Tag

digital

Browsing

By Amanda Ruggeri

Pioneered by digital literacy experts, the “Sift” strategy is a technique for spotting fake news and misleading social media posts, says Amanda Ruggeri.

It’s no secret that misinformation is rampant on social media. And it’s even more so in some subjects than others. Research has found, for example, that around two-thirds of the most popular YouTube videos on vaccines contain misinformation. The fall-out can be dire: an uptick in inaccurate anti-vaccination content online correlates with a decline in vaccination coverage, especially among children. That has led to larger outbreaks of potentially deadly diseases, like measles, than have been seen in recent years.

“Misinformation is worse than an epidemic,” Marcia McNutt, president of the US National Academy of Sciences, put it in 2021, implicitly referring to the Covid-19 pandemic. “It spreads at the speed of light throughout the globe and can prove deadly when it reinforces misplaced personal bias against all trustworthy evidence.”

HOW NOT TO BE MANIPULATED

In today’s onslaught of overwhelming information (and misinformation), it can be difficult to know who to trust. In this column, Amanda Ruggeri explores smart, thoughtful ways to navigate the noise. Drawing on insights from psychology, social science and media literacy, it offers practical advice, new ideas and evidence-based solutions for how to be a wiser, more discerning critical thinker.

There are many reasons why misinformation travels so quickly – according to some research, even faster than accurate information. One reason is that people are far more likely to share a claim when it confirms their pre-existing beliefs, regardless of its accuracy. This cognitive bias may help explain why even more misinformation seems to be shared by individuals than by bots. One study, for example, found that just 15% of news sharers spread up to 40% of fake news.

That’s a sobering statistic, but there’s an upside. As long as individuals are the ones responsible for sharing so much misinformation, we’re also the ones who – by being more mindful of what we “like”, share, and amplify – can help make the greatest change.

When it comes to not falling for misinformation, being aware of our human fallibilities, such as our quickness to believe what we want to believe, is a good first step. Research shows that even being more reflective in general can “inoculate” us against believing fake news.

But it’s not the only thing that we can do. In particular, researchers have found there are several simple, concrete strategies that we all can (and should) use, especially before we’re tempted to share or repeat a claim, to verify its accuracy first.

One of my favourites comes with a nifty acronym: the Sift method. Pioneered by digital literacy expert Mike Caulfield, it breaks down into four easy-to-remember steps.

Javier Hirschfeld/Getty Images STOP: Take a moment before you hit 'share' (Credit: Javier Hirschfeld/Getty Images)Javier Hirschfeld/Getty Images
STOP: Take a moment before you hit ‘share’ (Credit: Javier Hirschfeld/Getty Images)

1. S is for… Stop

Perhaps one of the most pernicious aspects of the modern era is its urgency. Thanks to everything from our continual phone use to nonstop work demands, far too many of us seem to be navigating the world at a dizzying speed.

Being online, where both news cycles and content are especially fast-paced and often emotive, can put us in a particularly “urgent” mindset. But when it comes to identifying misinformation, immediacy is not our friend. Research has found that relying on our immediate “gut” reactions is more likely to lead us astray than if we take a moment to stop and reflect.

The first step of the Sift method interrupts this tendency. Stop. Don’t share the post. Don’t comment on it. And move on to the next step.

Javier Hirschfeld/Getty Images INVESTIGATE: Look deeper into the source (Credit: Javier Hirschfeld/Getty Images)Javier Hirschfeld/Getty Images
INVESTIGATE: Look deeper into the source (Credit: Javier Hirschfeld/Getty Images)

2. I is for… Investigate the source

Posts show up in our social media feeds all the time without us having a clear sense of who created them. Maybe they were shared by a friend. Maybe they were pushed to us by the algorithm. Maybe we followed the creator intentionally, but never looked into their background.

Now’s the time to find this out. Who created this post? Get off-platform and do a web search. And because search results can be misleading, make sure you’re looking at a reputable website. One that fact-checkers often use as a first port of call might surprise you: Wikipedia. While it’s not perfect, it has the benefit of being crowd-sourced, which means that its articles about specific well-known people or organisations often cover aspects like controversies and political biases.

While you’re investigating, ask:

  • If the creator is a media outlet, are they reputable and respected, with a recognised commitment to verified, independent journalism?
  • If it’s an individual, what expertise do they have in the subject at hand (if any)? What financial ties, political leanings or personal biases may be at play?
  • If it’s an organisation or a business, what is their purpose? What do they advocate for, or sell? Where does their funding come from? What political leanings have they shown?

And finally, once you’ve run your analysis (which can take just a couple of minutes), the most telling question of all: Would you still trust this creator’s expertise in this subject if they were saying something you disagreed with?

Javier Hirschfeld/Getty Images FIND: Seek out better coverage (Credit: Javier Hirschfeld/Getty Images)Javier Hirschfeld/Getty Images
FIND: Seek out better coverage (Credit: Javier Hirschfeld/Getty Images)

 

3. F is for… Find better coverage

If, from the previous step, you find that you still have questions about the source’s credibility, now’s the time to dig a little further. What you’re looking for is whether a more trustworthy source, like a reputable news outlet or fact-checking service, has reported and verified the same claim.

No surprise, but I find Google has some of the best tools for doing this. Obviously, there’s Google itself, and if you’re specifically looking to see if news outlets have covered something, Google News.

But I sometimes prefer to use the Google Fact Check search engine, which searches just fact-checking sites, specifically. Just keep in mind that Google says it doesn’t vet the fact-checking sites it includes, so to make sure your results are reputable, you’ll need to do a little further sleuthing – I like to see if an outlet has signed up to Poynter’s International Fact-Checking Network, which you can check here.

If it’s a photo you’re investigating, use a reverse image search tool to see where else the image comes up online. Google has one, but I also like TinEye and Yandex. (You can also use these for video: take a screenshot from the video and put that in for your image search).

Your goal? To see whether there are any credible sources reporting the same information as what you’re seeing, and saying that it’s verified.

Javier Hirschfeld/Getty Images TRACE: Find the original context (Credit: Javier Hirschfeld/Getty Images)Javier Hirschfeld/Getty Images
TRACE: Find the original context (Credit: Javier Hirschfeld/Getty Images)

4. T is for… Trace the claim to its original context

Often, you’ll wind up doing this at the same time that you’re trying to find better coverage, at least if you’re using the tools mentioned above. But the idea here is a little different. You’re trying to find out where the claim came from originally.

Even if you see that a claim has been reported on by a credible media outlet, for example, it may not be original reporting; they may have gotten that claim from another outlet. Ideally, the original story should be linked – so always go there – but if it’s not, you may need to search for it separately.

Crucially, you want to figure out not just whether something like this really is true, but whether anything was taken out of context. If you’re looking at an image, does how it was described in the social media post you saw line up with what its original caption, context, and location? If it’s a quotation from a speaker, was anything edited out or taken out of context or, when you see their full interview or speech, does it seem like perhaps they misspoke in that moment?

Taking these steps before deciding whether to simply share a claim might feel onerous. But the time investment of just a few minutes may save you not only embarrassment – but help ensure you’re not spreading misinformation that, at its most dramatic, can even lead to illness and death.

Today, anyone can make a claim on social media. And anyone can be the person whose re-sharing of that claim is the one who makes it go viral. That means it’s the responsibility of each one of us to make sure that what we are posting, liking, and sharing is, first and foremost, actually true.

Feature Image Credit: Javier Hirschfeld/Getty Images

By Amanda Ruggeri

Amanda Ruggeri is an award-winning science and features journalist. She posts about expertise, media literacy and more on Instagram at @mandyruggeri.

Sourced from BBC

By

So, you’re after a few digital marketing examples to inspire your next campaign.

You understand the need for a digital marketing presence, as every statistic you see points towards it…

But where do you start?

Luckily, I’ve picked some of the best examples to get your creative juices flowing.

Let’s jump in!

1. Volkswagen Beetle: The Last Mile

In 2019, Volkswagen (VW) sought to give the iconic Beetle the send-off it deserved after 80 years of production.

They created the digital marketing masterpiece, “The Last Mile.”

You only need to watch the first 30 seconds to be drawn in by its relatable family story.

But why is this a powerful digital marketing example?

What Makes Volkswagen’s Digital Marketing Example So Powerful

Well, where do you begin?

You’re already captivated by its moving story, imagery, and elements of nostalgia.

You’re engaged.

But, the online video was only the beginning…

The campaign included an interactive website where you could “Build Your Own Beetle.”

Further engagement.

Also, VW prompted users to share their designs via social media, creating a sense of community and buzz around the brand.

Engagement times 100, plus increased brand awareness!

What You Can Takeaway from Volkswagen

Yet, what can you takeaway from this?

VW effectively utilized multiple online channels to engage its consumers.

They tapped into social media and leveraged the Beetle’s history and nostalgia to create an emotional connection with their target audience. It generated a sense of community unlike any other.

So, understand your target audience and create content that resonates with them.

2. ALS Ice Bucket Challenge

In 2014, The “Ice Bucket Challenge” was born.

The ALS Association produced a social media masterclass to raise awareness and funds to support research into amyotrophic lateral sclerosis (ALS).

The challenge went viral.

It was a fun and light hearted way to raise awareness about a serious illness.

Everyone from your next-door neighbour to Bill Gates participated.

But why?

What Makes ALS’s Digital Marketing Example So Powerful

For one, they kept it simple.

The challenge was easy to understand and participate in.

Simply sit (or stand) and wait anxiously for a bucket of cold icy water to be poured over you.

Easy…

It evoked many crazy reactions, each with an element of comedy and competition.

Secondly, ALS added a clever call to action (CTA) at the end of each video — nominating others, via social media, to take the challenge.

People nominated friends, family and influencers. It enabled ALS to expand their reach and quickly gain popularity.

What You Can Takeaway from ALS

Regardless of your niche, the “Ice Bucket Challenge” shows you can raise awareness and drive engagement around anything.

Ensure your content is straightforward and resonates with your target audience.

Equally, your content should have a crystal clear CTA.

3. Red Bull’s Stratos Campaign

The highly innovative Red Bull Stratos campaign captured the imagination of viewers by enlisting the help of Austrian skydiver Felix Baumgartner.

In 2012, he jumped from a helium-filled balloon 39 kilometres above the earth’s surface…

Setting a new world record and becoming the first free-falling human to break the sound barrier.

It became the world’s most-viewed live stream event.

What Makes Red Bull’s Digital Marketing Example So Powerful

Yet, why was the “mission to the edge of space” a resounding success?

The hype was real.

Red Bull took to social media to build anticipation for the event.

Not only that, content was king.

They produced a lot…

From a dedicated website full of in-depth statistics to daily updates leading to the live event — readers felt like they were part of the mission.

Moreover, they encouraged readers to share at every opportunity, using hashtags.

The result…

#LIVEJUMP and #STRATOS was trending.

What You Can Takeaway from Red Bull

Red Bull thought outside the box and created a blockbuster campaign that piqued the interest of even the most sceptical of readers.

But it’s not achievable by all.

Yet the lessons are…

Quality content is king.

So, understand your product and continually provide great content that impacts your users.

4. Dove’s Reverse Selfie

In 2021, Dove launched its Reverse Selfie campaign to combat the increasing pressure on young people to look their best online.

The YouTube video features a 13-year-old girl who drastically modifies her appearance before posting a selfie on social media.

As the title suggests, Dove cleverly reversed the editing process to give viewers a glimpse of the number of modifications.

Ending at the beginning.

What Makes Dove’s Digital Marketing Example So Powerful

Dove headed straight to the root cause…

Social media.

They repurposed snippets of the video on Instagram, posted shocking statistics, and sought the help of influencers to boost awareness.

It worked.

Viewers were emotionally charged — many shared unedited photos of themselves and encouraged others to do the same.

#TheSelfieTalk

What You Can Takeaway from Dove

Dove zoomed in and focused on one digital platform…

Social media.

Specifically, Instagram because of its focus on sharing photos.

So, you should too.

Don’t spread yourself too thin.

Pick a digital marketing platform that fits your demographic.

For example, if your brand has a strong visual element, promoting through Instagram or Pinterest may be more beneficial than LinkedIn.

5. Blendtec’s Will It Blend?

Founder of Blendtec, Tom Dickson, created the Will It Blend video series to spice up the appeal of the blender.

It consists of Tom adding unusual items to show off its ability…

Have you ever wondered if your iPhone would blend?

Or even your Amazon Echo when Alexa decides to play a completely different tune to the one you asked for?

What Makes Blendtec’s Digital Marketing Example So Powerful

But what makes Will It Blend a content marketing hit?

Well, each video packs a punch…

The YouTube videos are short and simple yet authentic and entertaining.

This creative recipe draws the viewer in and you really do wonder — @willitblend?

Also, the tag prompts viewers to interact at every opportunity by sharing suggestions.

Plus, Blendtec ensures you don’t miss it. They’ve added the tag to the Youtube channel logo, each video, and webpage.

What You Can Takeaway from Blendtec

Blendtec thought outside the box to increase brand awareness using video marketing and social sharing.

Plus, they’ve proven that you don’t need a flashy, high-cost video campaign to capture your audience’s attention.

So, grab your smartphone and start recording content that peaks your audience’s interest.

6. Smart Blogger’s Affiliate Marketing

Smart Blogger’s affiliate marketing efforts are a prime example of digital marketing done correctly.

Furthermore, they highlight a key point that is worth remembering when considering affiliate marketing:

“You’re earning a commission in exchange for giving readers valuable insights on products or services they were already thinking about purchasing.”

Great!

So what can we learn from one of the world’s largest websites dedicated to writing and blogging…

What Makes Smart Blogger’s Digital Marketing Example So Powerful

Well, Smart Blogger backs up its key point by offering exactly as they state:

Giving readers valuable insights.

Whether it’s a specific review for a product or a collection of products, they ensure value is at the forefront of everything they do.

They soft sell through education.

What You Can Takeaway from Smart Blogger

Smart Blogger proves you don’t have to head straight for the hard sell with ads plastered over your page.

Instead, opt for the soft sell.

Educate.

Offer a resource and tools webpage with snippets of golden information…

Or dive in and create custom content that provides value to your audience.

7. Buffer’s Guest Blogging

Buffer is a social media toolkit for small businesses.

So, why are we talking about guest blogging?

Because they used this content marketing technique to rapidly grow their user base, and we can learn a few things…

What Makes Buffer’s Digital Marketing Example So Powerful

Buffer took a proactive approach.

They continually sought out and pitched to sites that fit their target audience. Knowing that writing for them will help establish themselves as an authority.

Not only that, consistency and personalization were vital.

Guest posting daily, building momentum, and establishing long-term relationships with others transformed Buffer into an industry leader.

What You Can Takeaway from Buffer

The key takeaway is to find out which digital marketing channel works for you and double down.

Don’t spread yourself too thin.

If you choose content marketing and find guest blogging is for you, great!

But don’t reinvent the wheel. Send out personalized messages to find opportunities and follow up with quality content.

8. Old Spice’s The Man Your Man Could Smell Like

Old Spice was predominantly associated with the scent of older men.

But that changed in 2010 when they launched the YouTube video, “The Man Your Man Could Smell Like.”

It went viral.

Old Spice’s website traffic grew by a whopping 300%, and the brand became the #1 body wash for men.

But how did this simple form of content marketing garner such a response?

What Makes Old Spice’s Digital Marketing Example So Powerful

Old Spice used a clever mix of humor and marketing know-how to appeal to its target audience.

But that’s not all.

They backed up their immediate success and kept the viral ball rolling by interacting with their audience on social media in real-time.

Users posted questions and the “Old Spice Guy” answered with personalized videos.

What more could you ask for?

What You Can Takeaway from XYZ

The key takeaway is it’s not enough to create a piece of digital content and expect a response — even if it’s positive.

Follow up, continually engage with your audience, and leave a positive, lasting impression.

Go that extra mile…

Personalize your interactions, and if you can, promptly respond in real-time.

9. Dollar Shave Club’s Our Blades Are Great

In 2012, Dollar Shave Club (DSC) shook up the male grooming industry.

They infused humour into a seemingly dull product.

And the result…

An instant hit.

Their YouTube video amassed millions of views and continues to be shared across social media.

What Makes DSC’s Digital Marketing Example So Powerful

DSC jumped on the social media bandwagon early.

They knew the marketing and advertising space was shifting to its digital counterpart and created content to suit.

Equally, they knew their target audience and products’ unique selling point.

As a result, “Our Blades are F***ing Great” was born on YouTube.

Choosing the digital platform allowed DSC to interact and engage with its audience.

Also, it allowed users to share through social channels easily.

What You Can Takeaway from DSC

Yet, what can you takeaway from this experience?

Adopting change in your niche is crucial.

Whether it’s technology-based or simply a shift in customer demand, you should pivot.

Doing so will allow you to tailor your content and give your customers what they desire.

10. Apple’s Shot On iPhone

Primarily targeting Instagram, Apple’s Shot On iPhone created a digital marketing storm.

They took the term “customer engagement” to a new level with a simple challenge to their audience…

Use your iPhone to capture a photo and submit it by sharing on social media using: #ShotOniPhone

What Makes Apple’s Digital Marketing Example So Powerful

Apple proved your digital marketing campaign can be simple when showcasing a product or service.

They planted a basic idea and allowed their audience to do the rest through participation.

This engagement was vital to building a loyal fanbase.

As a result, Apple’s reach grew, which allowed their product to be viewed by millions of users on digital channels.

What You Can Takeaway from Apple

Apple effectively used digital marketing channels to showcase its product and build brand awareness through customer engagement.

So, take a proactive approach and prompt your audience to participate in your campaign.

What challenge could you present to your audience?

What’s a Great Digital Marketing Example I Missed?

You’ve made it!

So, it’s time…

Time to take action and consider which digital marketing example will inspire your next campaign.

By

Sourced from live your message

Sourced from Creative Review

The marketing world is always evolving with new ways for brands to differentiate themselves. The importance of brands being proactive online is vital – but what can brands do offline to help their company stand out?

Experiences offer a brand the opportunity to elevate themselves beyond two-dimensional entities, allowing them to articulate personality and emotion in different ways. Through experience design, brands can take their visitors on an immersive experience that reflects their values, mission, history and so on.

At the forefront of this movement is Mather & Co, an agency that helps commercial brands across the globe to hoist their offline presence and overtake their competitors by creating experiences that showcase a unique brand story. Established in 1995 by Chris Mather, Mather & Co’s work includes the Gretna Green Experience; Downton Abbey: The Exhibition; Silverstone Interactive Museum; the R&A World Golf Museum; and The Royal Mint Experience.

Many of the best brand activations sit at the cross-section between creativity and technology, using the latter as a tool to bring great ideas to life. So, what’s the secret of successful experience-based marketing?

MAKING A GRAND STATEMENT

Projection-mapping technology can transform any irregular surface, such as the face of a building, into a canvas for breath-taking audio-visual experiences that may extend a brand’s reach. Through next-level design and production any surface may be augmented and transformed into an exciting and immersive display to communicate a story or showcase a product.

Successful examples of immersive projection mapping technologies include Wear the Rose, a 360-degree sports experience that took over London’s O2 Arena, as well as a giant installation in Saudi Arabia using the Tuwaiq Mountains as its canvas.

A recent project for the R&A World Golf Museum saw Mather & Co produce the Celebration of Light projection-mapping show across the famous Royal & Ancient Clubhouse building. This extension of the experience allowed the iconic golfing brand to reach millions of people worldwide, narrating 150 years of golfing history to mark the occasion of the 150th Open.

Photo: James Bridle

CONNECTING WITH YOUR HERITAGE

Sometimes it is the history and heritage behind a brand that steers the type of experience you need to develop. The Famous Blacksmiths Shop in Gretna Green is legendary for runaway marriages stretching back hundreds of years, but the legend is in danger of being forgotten altogether with the ageing demographic of visitors.

Here, the Mather & Co team recognised the need to reinvigorate the brand in new ways to connect with younger audiences – creating a new experience on site telling the story of romance, rebellion, and unstoppable love since 1754. The shop has been transformed into an immersive, storytelling experience at the heart of the iconic Gretna Green destination. The experience takes visitors on emotional love story and highlights the business as a whole – a family run business. It is a modern and contemporary take on a 200-year-old history.

“Before the redevelopment, Gretna Green was already a significant destination in British history – the new experience still holds the original magic and romance of the site,” says Sarah Clarke, managing director at Mather & Co. “The experience now allows visitors to delve into the heart-felt love stories and also explores Gretna Green as a brand itself.”

Gretna Green Experience; Photo: Chris Humphreys
Gretna Green Experience; Photo: Chris Humphreys

CREATING INTERACTIVE MOMENTS

The way people interact in experiences, and what they want from them, has changed dramatically over the past decade. With technology at everyone’s fingertips, people are now looking for more participatory and physical interactivity that they cannot do at home. Creating immersive and interactive experiences allows brands to connect with their audiences in different and more memorable ways.

At the home of British motor racing, the new Silverstone Interactive Museum tells the brand story of the circuit and its place in British motorsport in a fully interactive way. From taking part in tyre changes and sitting in an iconic historic F1 car, to getting involved in the tech lab and designing your own vehicle, this Mather & Co project immerses visitors in the experience – not only enhancing their understanding of the brand, but making them a vital part of it.

Photo: Peter Corcoran
Photo: Peter Corcoran

RELIVING MEMORIES

For TV programmes and films, iconic moments are there to draw on in extension experiences. No-one can deny the success of offers such as the Harry Potter Studio Tour, Game of Thrones Studio Tour and the Doctor Who Experience which are sweeping the nation and extending connections with fans of the shows.

“When it comes to designing a visitor attraction, we must understand what makes the visitors want to keep coming back for more,” continues Clarke. “It should be an extension of the brand, so the values must be translated in the experience.”

Mather & Co worked with NBCUniversal and Emmy-winning writer Julian Fellowes to create an immersive experience for the internationally acclaimed TV programme Downton Abbey and created one of the most successful studio tours in the UK around the original Coronation Street set.

For both, the key was to authentically recreate the sets, immerse ourselves fully in the brand and select the memories that resonated the most with fans. It was about taking visitors on an emotional journey beyond the fourth wall right into the beating heart of their favourite shows.

Photo: Bespoke Foundry
Photo: Bespoke Foundry

To discuss how your brand could unlock the full potential of experience design, contact Mather & Co; matherandco.com

Sourced from Creative Review

By Rebecca Moss

Relevance continues to be a hot topic in search, especially since John Mueller broke the internet last year by saying that the “number of links doesn’t matter at all”, and that relevant content trumps the quantity of content.

I head up the team at JBH the Digital PR Agency, and whilst growing the team and working with a huge range of brands over the last four years, I’ve realized that we wear many, many different hats.

For some of our clients, we are their link building agency. We achieve specific links that adhere to specific criteria to support SEO objectives. For other clients, we’re there to help build their brand, create thought leaders, and develop beautiful, shareable content. For those clients, SEO is secondary.

And for other brands, we’re somewhere in the middle.

What has become overwhelmingly clear is that the relevance of the links we build sits under each of these hats, and it’s something that I’ve spent a lot of time working on at JBH, in order to improve our delivery all around.

Who cares about relevance anyway?

If you’ve ever had your content outranked by a tiny, hyper-niche site, then you’ll definitely care about relevance. Even Google prioritizes relevance when deciding where to rank pages.

The good news is that we can learn from this, and apply certain processes to our own activity. In this post, you’ll see how the team here at JBH bakes the principles of topical relevance into our content, outreach, and link building strategies.

I ran a (very scientific) poll on Twitter earlier in the year — presenting my network with four different options, and asking them to select which one they cared most about when it comes to linked coverage. And the results were super interesting

Turns out we ALL care about relevance — more than the topic being newsworthy, and interestingly, more than keywords!

It was a trick question, really, as these are the four factors that we benchmark our content and ideas against. Nonetheless, it was quite telling that keywords were (ironically) bottom of the rankings.

What does relevance really mean in the context of digital PR?

Relevance means different things to different people. So, I decided to create a framework through which to run every single idea — with the aim of ensuring said idea sits somewhere on the spectrum of relevance for our clients.

Diagram outlining the four pillars of content relevancy: keywords, customers, newsworthiness, and authority.

Above, you’ll see the graphic we created to check our ideas against what we believe to be the four key pillars of relevance. As long as our ideas fit into one of the quarters, and as close to the middle as possible, we know we’re on the right track.

The key pillars of the JBH Relevance Spectrum

1. Audience — would my client or brand’s audience be interested in this content?

2. Authority — is my client or brand an authority on the subject? Could they be interviewed about it?

3. Keywords — does it contain keywords that we want to rank for, and do we have a page on the site that makes sense to link to?

4. Newsworthiness — will journalists care about what we are saying? What are we adding to the conversation?

Relevant content drives links to key commercial pages

When done right, digital PR work that focuses on relevance can deliver so much more than just links — and brands are catching on to its commercial impact.

In the last 12 months, I’ve been inundated with requests from brands looking for links to their commercial pages, compared to links from larger creative content campaigns. The digital PR industry has come full circle, and we’re going back to the basics of content marketing.

But don’t get me wrong, building links to commercial content is really hard. Now, we dig deep into the business, the sector, and the website itself to understand how to develop our link acquisition strategy to get the best results for the brand. Instead of having a link-first mindset, we challenged ourselves to have a research-first mindset.

Relevance sits at the heart of this effort, and the impact of this work drives true commercial value — but how do we make this work for brands in different industries and sectors?

Step 1: We ask the right questions

From the second we sign a contract with a new brand, we’re on a journey of discovery. We need to know about the business, their goals, and what success looks like for them through the medium of digital PR. We stop being link builders and become intrinsically involved with the business we’re representing.

Step 2: We give ourselves clear boundaries before tackling ideation

Ideation can sometimes be a free-for-all, but setting boundaries around what topics and themes we can ideate around can be so helpful in guiding the way to a truly relevant idea that can be angled towards a prioritized landing page.

Step 3: We forget formats and let the idea guide us to a creative solution

Our creative solutions are always backed by data, but we let the idea guide us as to how the data will be presented. We never have a “type” of campaign in mind when we approach ideation.

Step 4: We use the relevance spectrum to stress test our ideas

Before sharing ideas with the client or brand, we’ll stress-test our ideas against the relevance spectrum to ensure we’re content that our ideas truly match the client and how they want to be presented.

Case study: How this process drove traffic and increased visibility for a private medical centre in the UK

By following the framework outlined above, we were able to increase visibility for a healthcare brand in a very competitive market by over 300%. Here’s how we hit all of the key elements of the relevance spectrum, plus the impact and outcomes of following this approach:

Authority — is my client or brand an authority on the subject? Could they be interviewed about it?

We met with the founders of the facility to discuss their key campaign objectives. Much like our Twitter poll, relevance was top priority — along with showcasing the expertise of the team and their innovative approach to recovery.

We left the meeting understanding what they were willing to talk about, in addition to the topics they were not so comfortable with — helping us to keep our ideas within their boundaries.

Audience — would my client or brand’s audience be interested in this content?

We also spoke with their admissions team, who were able to tell us more about the most common or frequent questions they are asked by service users. We then used this insight to help us develop campaigns or pitch ideas that answered said queries.

In addition to this, we looked more broadly at the publications the service users and their families were likely to read, and analysed topics that might fit those outlets.

Keywords — does it contain keywords that we want to rank for, and do we have a page on the site that makes sense to link to?

We then met with their SEO team, who were able to give us an onsite content roadmap, target keywords, and a prioritized list of landing pages mapped to those keywords, as well as a timeline for those pages to be published, so we could plan our digital PR stories in advance.

They also gave us information on the competition, including how aggressive they were being with link acquisition across the board. This helped us with benchmarking, providing us with a really solid base for our activity.

Newsworthiness — will journalists care about what we are saying? What are we adding to the conversation?

With all of this information at our disposal, we were in a great place to start thinking about campaign ideas, but we needed to absorb plenty of information about the sector first so we understood what we were dealing with.

We set up media alerts for key phrases, and brand alerts for the competition, so we could see exactly what was being published. Looking closely at the competition, we learned what was working well for them — and crucially, what wasn’t working quite so well.

We set up RSS feeds to deliver news relating to the priority keywords and read it each day, helping us become attuned to the newsworthy topics relating to addiction recovery.

From this, we watched out for which journalists were covering topically relevant stories, and added them to our prospecting list. We then set to work coming up with ideas that aligned with all of the above information.

The impact — high authority links to commercial pages

By following this approach, we found that we were able to secure highly relevant links and coverage — all while remaining in sync with the SEO team working on the site.

As the content we produced was so relevant to the brand, it made sense for the journalists to link to key service pages. This is how we achieved the following commercial gains as a result of pitching topically relevant content for the brand:

  • Traffic was up more than 200% year-on-year
  • Over half (56%) of the links built pointed to a key service page
  • Organic traffic to their commercial pages increased by 500%
  • 167% more keywords were on the first page of Google

This five-step checklist ensures relevance is prioritized in every digital PR campaign

In order to make this work cross-industry, we’ve developed a five-point checklist to ensure that relevance is prioritized at every stage. Depending on the brand and the sector, we’ll follow some or all of the points below to ensure that we’re considering the relevance of our digital PR campaign ideas above all else.

1. Research the industry in which your brand operates

  • How well-established is the industry?
  • Who are the key players you’ll be competing against?
  • How competitive are the keywords that you need to rank for the brand?
  • What PR and SEO activity are the key players doing? And how much?

2. Understand the business you’ve been tasked to build links to

  • How well-established is the brand in relation to the competition?
  • What products or services do they want to push?
  • What is working well, and what isn’t working quite so well?
  • Where are their overall marketing efforts being concentrated?
  • What markets and/or territories are important to them?

3. Understand the website you’ve been tasked to build links to

  • How well-established is the website?
  • How many links or referring domains do your commercial pages have right now?
  • How does that compare to the key players outlined above?
  • Are there any content gaps that need to be filled?

4. Analyse the competition

  • Identify competing pages and analyse how they are working well
  • What links do the competition have that you don’t?
  • How aggressive is their link acquisition?
  • What content topics are your competitors covering?

5. Keywords and landing pages

  • What are they? Do they have a corresponding landing page?
  • Does your client agree with your priorities?
  • What is the intent of the keywords?
  • How competitive are those keywords?

This framework can be followed to achieve results for brands in most sectors — but the setup is key

It is so easy to get relevance wrong in the context of digital PR. Branded campaigns aren’t needed in order to be relevant. We now need to look more closely at target audiences and produce content that appeals both to them AND the publications that they read.

By stepping away from the link-first mindset and applying some research-led common sense we can produce more relevant campaigns that achieve measurable results against SEO metrics.

By Rebecca Moss

I head up the Digital PR team at JBH the Digital PR Agency, delivering creative campaigns for household brands such as Uswitch, tails.com and Gousto. Rebecca has worked in SEO for more than 10 years, specializing in content marketing and link building.

Sourced from MOZ

By

A year on from Covid-19’s first lockdowns, nations and economies seem to have better control and growth is on the mind as a semblance of recovery is in sight, particularly in Asia Pacific.

Even within this chaotic situation, the region has shown signs of faster recovery than many other parts of the world and are even providing learnings to other parts of the world on how best to navigate through the challenges. While that is heartening news, it also leads to the question on how ready are brands from a creative standpoint to navigate this new and emerging reality?

To help marketers unravel this critical puzzle, The Drum and Adobe have put together a power-packed panel with senior representatives from formidable brands like Lego, Unilever, IBM and Diageo. These top brand leaders will come together for a 60-minute session with live Q&A and deep-dive into the key challenges that the marketers and creatives are facing in producing content that engages customers as well as connects with them, at scale.

The session will discuss how a good mix of talent and technology can help in unlocking the answers to these challenges and allow collaboration to thrive in a new hybrid way of working. It will also look at the following key themes:

  • The changes that the brands have had to navigate and adapt to since the pandemic began
  • ​The evolving creative approaches
  • Raising the role of creativity in driving business goals
  • The emerging face of creative collaboration in the new world

The discussion, on 21 April 2021, will be moderated by Charlotte McEleny, The Drum’s Asia Pacific publisher, who will be joined by Michael Stoddart, director, strategic business development (APAC) at Adobe, Grace Astari Italiaander, creative lead – innovation at Diageo, Primus Nair Manokaran, head of creative at The LEGO Agency (APAC), Kartik Chandrasekhar, global brand vice president of Lifebuoy at Unilever and Isabella Bain, sales and creative associate director at IBM.

By

Sourced from The Drum

By

Agency mergers are a fact of life in the ad industry, but a badly managed process can wreck what was originally great about a business. We gather advice and wisdom from agency chiefs on navigating the M&A maze.

A smart merger or acquisition can take a business to the next level. But after the champagne’s been corked and the confetti swept aside, the hard work isn’t over.

To find out how best to dodge the pitfalls and potholes of the M&A road, we picked the brains of agency bosses at recently acquired or merged businesses.

For Lee Beattie, managing partner and chief executive officer of John Doe Group, a merger was the best way forward for her business, Glasgow-based Wire, to grow. ”We’d reached a point in Scotland where we had won all the best agency awards and we had what we considered the best clients.”

While she and business partner Pam Scobbie had seen success pitching to bigger clients down south, the lack of a London outpost was holding them back. ”It was really bloody difficult,” she says.

So, building on an existing relationship with fellow PR firm John Doe, they embarked on a merger to bring the two firms together. ”We wanted to be up for certain brands… and [John Doe managing director Magin Trewhella] wanted to grow the agency. It felt like a jigsaw puzzle coming together,” she says.

In an ideal world, Beattie says she and her three now-co-owners would have taken a week to sit down and ”bolt through all this stuff.” Instead, the process took a year, longer than is typical – there has been a pandemic to deal with, after all. The newly merged John Doe Group is now pitching for work with a combined headcount of 40, and just announced its first win as a combined enterprise with the Highland Spring account.

Nicolas Roope, co-founder of Poke, recalls its 2013 acquisition, and later merger with two other agencies, by Publicis. He and his partners wanted to continue to grow their business, but market conditions were hardening.

”We thrived in our first 10 years because the incumbents didn’t have a clue,” he says. ”But we got to the end of that period and thought that there probably wasn’t long left for agencies like us as independents. Scale was going to be a problem if we didn’t act.”

Poke shopped around for buyers for about a year before choosing the French conglomerate. ”A lot of the value we’d created at Poke was intangible. We wanted to find somewhere where they appreciated what we’d created. Arthur Sadoun [now chief executive of Publicis Groupe] was driving our acquisition… he was very ambitious, he understood the challenges their network faced – and he understood where we were coming from, the value we were bringing to the table.”

After the original sale in 2013, the company was bedded into the wider network over five years; Roope departed in 2018, after organising its merger as Publicis. Poke. ”It was a parting gift – figuring out how to strategically position this merger enterprise and create something new. But once that merger was completed… I didn’t really have a natural position to occupy, so that was the moment to step out.”

Without the hurdle of an acquisition to deal with, mergers between network agencies can generally proceed quicker. So when WPP decided to merge digital shop VML and storied ad agency Y&R in 2018, it moved fast. Planning for the consolidation began just two months before the merger was unveiled, according to global chief executive officer Jon Cook.

”We moved from conception to launch very quickly,” he tells The Drum. ”We announced we were going to merge at the start of the next year… which bought us some time. While everyone knows it happening, you still have a moment to breathe and put the infrastructure in place. It was a good lesson.”

Team journey

Mergers can rearrange the tectonic plates of a business, leading staff to fear that career trajectories are askew. Moving at speed meant Cook’s team could quickly address one of the biggest areas of concern: assuring the staff of both agencies that they still had a berth.

Transparency and timing are key, he says. ”I learned to be very transparent about what I knew. If you can identify why you’re doing this, what the new brand will be and why it will have value – and communicate that with complete confidence while at the same time being very clear about what you don’t yet know – people are generally going to understand.”

According to Stephen Maher, chair and chief executive officer of the freshly merged customer experience agency MBAstack (formed after MSQ acquired MBA), it’s important to ”reassure everyone that there aren’t going to be redundancies.”

”I just think you have to be upfront. We said that, fundamentally, nothing’s changing. It’ll be the same people, the same relationships and the same culture. There will be refinements, but there will also be more resources because we’ll have more people.”

Beattie advises: ”You have to talk to the team at the right time, when you’re certain that it is definitely going to happen and you can actually answer their questions. Everyone’s going be thinking: what does this mean for me? If you can’t answer that, you probably shouldn’t be having the conversation.”

Managing internal announcements is a little easier when staff number in the dozens. For VMLY&R, hundreds of agency leaders needed to be brought into the fold in advance. ”You need to make a judgement on how many people you need, and can trust, to get the right amount of work done before an announcement. If you have too few you’ll be ill-prepared when you announce. And if you have too many, you’ll run the risk of communications being leaked,” Cook warns.

As the agencies integrated together, Cook says that particular attention was given to managing staff concerns. ”I was sure people would see the value and the strategy in it. But I was nervous – would everybody be able to find their place in that new company? My ultimate fear was that someone would feel smaller as the company got bigger.

”We put a lot of work into making sure that no person felt smaller. We have a lot of people so I can’t say without exception, but I feel we’ve done a good job of making it so you get bigger as we get bigger,” he explains.

Still, some departures are to be expected. Between location changes and the transition to a larger organization, ”you’re going to lose a bunch of people,” says Roope.

He recalls that persuading Poke’s ”extraordinary, eccentric” team was tough. ”One of the biggest challenges of the whole thing is taking the team on the journey. You have to accept you’re moving into a new reality – you can’t take everything that you’ve built. For more seasoned staff who’ve seen these things before, they’ll know what’s coming. But it’s particularly acute people for who’ve been with you for a long time.

”There’s a lot of fear about the consequences of being acquired – did that mean we were going to be like every other Publicis agency?”

Despite occurring during a pandemic-fuelled recession, both the MBAstack and John Doe Group mergers were completed without redundancies. VMLY&R lost about 1% of its global headcount in the wake of the move, though Cook states this was due to ”natural efficiencies” rather than a concerted cost-cutting effort, and that its staff numbers have since grown anew.

Client confidence

Just as important is communicating a new consolidation to clients. A spokesperson for AKQA, which merged with Grey last year, tells The Drum: ”The key focus areas are our clients and employees. This is also in line with key decisions around communications and operations.

”Clients were consulted early in the process to gain their feedback and highlight the additional benefits of the businesses working more closely together.”

For Beattie, ”the important thing is: what does it mean for them? What are the benefits each client is going to get from the merger? Or is absolutely nothing going to change?”

Cook explains: ”It’s critical to reach a certain amount of your client base before it happens, so they have some trust, a heads-up and a feeling of ownership about the decision.”

He emphasizes the need ”to communicate clearly what you’re doing and why you’re doing it… to communicate that nothing of the goodness of your relationship will change or go away. And to communicate the new value of the bigger company.”

”Once those assurances are in place,” says Cook, ”client partners become start to become very interested in what new capability you have that can help them move their brand forward.”

Name games

When it comes to unveiling the new combined agency, language is important. A consolidated agency’s name can broadcast continuity – as in the case of double-barrelled monikers such as Wunderman Thompson – or a new start, as in the case of Superunion, which was formed from five older branding shops.

While VMLY&R’s acronym doesn’t quite roll off the tongue, Cook argues it was important to keep the identities of its constituent parts intact. ”We have a lot of letters. I’m the first one to make fun of our long name… but in exchange, you’re not losing the heritage of either of these two brands.

”There’s no way we wanted any part of the company to feel marginalized or lesser. It was too bad we didn’t merge with a company with some vowels, because we could have made a word out of it.”

Similarly at MBAstack, Maher says the name was settled after a collective decision to retain both brands. ”We felt it was the right thing for the market. And it sounds a bit better, with MBA first and Stack second.”

For Dentsu agency iProspect, which recently relaunched after absorbing Vizeum, a new handle wasn’t deemed necessary. Amanda Morrissey, global president of iProspect, explains: ”The reason for this is two-fold… firstly, and most crucially, we wanted to spend more of our time and energy on building solutions for our clients than building our own agency brand.

”Secondly, the iProspect brand name already has a huge global footprint and is universally synonymous with digital excellence that has performance at the centre. We therefore felt that keeping the name was the right thing to do, as so much of the brand notoriety is already in place.”

Culture clashes

Definitions of a successful merger also differ. For AKQA, it’s simple enough: ”Success of the collaboration is measured by the recognized increased opportunity for both our clients and employees.” Elsewhere, success isn’t so closely tied to balance sheets. Much of the post-merger work focuses on making sure the working cultures of each agency still exist in a meaningful way.

Maher admits it’s ”a journey not a destination,” and says MBAstack will likely take six months to knit together. The business has a new website in the works, and both the Stack and MBA teams will soon be moving to MSQ’s new offices in Covent Garden when lockdown subsides. ”It’s a work in progress. We’re going to keep evolving,” he says.

Roope says that the benefits of Poke’s sale to Publicis only were only illuminated when its team reluctantly moved from its Shoreditch base to bigger premises across London. ”It was only really when we stepped into the building that network started to pay… because we were much more integrated,” he says.

True success came, he says, when Poke began to influence the rest of Publicis’ operations. ”We brought fresh thinking, a different perspective when at the time it was a monoculture that was absolutely above-the-line. We weren’t the only catalyst in that, but it reinvigorated the London side of the network,” he says.

While merging two global giants together is a complex endeavour, Cook says he was confident of success just two months in. ”We gathered 200 of our top leaders to [VML headquarters] Kansas City, from all over the world. And you could just feel a sense of unity, a sense of pride. We knew this was going to work.” By the time the team touched down at Cannes the following summer, things were coming together and business had picked up, with a 14% increase in billings in the UK.

”Walking into Cannes, we already felt we had a swagger. We were getting recognition for the work for our clients that this new company had done… that was a good message that we’re doing what a great agency is supposed to do, and that’s great work.”

A month after from her business’ rebirth as John Doe Group, Beattie doesn’t yet have the privilege of hindsight. The teams of each agency were already well acquainted, with the merger built upon an existing relationship; the two businesses already shared client work. Having avoided a direct culture clash, she’s confident the consolidation has already begun to yield results and achieve their major goal – puncturing the London bubble.

”It’s definitely already working. We’ve just won our first new account. We’ve done more pitching in the last couple of months than I did in over the whole of last year.”

By

Sourced from The Drum

By

We ask readers of The Drum from brands, agencies and everything in between for their advice on real problems facing today’s marketing practitioners.

Since the first lockdowns of last year, self-improvement projects have seen many of those liberated from their commute pick up new tricks. But while many were trying their hand at breadmaking or portrait-painting, time away from the hubbub of the office has made it harder to keep professional skills as sharp. And efforts to train and develop staff at agencies and brands face many more hurdles when delivered remotely.

So, with working-from-home the comfy default for many more months yet, how have marketing leaders worked to keep their team‘s skills from getting dull?

How do you solve a problem like staff skills going rusty away from the office?

Tamara Littleton, chief executive officer, The Social Element

When lockdown #1 first hit, we were all in ‘coping’ mode and learning took a backseat as we made sure morale and day-to-day work were sustained. As ‘temporary lockdown’ has transformed into a new way of life, we have made sure there’s still ways to learn.

One such route for us has been through virtual roleplay with actors so the team refresh their people skills in new and varying situations (we can all admit to feeling like we haven’t flexed this muscle enough). In this way, we try to create the elusive ‘osmosis’ learning so important in early careers simply by giving people practice.

Perri Grinberg, vice-president of human resources, Rapp

Agencies must advocate, and allow space for, self-guided learning, focused on industry and career related subjects that individual employees are most passionate about, and timed at their own pace.

Rapp has partnered with an online platform where our employees can access a variety of content from anywhere – flexibility has proven particularly valuable during this extended period of remote working. As a complement to this foundational layer of always-on, we’ve crafted content, personal training, or partnered with vendors and experts for webinars focused on development in areas such as DE&I and detecting and tackling unconscious bias, working remotely, empathetic leadership and overall wellbeing.

Feedback that we historically heard from our employees is that they want to attend training, but just don’t have the time. We’ve seen that, when the time is available, employees are more eager than ever to focus on their own development.

Victoria James, director, Great State

Apart from internal training around resilience, line management and productivity, we wanted to combat screen fatigue, which often leads to decreased mood and performance. So, we started learning book clubs with physical or audio copies. It’s a mix of individual offline learning with collaborative online discussions that focus on team building and workshop actions.

Our personal development projects programme consists of short learning projects with dedicated R&D time for each employee, who develops a presentation to showcase. Everyone has access to LinkedIn Learning and can work independently or with their line manager to set up their own learning path. We also improved our mentoring program by connecting people who wouldn’t necessarily work together and have an action learning project for a three-month period. Additionally, we focused on wellness, bringing in external experts to talk on a range of topics like childcare and mindfulness, available for one-to-one individual support if needed.

What have we learnt? Our company thrives on contact, collaboration and growth – a lot of which happened naturally when we were all together in an office – but lockdown made us think differently about learning. By investing in our employees’ progression and development, engagement and productivity have risen.

Cathy Butler, chief executive officer, Organic

One lesson learned while being remote is to over-communicate via online tools. Weekly all-staff meetings via Zoom, using Teams for fun/messaging and Miro for co-creating together were the best ways to create bonds that best captured the camaraderie of being in the office.

We know empathy is also incredibly important in business, so we launched ’Everyday Leadership’, our EQ-skills development program, back in February. Its value was proven in spades during the pandemic. We also learned that small discussions, via small break out rooms, are really effective. They ensure that people are engaged and able to ask questions.

Teresa Fernandez-Ruiz, head of organisational development, Future

Agility and creativity are vital in this climate, where changes can be rapid and unexpected. Therefore, investing in our own talent has never been more important. We’ve created over 150 new roles across our editorial team and recently recruited 20 trainee news writers with no prior experience as part of our bespoke training programme.

The initiative needed quick restructuring when the first lockdown hit, from revamping day-long inductions into snappier half day meetings with plenty of breaks to introducing virtual icebreakers and breakout rooms to encourage online interaction. Supporting individuals to build a successful career in the digital media industry is vital, and ensuring new employees feel supported as well as learning the ropes remotely is crucial to our long-term success.

Sanka Kangudi, vice-president of talent experience and workplace innovation, Hivestack

Professional development is a top priority in the current climate due to its positive impact on employee attitude and wellbeing. I joined Hivestack after the first lockdown to ensure we continued to educate and motivate our staff as the business scaled globally.

With courses and events now online, training is more flexible and we can offer a variety of opportunities, whether through industry-led organisations or global online learning platforms. We always ask employees what they need and how they feel about these initiatives, to nurture a sense of trust and security. We encourage them to commit to individual learning goals and offer rewards to maintain motivation.

Amber R Zent, partner, vice-president and director of social media, Marcus Thomas

In the constantly evolving world of social media, it’s hard for even dedicated social practitioners to keep up. So each year we host a social media training event designed to share knowledge about what’s happening in the social space across our agency disciplines. We don’t expect everyone to become a social expert, but we believe fostering these exchanges makes the work better and makes us better counselors to our clients.

Due to coronavirus, we transitioned to a virtual bootcamp event where members of our social, analytics, media and production teams discussed everything from social commerce to virtual influencers in digestible 10-minute presentations – perfect for video conferences. This virtual format also allowed for easy recording and sharing of the information with our clients, so that they, too, could benefit directly from the valuable sessions.

Ginny Leigh Braun, director of creative operations, McKinney

When the virus hit, we were already remarkably busy, so adding an increased volume of work became a challenge for many employees and their families. Development opportunities needed to be frequently offered and bite-sized. Luckily, in 2019 we established a training series, ’Tap’, that allowed us to employ our amazing talent to host 30-minute trainings aimed at helping us better tap into agency resources across our North Carolina, New York and LA offices. Our teams adapted to new technology, honed skill sets, learned emerging trends and discovered more about their industry and company. These sessions are now an on-demand learning library and double as an orientation resource for new hires.

Sophie Vale, HR and talent director, Zeal Creative

When we set up in our home offices and kitchen tables, there were a few weeks where we all rode the wave of productivity. This was fantastic – no commute, no distractions, no conversations. Until we realised that conversations are the lifeblood of Zeal’s culture. Too much time alone means that work and effort may go unseen, and development appears to have been halted. As a leadership team, our focus quickly turned to not just maintaining the day-to-day, but working out how we drive forward, with three key themes.

We prioritised onboarding to make sure that everyone felt part of the real team from day one. Setting Zeal-ers up for success was even more important. We stayed closer to everyone, no matter their seniority. We scheduled meetings for them, entrusting the team to make them happen, and held regular check-ins. We’re also updating our up-front information, so that new starters can read everything about our culture and practices at their convenience.

Secondly, we overhauled our performance process – leaders now hold career conversations with their teams every 12 weeks. These are future focused, easy and quick to prepare. We then look at themes and individual needs to decide where to focus energy and development budget. Finally, we enlisted brilliant partners to work on our people’s mental toughness, giving them the tools they needed to thrive in lockdown and a post-coronavirus world. Through one-on-one sessions, workshops and action learning groups, individuals are held accountable to do, rather than just listen.

Ron Edwards, global head of commercial development, learning and development, Technicolor

To support development and enable remote learning, we launched virtual academies and provided cross training and upskilling across studios. We’ve re-engineered our onboarding courses to support learning from home so new hires can start practicing and working without having to be in a physical studio, and we now have an end-to-end remote learning and working culture globally.

Lessons we’ve learned along the way include recording live virtual sessions so people can review if needed or they missed a session in a series, and to ensure engagement and understanding by having instructors do virtual ‘rounds’ formally so questions get answered that might not get asked in a virtual class.

Tim Duncan, founder, TDC PR

Maintaining a training programme throughout lockdown has required both flexibility and creativity. For our juniors in particular, not being in the office has removed a whole layer of learning that would happen through osmosis – hearing the leadership team on the phone, wrestling with client challenges over a cuppa, all of which can’t be replicated over Slack or Zoom.

To compensate, we’ve created a much more fluid internal training system that can respond to on the ground needs on a week-to-week basis. Led by different team members each time, it’s also a great way to celebrate excellent work or insight within the company – if someone has done something well, why not share that knowledge immediately? This has helped plug the gap of informal office learning, and supports our existing investment in formal training programmes run by the likes of the PRCA.

Lori Meakin, founder, Joint

After those early weeks in survival mode, helping our people grow and thrive despite lockdown became essential. That meant adapting principles that drive our culture in ‘normal’ times.

Like pooling knowledge. From sharing tips on how to get the best out of Google hangouts when running a 25-person creative workshop, to sharing insights and inspiration.

Making time for learning and growing matters, so everyone should protect time in diaries to take advantage of webinars and formal training that’s shifted online.

Most of all, we keep encouraging different perspectives, actively working to avoid unconscious biases and grow diversity of thought and experience.

By

Sourced from The Drum

By

Google and Facebook colluded to undermine competition in advertising, according to documents uncovered by the New York Times. Obtained during an antitrust lawsuit in Texas, the documents lift the lid on ‘Jedi Blue’ – a cloak and dagger sweetheart deal between two tech giants that monopolize online advertising.

So what’s the deal?

  • Google and Facebook are accused of abusing their market position to strike a backroom deal to further their business interests.
  • The agreement is said to have seen Facebook win more favorable terms when bidding for advertising in return for its support for Google’s Open Bidding platform for selling adverts over header bidding – where advertising space is auctioned across multiple ad exchanges.
  • Google has long agitated against this method of buying advertising, maintaining that it slows down web pages and causes batteries to drain faster, as well as elevating the risk for fraud and billing errors.
  • As a result, Facebook gained more time to bid for adverts and was able to strike direct billing deals with sites hosting the ads. The underhand arrangement is also said to have seen Google furnish its rival with its data to enable Facebook to better target audiences.
  • In a quid pro quo, Facebook consented to bid on a minimum of 90% of ad auctions when it could identify users, with a pledge to spend at least $500m a year.
  • Such terms handed Facebook an unfair advantage over Google’s other advertising partners according to the New York Times, which spoke with six of these to help build its case. This meant Facebook was almost guaranteed to win a consistent number of adverts.
  • Evidence of collusion was first obtained from documents filed as part of an antitrust complaint lodged by the Texas attorney general Ken Paxton, amid suspicion the tech pair were getting too cozy.
  • This relationship even included a clause that committed both companies to ’cooperate and assist’ in the event of any investigation into their business practices.

Why it matters

  • Should apparent collusion be corroborated it would further undermine confidence in digital advertising – particularly if a guaranteed win rate is confirmed.
  • In response to the allegations, Google contends that its agreement has been misrepresented, while Facebook maintains that such deals serve to enhance competition.
  • Irrespective of the truth of the matter, the lack of transparency shown by both parties will do little to instill confidence in competitors or legislators.
  • Addressing the claims directly, Google director of economic policy Adam Cohen wrote: “Our agreement with Facebook Audience Network (FAN) simply enables them (and the advertisers they represent) to participate in Open Bidding.
  • “Of course we want FAN to participate because the whole goal of Open Bidding is to work with a range of ad networks and exchanges to increase demand for publishers’ ad space, which helps those publishers earn more revenue.
  • “AG Paxton inaccurately claims that we manipulate the Open Bidding auction in FAN’s favor. We absolutely don’t. FAN must make the highest bid to win a given impression. If another eligible network or exchange bids higher, they win the auction.
  • “FAN’s participation in Open Bidding doesn’t prevent Facebook from participating in header bidding or any other similar system. In fact, FAN participates in several similar auctions on rival platforms.”
  • Both Google and Facebook have been in the eye of an antitrust storm, with Google fending off multiple lawsuits from the Department of Justice and three dozen states centered on its near-monopoly of search and search advertising, as well non-search advertising.
  • Facebook, meanwhile, has been embroiled in lawsuits filed by the Federal Trade Commission as well as attorney generals from dozens of states that accuse the company of abusing its command of the digital marketplace and engaging in anti-competitive behavior.

By

Sourced from The Drum

By Chitra Narayanan 

Digital is becoming dominant media, but are companies and their ad agencies transforming fast enough to make a splash

ll the projections — from India and worldwide — say the same thing. That digital will drive the advertising rebound in 2021. According to GroupM’s estimates, ad revenue for digital media companies (notably Facebook and Google) will surge 14.1 per cent in 2021.

Zenith Media forecasts that digital media will command 58 per cent of total global ad spend by 2023. At nearly $360 billion, that’s no small change.

In India, ad network Dentsu’s projections point to digital media surpassing TV by 2025. It is already at the number two spot, having crossed print in 2020.

The question is whether brands have a clear digital marketing strategy yet. Where exactly will they be parking their digital advertising monies? Also, as veteran marketer Lloyd Mathias asks: “Where are the superstar digital advertising creators?” TV commercials have had their Piyush Pandeys, Balkis, and Prasoon Joshis, but we have not yet seen their digital equivalents. Mathias grouses that advertisers and brands have not fully leveraged the vast potential of digital, and only have a “post facto” strategy.

Questions abound. But first let’s explore where the digital ad spends are likely to go in 2021. Given the accelerated adoption of e-commerce, retailer media (search ads on retail platforms) is obviously going to grow. Social commerce, influencer marketing, OTT platforms are all going to see increased play. The focus will be on performance marketing, experts say.

According to Ashish Bhasin, CEO Asia-Pacific and Chairman India, Dentsu, with e-commerce becoming a part of the Indian consumer behaviour, it will be a big thrust area for brands on digital. “There will be an element of short-termism,” says Bhasin, “as in the initial months of 2021, people will look for result-oriented advertising on digital.”

As he explains, “Liquidity is the grease that keeps the economy going and we are short of the grease. So the thrust of advertising in the initial parts of the year will be performance-oriented.”

Everyone realises the benefit of brand building, but this will probably come in the third quarter of the calendar year, feels Bhasin. So far the big spenders on digital have been BFSI (banking, financial services and insurance), e-commerce, auto categories, but Bhasin feels that as digital’s reach widens, it will become very attractive for FMCG (fast-moving consumer goods).

“By 2025, digital will become the largest medium in India. At the moment TV reaches about 750 million Indians. Digital reaches about 450 million people. In the next three years there will be more than 300 million new users of the Internet. Once the reach of TV and Internet start converging, it becomes interesting for categories like FMCG, which typically want mass numbers,” explains Bhasin. Especially, as he points out, with the next hundred million users coming from Tier 3 and 4 towns and rural areas.

The Formula 1 model

It’s the short-termism Bhasin talks about that fires up Naresh Gupta, COO of Gurugram-based independent agency Bang in the Middle.

We need to break the mindset of digital as a broadcast media, says Gupta. According to him, very few brands have bothered to create their own platforms on digital and instead left it to Facebook, Amazon and Flipkart to capitalise.

It’s not very difficult to build a community on digital and own it, argues Gupta. Giving the offline example of Formula One, a property co-created by auto companies that has raised the profile of auto brands, he asks why we have not seen similar communities or platforms on digital. “Why have camera brands not created a photo community on digital,” he queries. Like Mathias, who feels advertisers have not learnt to explore the vast potential of digital, he feels brands are missing the digital opportunity.

Get the digital natives

Advertisers are still repurposing traditional media offering into digital, says Mathias. Whereas the digital medium is vastly different.

So how can they harness this opportunity? “Getting digital natives should be the core of the strategy. If they get people who live their lives on digital, it will be more natural,” says Mathias. “Don’t retrofit creatives built for television and print. It won’t be seamless. That is the critical part,” he says.

Growing DIY

Long-time digital evangelist Shubho Sengupta feels that this whole talk around social, AI-driven content marketing and so on are self-indulgent statements that have nothing to do with reality. The reality is that digital has evolved from brand building to generating leads to now using digital technology for every activity a brand does.

He cites the example of the owner of a small lubricant company who has created an interesting app that tells him how much he has sold. His challenge is in getting people to download the app at a POS (point of sale) level.

The other thing, Sengupta says, is that a lot of companies are deploying in-house capabilities for digital marketing. “I get at least one or two calls every week for help with handling social media. The more the ROI (return on investment), the more the clients get involved and want to do it themselves,” he says.

Should ad agencies be worried? Not yet. But they clearly need to put a lot more creative energy into taming the beast called digital.

Feature Image Credit: Hit makers: Digital advertising still awaits the kind of superstar creatives that rocked print and TV   –  ISTOCK.COM

By Chitra Narayanan 

Sourced from The Hindu Business Line

Social media campaigns are an integral part of brand marketing strategies. A good post can elevate awareness and reaffirm the coolness of a brand, but what happens when you go viral for all the wrong reasons?

When it comes to PR disasters and brand blunders, it can be easy to forget there’s a person behind the post. Brands and social media managers alike will inevitably make mistakes.

From poorly timed tweets, to questionable GIFs and insensitive comments – these mishaps come in many different forms, in any type of industry and in companies of any size.

In today’s ‘cancel culture’ climate it can be difficult to weather the storm of a social media disaster. So, we asked our Twitter community for some practical advice on how to handle it in style.

Feature Image Credit: The Drum’s Twitter audience share tips on managing a social media crisis 

Sourced from The Drum