work is an alignment between editorial and business model: the former is incentivized by quality and differentiation because the payoff is a customer with a high lifetime value; the New York Times put this succinctly in their 2020 Report:

We are, in the simplest terms, a subscription-first business. Our focus on subscribers sets us apart in crucial ways from many other media organizations. We are not trying to maximize clicks and sell low-margin advertising against them. We are not trying to win a pageviews arms race. We believe that the more sound business strategy for The Times is to provide journalism so strong that several million people around the world are willing to pay for it. Of course, this strategy is also deeply in tune with our longtime values. Our incentives point us toward journalistic excellence.

The proposed Apple News model, on the other hand, which pays out according to reader engagement, pushes in the opposite direction — the Facebook direction. The motivation is “to maximize clicks” and “win a pageviews arms race”, with some “time-spent” variables mixed in; sure, the driver isn’t low-margin advertising, but shifting the means of monetization doesn’t change the ends as far as incentives go.

The Cost of Apple News

It is absolutely worth noting what a great deal for consumers an Apple News subscription bundle would be: I totally get the idea of subscription fatigue, and having one place to get all of the best journalism would be amazing. That, though, doesn’t mean that Apple News wouldn’t be an Aggregator: that confirms it! Aggregators win because consumers prefer them, leaving publishers no choice but to go where the consumers are.

To that end, I am sure that a significant number of publications will sign up for Apple’s offering; clearly the company is confident enough to leak a date. And, frankly, many publications should: most publishers are already locked into the volume game when it comes to their editorial direction, and Apple News subscription payouts will be additive to the bottom line.

Publishers that have truly committed to subscriptions, though, should say no: not only will it be difficult to make up revenue that will be cannibalized lower per-customer payouts from Apple News, but more importantly a reversion to a model predicated on page views will hurt their business in the long run. This is especially the case if Apple News becomes a major revenue driver; yes, digital content can be distributed with zero marginal cost, but the incentive cost should not be discounted — it works directly against the quality imperative that is the critical factor in making the Aggregator-avoiding direct-to-consumer business model work.

I wrote a follow-up to this article in this Daily Update.

 

By Ben Thompson

Sourced from Stratechery